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Old Master Drawings Collection (page 2)

"Unveiling the Timeless Beauty: Exploring Old Master Drawings" Step into a world of artistic brilliance as we delve into the captivating realm of old master drawings

Background imageOld Master Drawings Collection: Portrait of the Artist, 1750 (black chalk on paper)

Portrait of the Artist, 1750 (black chalk on paper)
659206 Portrait of the Artist, 1750 (black chalk on paper) by Mengs, Anton Raphael (1728-79) (attr. to); 23.5x20.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageOld Master Drawings Collection: Portrait of a Woman, Bust Length, in a Bonnet, with her Hands Clasped, (red chalk

Portrait of a Woman, Bust Length, in a Bonnet, with her Hands Clasped, (red chalk
659201 Portrait of a Woman, Bust Length, in a Bonnet, with her Hands Clasped, (red chalk, reworked in black chalk and grey wash) by Greuze

Background imageOld Master Drawings Collection: The Virgin and Child with Saint Francis and Saint George, (pen and brown ink

The Virgin and Child with Saint Francis and Saint George, (pen and brown ink
659191 The Virgin and Child with Saint Francis and Saint George, (pen and brown ink, grey wash heightened with white, on grey pre) by Veronese

Background imageOld Master Drawings Collection: The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink

The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink
659189 The Grand Canal with the Ca Pesaro (recto), (black chalk, pen and brown ink, brown wash) by Guardi, Francesco (1712-93); 44x59.3 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: A View of Paris and the Seine from Saint-Cloud, (black chalk, pen and brown ink

A View of Paris and the Seine from Saint-Cloud, (black chalk, pen and brown ink
659182 A View of Paris and the Seine from Saint-Cloud, (black chalk, pen and brown ink, watercolour) by Vauzelle, Jean Lubin (1776-c.1837); 25x35.3 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town

Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town
659174 Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town, (pen and brown ink) by Callot, Jacques (1592-1635); 32.2x18.4 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: Study of Birds: Two Parrots, a Hoopoe and a Jay; Etudes d Oiseaux

Study of Birds: Two Parrots, a Hoopoe and a Jay; Etudes d Oiseaux
827616 Study of Birds: Two Parrots, a Hoopoe and a Jay; Etudes d Oiseaux: Deux Petits Perroquets, une Huppe et un Geai, (oil on paper, black chalk) by Desportes

Background imageOld Master Drawings Collection: The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white)

The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white)
827601 The Annunciation, (black chalk, pen and grey ink, watercolour heightened with white) by Wit, Jacob de (1695-1754); 41.3x26.7 cm; Private Collection; (add.info.: The Annunciation)

Background imageOld Master Drawings Collection: Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4)

Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4)
827591 Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4), (red chalk) by Rubens, Peter Paul (1577-1640); 34x28.3 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk

A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk
827586 A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash) by Tiepolo

Background imageOld Master Drawings Collection: The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk

The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk
827585 The Grand Canal, Venice, with the Rialto Bridge from the South, (black chalk, pen and brown ink) by Bellotto, Bernardo (1720-80); 21.7x38.4 cm; Private Collection; (add.info.: The Grand Canal)

Background imageOld Master Drawings Collection: Two Musicians playing a Chiatarrone and a Violin, with a Subsidiary Study of the Second

Two Musicians playing a Chiatarrone and a Violin, with a Subsidiary Study of the Second
827580 Two Musicians playing a Chiatarrone and a Violin, with a Subsidiary Study of the Second Musician (red chalk on paper) by Confortini

Background imageOld Master Drawings Collection: A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan

A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan
827574 A View of Stockholm from Kungsholmen with the Royal Palace and Storkyrkan, Tyskakyrkan, Katarinakyrka and Riddarholmskyrkan, (pen and grey ink and watercolour) by Martin

Background imageOld Master Drawings Collection: The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d

