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Personification Collection (page 8)

Personification is a powerful artistic technique that breathes life into inanimate objects, concepts, and even nations

Background imagePersonification Collection: Denarius (Coin) Depicting the Goddess Roma, 121 BCE. Creator: Unknown

Denarius (Coin) Depicting the Goddess Roma, 121 BCE. Creator: Unknown
Denarius (Coin) Depicting the Goddess Roma, 121 BCE

Background imagePersonification Collection: Denarius (Coin) Depicting the Goddess Roma, 110-109 BCE. Creator: Unknown

Denarius (Coin) Depicting the Goddess Roma, 110-109 BCE. Creator: Unknown
Denarius (Coin) Depicting the Goddess Roma, 110-109 BCE

Background imagePersonification Collection: Denarius (Coin) Depicting the Goddess Roma, 104 BCE. Creator: Unknown

Denarius (Coin) Depicting the Goddess Roma, 104 BCE. Creator: Unknown
Denarius (Coin) Depicting the Goddess Roma, 104 BCE

Background imagePersonification Collection: Coin Depicting the Goddess Rhodos, 333-304 BCE. Creator: Unknown

Coin Depicting the Goddess Rhodos, 333-304 BCE. Creator: Unknown
Coin Depicting the Goddess Rhodos, 333-304 BCE

Background imagePersonification Collection: Father Time, 1500 / 1600. Creator: Unknown

Father Time, 1500 / 1600. Creator: Unknown
Father Time, 1500/1600

Background imagePersonification Collection: Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture, after 1569

Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture, after 1569. In the manner of Giuseppe Arcimboldo

Background imagePersonification Collection: Touch (Tactus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn

Touch (Tactus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Touch (Tactus), from Quinque Sensuum (Five Senses), ca. 1655

Background imagePersonification Collection: Sight (Visus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn

Sight (Visus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Sight (Visus), from Quinque Sensuum (Five Senses), ca. 1655

Background imagePersonification Collection: Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn

Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655

Background imagePersonification Collection: Hearing (Auditus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn

Hearing (Auditus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Hearing (Auditus), from Quinque Sensuum (Five Senses), ca. 1655

Background imagePersonification Collection: Knight, Death and the Devil, 1513 (copper plate engraving)

Knight, Death and the Devil, 1513 (copper plate engraving)
BAL168975 Knight, Death and the Devil, 1513 (copper plate engraving) by DAOErer or Duerer, Albrecht (1471-1528); 24.6x18.9 cm; Hungarian National Gallery, Budapest

Background imagePersonification Collection: The Knight, Death and the Devil, 1513 (engraving)

The Knight, Death and the Devil, 1513 (engraving)
NUL114024 The Knight, Death and the Devil, 1513 (engraving) by DAOErer or Duerer, Albrecht (1471-1528); Cabinet des Estampes et des Dessins, Strasbourg, France; (add.info.: The Christian knight)

Background imagePersonification Collection: Knight, Death and the Devil, 1513 (engraving)

Knight, Death and the Devil, 1513 (engraving)
XIR159027 Knight, Death and the Devil, 1513 (engraving) by DAOErer or Duerer, Albrecht (1471-1528); Musee de la Ville de Paris, Musee du Petit-Palais, France; (add.info.: The Christian knight)

Background imagePersonification Collection: The Birth of Venus (detail), c. 1485 (tempera on canvas)

The Birth of Venus (detail), c. 1485 (tempera on canvas)
5863972 The Birth of Venus (detail), c.1485 (tempera on canvas) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

Background imagePersonification Collection: Mrs. Pope as Britannia (engraving and collage)

Mrs. Pope as Britannia (engraving and collage)
BAL78068 Mrs. Pope as Britannia (engraving and collage) by English School, (19th century); Victoria & Albert Museum, London, UK; English, out of copyright

Background imagePersonification Collection: Detail of Flora as the Hour of Spring, from the Primavera (allegory of Spring)

Detail of Flora as the Hour of Spring, from the Primavera (allegory of Spring)
BEN44377 Detail of Flora as the Hour of Spring, from the Primavera (allegory of Spring), c1477-1482 (tempera on panel) (detail of 558) by Botticelli

Background imagePersonification Collection: Confab between John Bull and Brother Jonathan, c. 1836 (litho)

Confab between John Bull and Brother Jonathan, c. 1836 (litho)
AQS332038 Confab between John Bull and Brother Jonathan, c.1836 (litho) by Johnston, David Claypoole (1799-1865); 21.5x28 cm; American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imagePersonification Collection: The Allegory of Air, from a series on the Allegory of the Elements

The Allegory of Air, from a series on the Allegory of the Elements
GIA1763735 The Allegory of Air, from a series on the Allegory of the Elements, 1621 (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Louvre, Paris, France; eGiancarlo Costa; Flemish

Background imagePersonification Collection: Sacred Love, 1888 (oil on canvas)

Sacred Love, 1888 (oil on canvas)
1267884 Sacred Love, 1888 (oil on canvas) by Sartorio, Giulio Aristide (1860-1932); 69.9x35.3 cm; Private Collection; (add.info.: Amor Sacro); Photo eChristies Images; Italian, out of copyright

