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Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A

Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931  /  A


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Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A

Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

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Media ID 20133304

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Afghan Afghani Afghanistan Armenia Armenian Character Farhad Fictional Character Five Treasures Ganjavi Ganjavi Nezami Goat Goats Horsewoman Indian Miniature Khamsa Of Nizami Machete Mahmud Milk Miniature Nezami Nezami Ganjavi Nizami Nur Sultan Muhammad Panj Ganj Perso Arabic Pick Axe Pickaxe Princess Script Shaikh Shaikh Zada Shirin Stream Sultan Muhammad Sultan Muhammad Nur Tools Tripod Zada Zada Shaikh Gold Colour


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EDITORS COMMENTS
The captivating print titled "Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami" takes us back to the 16th century in Afghanistan. This exquisite piece of Indian miniature art, created by Sultan Muhammad Nur Mahmud Muzahhib Shaikh Zada, showcases the rich cultural heritage and artistic brilliance of that era. In this vibrant composition, we witness Farhad, a fictional character from Persian literature, diligently carving a milk channel for his beloved Shirin. The scene is filled with intricate details and vivid colors that bring life to every element portrayed - from the majestic horses to the graceful horsewoman and her loyal goats. The artist's mastery is evident in his skillful use of gold color accents that add an ethereal glow to the entire painting. Each stroke tells a story as we observe Farhad's determination reflected in his posture while wielding his pickaxe and machete. This artwork not only celebrates love but also highlights the importance of nature and its resources. It transports us to a time when people relied on their own hands to shape their surroundings. Preserved at The Metropolitan Museum of Art, this masterpiece serves as a testament to the enduring power of visual storytelling across centuries and cultures. Through this photo print, we are reminded of our shared human experiences and how art continues to bridge gaps between different countries and generations.

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Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa
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