The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d
827569 The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d Ormesson, attended by her Husband and Villagers, (black chalk, pen and black ink and watercolour) by Martin

Background imageOld Master Drawings Collection: Emperor Charles V picking up Titians Paintbrush, (black chalk

Emperor Charles V picking up Titians Paintbrush, (black chalk
827560 Emperor Charles V picking up Titians Paintbrush, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.7x48.5

Background imageOld Master Drawings Collection: The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink

The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink
827557 The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink, brown wash) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 17.2x13.8 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: Two Seated Angels Singing, after Polidoro da Caravaggio

Two Seated Angels Singing, after Polidoro da Caravaggio
827550 Two Seated Angels Singing, after Polidoro da Caravaggio (pen and brown ink brown wash with white on grey-blue paper) by Roman School

Background imageOld Master Drawings Collection: The Head of Europa, (red and black chalk on grey-blue paper)

The Head of Europa, (red and black chalk on grey-blue paper)
827545 The Head of Europa, (red and black chalk on grey-blue paper) by Reni, Guido (1575-1642); 32.7x23. cm; Private Collection; (add.info.: The Head of Europa. Guido Reni (1575-1642)

Background imageOld Master Drawings Collection: Voltaire seated at a Desk wearing a cap, in profile to the left, c

Voltaire seated at a Desk wearing a cap, in profile to the left, c
827542 Voltaire seated at a Desk wearing a cap, in profile to the left, c.1765 (pen and brown ink, grey wash) by Jean, Stanislas

Background imageOld Master Drawings Collection: Cupid drawing an Arrow from a Quiver, in a Landscape

Cupid drawing an Arrow from a Quiver, in a Landscape
827541 Cupid drawing an Arrow from a Quiver, in a Landscape, (oiled black chalk on light brown paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666)

Background imageOld Master Drawings Collection: The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)

The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)
1766782 The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink) by Piranesi, Giovanni Battista (1720-78); 24.6x29.1 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: A Panoramic View of Naples (pen and brown ink)

A Panoramic View of Naples (pen and brown ink)
827600 A Panoramic View of Naples (pen and brown ink) by Senape, Antonio (fl.1820-49); 27.1x14.5 cm; Private Collection; (add.info.: A Panoramic View of Naples. Antonio Senape (1788-1850)

Background imageOld Master Drawings Collection: An Angel, (black and white chalk on light brown paper)

An Angel, (black and white chalk on light brown paper)
827576 An Angel, (black and white chalk on light brown paper) by Bigari, Vittorio Maria (1692-1776); 28x20 cm; Private Collection; (add.info.: An Angel. Vittorio Maria Bigari (1692-1776)

Background imageOld Master Drawings Collection: A Nude holding a Cape over his Shoudlers, (black chalk)

A Nude holding a Cape over his Shoudlers, (black chalk)
827548 A Nude holding a Cape over his Shoudlers, (black chalk) by Bartolomeo, Fra (Baccio della Porta) (1472-1517); 27x196 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval

A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval
827622 A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval, (black chalk and watercolour) by Gericault, Theodore (1791-1824); 22.3x27.3 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: A Study for the Funerary Monument of the Cardinal de Fleury

A Study for the Funerary Monument of the Cardinal de Fleury
827593 A Study for the Funerary Monument of the Cardinal de Fleury, (red chalk on eight attached sheets of paper) by Bouchardon

Background imageOld Master Drawings Collection: Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper)

Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper)
827589 Saint Joseph holding the Christ Child, (black and white chalk on blue-grey paper) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85); 18.4x15.3 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: Portrait of a Man Wearing a Cap, (black, red and blue chalk)

Portrait of a Man Wearing a Cap, (black, red and blue chalk)
827587 Portrait of a Man Wearing a Cap, (black, red and blue chalk) by Dumonstier, Daniel (1574-1646) (attr. to); 33.2x21.6 cm; Private Collection; (add.info.: Portrait of a Man Wearing a Cap)