Background imagePersonification Collection: Allegorical tapestry cushion cover, North Germany, probably Hamburg, c. 1600-50 (textile)

Allegorical tapestry cushion cover, North Germany, probably Hamburg, c. 1600-50 (textile)
1262580 Allegorical tapestry cushion cover, North Germany, probably Hamburg, c.1600-50 (textile) by German School, (17th century); 57x63.5 with frame cm; Private Collection; (add.info)

Background imagePersonification Collection: A Charles II needlework picture of Africa and the New World, c

A Charles II needlework picture of Africa and the New World, c
1142032 A Charles II needlework picture of Africa and the New World, c.1660-70 (embroidered fabric) by English School, (17th century); 41x51 cm; Private Collection; Photo eChristies Images; English

Background imagePersonification Collection: Allegory of Peace and Justice (oil on canvas)

Allegory of Peace and Justice (oil on canvas)
CH5216 Allegory of Peace and Justice (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imagePersonification Collection: Personification of Pax (oil on panel)

Personification of Pax (oil on panel)
992676 Personification of Pax (oil on panel) by Aachen, Johann or Hans von (1552-1616) (follower of); 45.4x33.8 cm; Private Collection; (add.info.: Holding a sword and a balance)

Background imagePersonification Collection: Music (oil on canvas)

Music (oil on canvas)
CH402466 Music (oil on canvas) by Holiday, Henry (1839-1927); Private Collection; Photo eChristies Images; English, out of copyright

Background imagePersonification Collection: Love and the Maiden, 1877 (tempera with gold paint & gold leaf on canvas)

Love and the Maiden, 1877 (tempera with gold paint & gold leaf on canvas)
CH402048 Love and the Maiden, 1877 (tempera with gold paint & gold leaf on canvas) by Stanhope, John Roddam Spencer (1829-1908); 137.9x202.4 cm; Private Collection; Photo eChristies Images; English

Background imagePersonification Collection: Spring, 1911 (w / c & bodycolour heightened with gold on paper)

Spring, 1911 (w / c & bodycolour heightened with gold on paper)
CH401984 Spring, 1911 (w/c & bodycolour heightened with gold on paper) by Frampton, Edward Reginald (1872-1923); 34.3x39.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePersonification Collection: Flora Alpina (oil on panel)

Flora Alpina (oil on panel)
CH401982 Flora Alpina (oil on panel) by Frampton, Edward Reginald (1872-1923); Private Collection; Photo eChristies Images; English, out of copyright

Background imagePersonification Collection: Fortune with a Crown (oil on canvas)

Fortune with a Crown (oil on canvas)
CH401688 Fortune with a Crown (oil on canvas) by Reni, Guido (1575-1642); 163.8x131 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imagePersonification Collection: A Personification of Music, Singing with Putti Playing a Viol and a Flute

A Personification of Music, Singing with Putti Playing a Viol and a Flute
990118 A Personification of Music, Singing with Putti Playing a Viol and a Flute, 1758 (oil on canvas) by Vien, Joseph-Marie

Background imagePersonification Collection: A personification of Sculpture, c. 1557-59 (oil on canvas)

A personification of Sculpture, c. 1557-59 (oil on canvas)
746379 A personification of Sculpture, c.1557-59 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 186.3x116.3 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imagePersonification Collection: Allegory of Time (pen & ink on paper)

Allegory of Time (pen & ink on paper)
703517 Allegory of Time (pen & ink on paper) by Pordenone, Giovanni Antonio (1484-1539); 27.5x42 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imagePersonification Collection: Charity (oil on canvas)

Charity (oil on canvas)
476563 Charity (oil on canvas) by Kaulbach, Wilhelm von (1805-74); 77.5X62.5 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imagePersonification Collection: Cupid Sharpening his Arrows

Cupid Sharpening his Arrows
CH23388 Cupid Sharpening his Arrows by Gessi, Francesco Giovanni (1588-1649); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imagePersonification Collection: Allegory of Vanity (painting on wood)

Allegory of Vanity (painting on wood)
3433459 Allegory of Vanity (painting on wood) by Caroselli, Angelo (1585-1652); 55x68 cm; Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imagePersonification Collection: A Hospital Case, Anti-Communist cartoon, published during the Red Scare

A Hospital Case, Anti-Communist cartoon, published during the Red Scare
3661046 A Hospital Case, Anti-Communist cartoon, published during the Red Scare, 1918 (litho) by Rogers, William Allen (1854-1931) (after); (add.info.: A Hospital Case : Allies (Japan)

Background imagePersonification Collection: Justice (marble)

Justice (marble)
3702636 Justice (marble) by Solari, Cristoforo (1468-1524); Franchetti Gallery, Ca D Oro, Venice, Veneto, Italy; eMark Edward Smith; Italian, out of copyright

Background imagePersonification Collection: Caricature of Paris Invaded by Demolishers (engraving)

