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Ganjavi Nezami Collection

Ganjavi Nezami, a renowned Persian poet from the 12th century, captivated readers with his epic tales of love, heroism, and tragedy

Background imageGanjavi Nezami Collection: Khamsa of Nizami Manuscript, 19th century. Creator: Unknown

Khamsa of Nizami Manuscript, 19th century. Creator: Unknown
Khamsa of Nizami Manuscript, 19th century

Background imageGanjavi Nezami Collection: Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D

Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A

Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A
Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Battle between Alexander and Darius, Folio from a Khamsa (Quintet)... A.H. 931 / A.D

Battle between Alexander and Darius, Folio from a Khamsa (Quintet)... A.H. 931 / A.D
Battle between Alexander and Darius, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Tile depicting Khusrau Happening upon Shirin Bathing, Qajar dynasty, late 19th century

Tile depicting Khusrau Happening upon Shirin Bathing, Qajar dynasty, late 19th century
Tile depicting Khusrau Happening upon Shirin Bathing, Qajar dynasty (1789-1925), late 19th century

Background imageGanjavi Nezami Collection: Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A. H. )

Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A. H. )
Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A.H.)

Background imageGanjavi Nezami Collection: Layla Visiting Majnun in the Desert, page from a copy of the Khamsa

Layla Visiting Majnun in the Desert, page from a copy of the Khamsa of Nizami, Safavid dynasty (1501-1722), 16th century

Background imageGanjavi Nezami Collection: Farhad Carrying Shirin and Her Horse, from a copy of the Khamsa of Nizami

Farhad Carrying Shirin and Her Horse, from a copy of the Khamsa of Nizami, Timurid dynasty (ca. 1370-1507), dated 1485 (890 A.H.)

Background imageGanjavi Nezami Collection: Sultan Sanjar and the Old Woman, Folio from a Khamsa (Quintet) of Nizami

Sultan Sanjar and the Old Woman, Folio from a Khamsa (Quintet) of Nizami, early 16th century

Background imageGanjavi Nezami Collection: Bahram Gur in the Blue Pavilion, Folio from Khamsa (Quintet) of Nizami

Bahram Gur in the Blue Pavilion, Folio from Khamsa (Quintet) of Nizami, early 16th century

Background imageGanjavi Nezami Collection: The Eavesdropper, Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa... ca

The Eavesdropper, Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa... ca
The Eavesdropper, Folio 47r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Background imageGanjavi Nezami Collection: Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits)... of Nizami, ca

Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits)... of Nizami, ca
Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Background imageGanjavi Nezami Collection: Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A. H

Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A. H
Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar... ca. 1430

How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar... ca. 1430
How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Background imageGanjavi Nezami Collection: Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v... ca. 1430

Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v... ca. 1430
Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Background imageGanjavi Nezami Collection: Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A. H. 931 / A. D

Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A. H. 931 / A. D
Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa

Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Page of Calligraphy from a Sharafnama (Book of Honour) of Nizami, ca. 1620-30

Page of Calligraphy from a Sharafnama (Book of Honour) of Nizami, ca. 1620-30

Background imageGanjavi Nezami Collection: Khusrau Spies Shirin Bathing, Folio from a Khamsa (Quintet) of Nizami, 16th century

Khusrau Spies Shirin Bathing, Folio from a Khamsa (Quintet) of Nizami, 16th century

Background imageGanjavi Nezami Collection: Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D

Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Background imageGanjavi Nezami Collection: Alexander and the Circle of Seven Sages, Folio from a Khamsa (Quintet) of Nizami

Alexander and the Circle of Seven Sages, Folio from a Khamsa (Quintet) of Nizami, 15th century


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Ganjavi Nezami, a renowned Persian poet from the 12th century, captivated readers with his epic tales of love, heroism, and tragedy. His masterpieces are beautifully depicted in various artworks throughout history. In "Khusrau Seated on his Throne, " we witness the grandeur of the Khamsa (Quintet) as Khusrau sits regally on his majestic throne. The intricate details and vibrant colors transport us to a bygone era. "Bahram Gur in the White Palace on Friday" showcases Bahram Gur's opulence and power. This captivating folio captures the essence of royalty as he resides in his resplendent palace. Similarly, "Bahram Gur in the Yellow Palace on Sunday" immerses us into another world where Bahram Gur basks in luxury amidst golden hues. The artwork exudes an aura of majesty fit for a king. The tale of Farhad's devotion to Shirin is beautifully portrayed in "Farhad Carves a Milk Channel for Shirin. " This poignant scene depicts Farhad's determination as he carves through mountains to bring water to his beloved Shirin. In "Bahram Gur in the Sandal Palace on Thursday, " we witness yet another glimpse into Bahram Gur's lavish lifestyle. The artist skillfully captures every detail, allowing us to marvel at this extravagant palace setting. A tile from Qajar dynasty portrays Khusrau happening upon Shirin bathing - a moment filled with intrigue and desire that has captivated artists for centuries. It serves as a reminder of forbidden love and its consequences. "Layla Visiting Majnun in the Desert" takes us deep into their passionate love story against all odds. Their longing gazes convey emotions that transcend time and space, reminding us of true devotion even amidst adversity. Another portrayal from Nizami's Khamsa shows Farhad carrying Shirin and her horse, a testament to his unwavering love.