Background imageOld Master Drawings Collection: The Head of a Woman looking up to the right, (red chalk)

The Head of a Woman looking up to the right, (red chalk)
827578 The Head of a Woman looking up to the right, (red chalk) by Greuze, Jean Baptiste (1725-1805); 43.2x42.2 cm; Private Collection; (add.info.: The Head of a Woman looking up to the right)

Background imageOld Master Drawings Collection: A View of Stockholm from Soder with the Royal Palace, Storkyrkan

A View of Stockholm from Soder with the Royal Palace, Storkyrkan
827575 A View of Stockholm from Soder with the Royal Palace, Storkyrkan, Riddarholmskykan and Tskakykan, (pen and grey ink and watercolour) by Martin

Background imageOld Master Drawings Collection: A standing Allegorical Figure (red chalk)

A standing Allegorical Figure (red chalk)
827562 A standing Allegorical Figure (red chalk) by Brebiette, Pierre (1598-c.1650) (circle of); 21.7x10.9 cm; Private Collection; (add.info.: A standing Allegorical Figure)

Background imageOld Master Drawings Collection: King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet

King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet
827561 King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet, Raising a Scroll in Front of an Eagle (black chalk)

Background imageOld Master Drawings Collection: Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink

Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink
827559 Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.5x48.5 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: The Last Supper, (black chalk, pen and brown ink)

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageOld Master Drawings Collection: Decorative Panels with Flowers (3 of 3) (oil on canvas)

Decorative Panels with Flowers (3 of 3) (oil on canvas)
659347 Decorative Panels with Flowers (3 of 3) (oil on canvas) by Pillement, Jean Baptiste (1728-1808) (school of); 104.8x61 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageOld Master Drawings Collection: Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window

Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window
659330 Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window, 1733 (oil on canvas) by Coypel, Antoine (1661-1722); 146.7x96.4 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: Portrait of His Sister, the Archduchess Maria Christine, Seated, Three-Quarter Length

Portrait of His Sister, the Archduchess Maria Christine, Seated, Three-Quarter Length
659328 Portrait of His Sister, the Archduchess Maria Christine, Seated, Three-Quarter Length, in a Gold Embroidered Blue Dress Holding a Garland of Flowers, (oil on canvas) by Meytens the Younger

Background imageOld Master Drawings Collection: A Conchologist Holding a Nautilus Shell, (oil on panel)

A Conchologist Holding a Nautilus Shell, (oil on panel)
659324 A Conchologist Holding a Nautilus Shell, (oil on panel) by Keyser, Thomas de (1596/7-1667); 23.5x17.3 cm; Private Collection; (add.info.: A Conchologist Holding a Nautilus Shell)

Background imageOld Master Drawings Collection: The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas)

The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas)
659310 The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 47x78.5 cm; Private Collection; (add.info.: The Grand Canal)

Background imageOld Master Drawings Collection: A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas)

A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas)
659301 A Lawyer Seated at a Desk Reading a Letter, a Library Beyond, 1668 (oil on canvas) by Ostade, Adriaen Jansz. van (1610-85); 28.3x22.8 cm; Private Collection; (add.info)

Background imageOld Master Drawings Collection: The Four Elements, (oil on canvas)

The Four Elements, (oil on canvas)
659297 The Four Elements, (oil on canvas) by Brueghel, Jan II (1601-78) & Balen, Hendrik van (1623-61); 62.5x109 cm; Private Collection; (add.info.: The Four Elements)

Background imageOld Master Drawings Collection: Saint Nicholas of Bari with Two Children, (oil on canvas)

Saint Nicholas of Bari with Two Children, (oil on canvas)
659293 Saint Nicholas of Bari with Two Children, (oil on canvas) by Cignaroli, Giambettino (1706-70); 72.5x101 cm; Private Collection; (add.info.: Saint Nicholas of Bari with Two Children)

Background imageOld Master Drawings Collection: Roses and Other Flowers in a Basket on a Ledge (oil on canvas)