Caricature of Paris Invaded by Demolishers (engraving)
3483061 Caricature of Paris Invaded by Demolishers (engraving) by Morin, Edmond (1824-82); Private Collection; (add.info)

Background imagePersonification Collection: Time, 1810 (oil on canvas)

Time, 1810 (oil on canvas)
3545919 Time, 1810 (oil on canvas) by Wonder, Pieter Christoffel (1780-1852); 121.5x105 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imagePersonification Collection: Allegory of Fortune, c. 1530 (oil on canvas)

Allegory of Fortune, c. 1530 (oil on canvas)
3545837 Allegory of Fortune, c.1530 (oil on canvas) by Dossi, Dosso (c.1479-1542); 179.1x217.2 cm; J. Paul Getty Museum, Los Angeles

Background imagePersonification Collection: Allegory of Fortune, c. 1658-9 (oil on canvas)

Allegory of Fortune, c. 1658-9 (oil on canvas)
3545818 Allegory of Fortune, c.1658-9 (oil on canvas) by Rosa, Salvator (1615-73); 200.7x133 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Fortune bestows wealth, status)

Background imagePersonification Collection: The Plague, 1898 (tempera on panel)

The Plague, 1898 (tempera on panel)
3588558 The Plague, 1898 (tempera on panel) by Bocklin, Arnold (1827-1901); 149.8x105.1 cm; Kunstmuseum, Basel, Switzerland; (add.info.: inspired by news of the plague in Bombay); Swiss

Background imagePersonification Collection: Reason, Corridor of the Virtues (fresco)

Reason, Corridor of the Virtues (fresco)
3496522 Reason, Corridor of the Virtues (fresco) by Busca, Antonio (1625-84); Palazzo Borromeo Arese, Cesano Maderno, Monza, Lombardy

Background imagePersonification Collection: The Fire, from the Stories of Perseus

The Fire, from the Stories of Perseus
3498353 The Fire, from the Stories of Perseus by Italian School, (16th century); Palazzo Marino, Milan, Lombardy, Italy; (add.info.: Alessi Hall)

Background imagePersonification Collection: The Hope, 1792 (plaster)

The Hope, 1792 (plaster)
3497486 The Hope, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Milano-Fondazione Cariplo-Canova Antonio-Allegoria della Speranza 1784-92)

Background imagePersonification Collection: The Justice, 1793 (plaster)

The Justice, 1793 (plaster)
3497485 The Justice, 1793 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info)

Background imagePersonification Collection: John Bull watching Autumn manoeuvres, 1850

John Bull watching Autumn manoeuvres, 1850
3478415 John Bull watching Autumn manoeuvres, 1850 by Tenniel, John (1820-1914); (add.info.: Cartoon depicting John Bull watching Autumn manoeuvres)

Background imagePersonification Collection: The Apotheosis of the Spanish Monarchy, c. 1765 (oil on canvas)

The Apotheosis of the Spanish Monarchy, c. 1765 (oil on canvas)
3618011 The Apotheosis of the Spanish Monarchy, c.1765 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 81.6 x 66.4 cm; Metropolitan Museum of Art, New York

Background imagePersonification Collection: The Death of Archimedes (oil on panel)

The Death of Archimedes (oil on panel)
3900206 The Death of Archimedes (oil on panel) by Vaccaro, Domenico Antonio (1678-1745); 19.7x19.5 cm; Private Collection; (add.info.: Archimedes of Syracuse (c.aE287 - c.aE212 BC)



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Personification is a powerful artistic technique that breathes life into inanimate objects, concepts, and even nations. From the explosive brilliance of "A Star Explodes" by Norman Lindsay to the resilience embodied in "Long Live Estonia, " personification captivates our imagination. In an 1866 cartoon titled "Deaths Dispensary, " water pollution takes on a sinister form as it becomes the source of disease, reminding us of the consequences of environmental negligence. The Austro-Hungarian Empire proudly waves its flag while personified, symbolizing its strength and identity. Dressed in ancient Roman costume, we witness the embodiment of history itself. Guiseppe Heintz's 17th-century map of Venice transports us back in time to a city alive with stories waiting to be discovered. Lord have mercy on London. A contemporary English woodcut depicts the Great Plague of 1665 as death rides upon a pale horse, illustrating how they are evoke fear and urgency. Finland emerges as a vibrant character through "The Personification of Finland (Suomi), " representing national pride and unity. Gustave Doré's wood engraving portrays Death on his pale horse from Revelation 6:8, showcasing how personifying abstract ideas can make them tangible and relatable. During World War II, Edward T. Grigware's poster warns against careless talk with the phrase "Keep Mum - The World Has Ears. " This clever use reminds us that words hold power beyond measure. Lastly, Kiyochika Kobayashi's woodcut presents a thought-provoking image: a whale dining on Russian sailors while three fish symbolize Japan. Here we see how nations are given human-like qualities for political commentary or storytelling purposes. Through these diverse examples spanning centuries and cultures, we witness how artists employ personification to engage our emotions and provoke contemplation about complex issues such as pollution or war.