Op And Xe9 Collection

Cover of musical score of "Mefistofele"opera by Arrigo (Enrico) Boito
LRI557646 Cover of musical score of " Mefistofele" opera by Arrigo (Enrico) Boito by Italian School, (19th century); Private Collection; Luisa Ricciarini; Italian, out of copyright

The Grand Hall of Lille Opera House, Lille, France

Poster advertising a production in Paris of La Damnation de Faust by Hector Berlioz, c. 1910 (colour lithograph)
485192 Poster advertising a production in Paris of La Damnation de Faust by Hector Berlioz, c.1910 (colour lithograph) by Dola, Georges

Plate, Montereau, 1825 / 33. Creator: Creil Pottery
Plate, Montereau, 1825/33

Poster for the ballet "Cigale"by Jules Massenet, 1904
Poster for the ballet " Cigale" by Jules Massenet, 1904. Private Collection

Masks from the Control Room (Masques du vestibule de controle), c. 1870. [Grotesque faces, part of the decor of the Opera building in Paris]

Stage Frieze and Cornice, c. 1870. Creator: Louis-Emile Durandelle
Stage Frieze and Cornice, c. 1870. [Masons working on carved stone decoration at the Opera building in Paris]. Albumen print, from " Le Nouvel Opera de Paris, Sculpture Ornementale" (1875)

At the theatre. Creator: Guillaume, Albert (1873-1942)
At the theatre. Private Collection

Page of musical score of first violin in "Mithridate"
LRI557827 Page of musical score of first violin in " Mithridate" overture by austrian composer Wolfgang Amadeus Mozart (1756-1791), 1770

Carolyne Carvalho (1827-1895) french soprano performing Margherita in "Faust"
LRI557704 Carolyne Carvalho (1827-1895) french soprano performing Margherita in " Faust" by Charles Gounod (1818-1893) by French School

Costumes of Marie Galli (Carmen) and miss Ducasse (Frasquita) acting in "Carmen"
LRI557634 Costumes of Marie Galli (Carmen) and miss Ducasse (Frasquita) acting in " Carmen" of Georges Bizet by French School, (19th century); Private Collection; Luisa Ricciarini; French

Portrait of Albert Raymond Alvarez (1861-1933), French opera singer
XEE556324 Portrait of Albert Raymond Alvarez (1861-1933), French opera singer. by French Photographer, (19th century); Private Collection; (add.info)

"Marguerite, Faust and Mephisto"Scene from "Faust"
557708 " Marguerite, Faust and Mephisto" Scene from " Faust" by Charles Gounod (1818-1893) c.1900 (oil on canvas) by Cipolla

Representation of Dumas, master of the household in "Andrea Chenier"
LRI557701 Representation of Dumas, master of the household in " Andrea Chenier" opera by Umberto Giordano set to an Italian libretto by Luigi Illica by Italian School

Scene from "Don Caesar de Bazan", at the Princess Theatre, 1844
Scene from " Don Caesar de Bazan", at the Princess Theatre, 1844. A performance on the London stage of " Don Cesar de Bazan"

Joseph-Henri Altes (1826-1895), 1868. Creator: Edgar Degas
Joseph-Henri Altes (1826-1895), 1868

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"Opéra: A Journey Through Time and Artistic Expression" Immerse yourself in the enchanting world of opera as we explore the captivating history and artistic brilliance behind this timeless art form. From the grand halls of Lille Opera House in France to the vibrant streets of Paris, each element tells a unique story. The cover of Arrigo (Enrico) Boito's "Mefistofele" opera score sets the stage for our journey, its intricate notes whispering tales of love and temptation. As we step into the opulent Grand Hall of Lille Opera House, adorned with ornate chandeliers and rich tapestries, anticipation fills the air. A vivid poster advertising Hector Berlioz's "La Damnation de Faust" transports us back to early 20th-century Paris. Its colorful lithograph captures the essence of this haunting tale, enticing audiences with promises of passion and despair. Moving beyond music, Creil Pottery's exquisite plate from 1825 takes us backstage to witness craftsmanship at its finest. Each delicate brushstroke reveals a dedication to detail that mirrors the performers' commitment on stage. Jules Massenet's ballet "Cigale, " depicted in a mesmerizing poster from 1904, invites us into a world where movement becomes poetry. The graceful dancers transport us through time as they tell their stories through elegant choreography. Peering into c. 1870 masks from the Control Room brings an intriguing sense of mystery. These enigmatic faces guard secrets hidden within theater walls—whispers shared only among those who truly understand their significance. Louis-Emile Durandelle's stage frieze and cornice capture moments frozen in time—a visual symphony that complements every note sung on stage. Their intricate designs remind us that even behind-the-scenes elements contribute to creating unforgettable performances.