Sultan Muhammad Collection

Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A
Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Battle between Alexander and Darius, Folio from a Khamsa (Quintet)... A.H. 931 / A.D
Battle between Alexander and Darius, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Illuminated Frontispiece of a Bustan of Sa di, dated A. H. 920 / A. D. 1514
Illuminated Frontispiece of a Bustan of Sa di, dated A.H. 920/ A.D. 1514

Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A. H. 931 / A. D
Alexander at a Banquet, Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Page of Calligraphy, early 16th century. Creator: Sultan Muhammad Nur
Page of Calligraphy, early 16th century

Illuminated Folio from a Gulistan (Rose Garden) of Sadi... c. 1475-1500, borders added c
Illuminated Folio from a Gulistan (Rose Garden) of Sadi (c. 1213-1291), c. 1475-1500, borders added c. 1550. The Gulistan, completed around 1258

Illuminated Folio from a Gulistan (Rose Garden) of Sadi (c. 1213-1291), c. 1525-30. The Gulistan, completed around 1258, is one of the most celebrated works of Persian literature

Illuminated Folio (verso) from a Gulistan (Rose Garden) of Sadi (c. 1213-1291), c. 1525-30. The Gulistan, completed around 1258, is one of the most celebrated works of Persian literature

Sir Sultan Mahomed Shah, Aga Khan III, 1930, (1933). Creator: Unknown
Sir Sultan Mahomed Shah, Aga Khan III, 1930, (1933). H.H. Prince The Aga Khan, the leader of all the Moslems in India and one of the most progressive rulers in the world

H. H. The Prince Aga Khan and the Begum Aga Khan, May 12 1937
H.H. The Prince Aga Khan and the Begum Aga Khan, May 12 1937. From Coronation Souvenir Book 1937, edited by Gordon Beckles. [Daily Express, London, 1937]

Aga Khan III (1877-1957), 1935
Aga Khan III, (1877-1957), 1935. A print from the photo album Popular Personalities, issued for Piccadilly Juniors Oval Photos, 1935

Aga Khan III (Mohammed Shah), Leader of the Ismailis, 1926. Artist: Alick P F Ritchie
Aga Khan III (Mohammed Shah), Leader of the Ismailis, 1926. Portrait of the Indian-born Aga Khan (1877-1957). Cigarette card with straight-line caricature, issued by John Player & Sons

Illuminated Folio Gulistan Rose Garden Sa di
Illuminated Folio from a Gulistan (Rose Garden) of Sa di (c. 1213-1291). Style of Sultan Muhammad (Iranian), style of Sultan Ali Mashhadi (Persian, 1430-1520)

Illuminated Folio verso Gulistan Rose Garden
Illuminated Folio (verso) from a Gulistan (Rose Garden) of Sa di (c. 1213-1291), c. 1525-30. Style of Sultan Muhammad (Iranian), style of Sultan Ali Mashhadi (Persian, 1430-1520)

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Sultan Muhammad Nur, a renowned creator of art and calligraphy during the early 16th century, left an indelible mark on the world with his exquisite works. His talent is evident in the illuminated frontispiece of a Bustan of Sa di, dated A. H. 920 / A. D. 1514, where vibrant colors dance across the page, bringing life to every stroke. In his masterpiece "Khusrau Seated on his Throne, " Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D. , Sultan Muhammad captures the grandeur and power emanating from Khusrau's regal presence. The intricate details showcase Sultan Muhammad's mastery over composition and form. Another remarkable piece by this gifted artist is "Bahram Gur in the White Palace on Friday, " Folio 235 from a Khamsa. . A. H. Which transports us to a realm filled with opulence and luxury. Through skillful brushwork, Sultan Muhammad effortlessly brings forth Bahram Gur's majestic persona as he basks in splendor. The vivid depiction continues with "Bahram Gur in the Yellow Palace on Sunday, " Folio 213 from a Khamsa. . A. H. 931 / A. D. , where Sultan Muhammad expertly portrays Bahram Gur amidst golden hues that symbolize prosperity and joy. However, it is not just royalty that captivates Sultan Muhammad's imagination; he also delves into tales of love and devotion like "Farhad Carves a Milk Channel for Shirin, " Folio 74 from a Khamsa (Quintet). . A. H. 931/A. D. This poignant scene showcases Farhad's unwavering dedication as he carves through mountains for his beloved Shirin—a testament to eternal love immortalized by Sultan Muhammad's skilled hand.