Roses and Other Flowers in a Basket on a Ledge (oil on canvas)
659259 Roses and Other Flowers in a Basket on a Ledge (oil on canvas) by Nijmegen, Dionys van (1705-1798); 36x34.2 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageOld Master Drawings Collection: A Lady Seated on a Terrace Embroidering on a Tambour, with a Little Boy Standing in Front

A Lady Seated on a Terrace Embroidering on a Tambour, with a Little Boy Standing in Front
659235 A Lady Seated on a Terrace Embroidering on a Tambour, with a Little Boy Standing in Front of Her, (pencil and red chalk watercolour heightened with white) by Carmontelle

Background imageOld Master Drawings Collection: Six Putti at Play, Two Holding Up a Cage, (red chalk)

Six Putti at Play, Two Holding Up a Cage, (red chalk)
659234 Six Putti at Play, Two Holding Up a Cage, (red chalk) by Fragonard, Jean-Honore (1732-1806); 30.4x24.4 cm; Private Collection; (add.info.: Six Putti at Play, Two Holding Up a Cage)

Background imageOld Master Drawings Collection: A Colonnaded Thermal Building, the Roof Partly Open to the Sky

A Colonnaded Thermal Building, the Roof Partly Open to the Sky
659229 A Colonnaded Thermal Building, the Roof Partly Open to the Sky, with Girls Washing Clothes at a Fountain Below a Statue, (pencil, pen and black ink and watercolour)

Background imageOld Master Drawings Collection: A Boy Holding a Lemon, (black and white chalk on light blue paper)

A Boy Holding a Lemon, (black and white chalk on light blue paper)
659222 A Boy Holding a Lemon, (black and white chalk on light blue paper) by Piazzetta, Giovanni Battista (1683-1754); 39x30.8 cm; Private Collection; (add.info.: A Boy Holding a Lemon)

Background imageOld Master Drawings Collection: Head of Saint Francis Looking Upwards to the Left, (black

Head of Saint Francis Looking Upwards to the Left, (black
659221 Head of Saint Francis Looking Upwards to the Left, (black, red and white chalk on grey paper) by Barocci or Baroccio



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"Unveiling the Timeless Beauty: Exploring Old Master Drawings" Step into a world of artistic brilliance as we delve into the captivating realm of old master drawings. Each stroke and line tells a story, capturing moments frozen in time with unparalleled skill and precision. From delicate nudes to epic battles, these artworks have stood the test of time, leaving us in awe of their mastery. In "Nude Young Woman Sitting, Asleep, " witness the vulnerability and grace of a slumbering figure, beautifully rendered in black ink. The artist's attention to detail brings forth an ethereal quality that mesmerizes the viewer. Transport yourself to ancient times with "A Decorative Roundel with Odysseus Fighting the Beggar. " This oil on canvas masterpiece depicts a heroic struggle against mythical creatures, while intricate sphinxes add an air of mystery and intrigue. "The Death of Saint Peter Martyr" showcases red chalk's power as it immortalizes this tragic event. With every stroke, emotions are conveyed through shadows and contours, evoking empathy within our hearts. Marvel at Hercules' strength in "Hercules Turned to the Left. " Pen and brown ink bring life to this iconic figure leaning on his club amidst temple ruins. The drapery adds movement and texture against a backdrop steeped in history. Feel the intensity radiating from "The Executioner holding the Head of Saint John the Baptist. " Created using pen and brown ink on light brown paper, this haunting image captures both brutality and religious fervor with striking realism. "The Rape of Sabine Women" takes us back to ancient Rome through its meticulous use of black chalk & bodycolor on vellum. This powerful composition explores themes of violence intertwined with beauty—a testament to art's ability to provoke thought even centuries later. Experience warfare like never before in "The Battle of Cosa. " Black chalk combines seamlessly with pen and brown ink strokes that depict a fierce clash of armies.