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Pietro Buonaccorsi Collection

Pietro Buonaccorsi, also known as Perino del Vaga, was a renowned Italian painter during the 16th century

Background imagePietro Buonaccorsi Collection: Matthew the Evangelist with Benefactor, 1516-1547. Creator: Perino del Vaga

Matthew the Evangelist with Benefactor, 1516-1547. Creator: Perino del Vaga
Matthew the Evangelist with Benefactor, 1516-1547

Background imagePietro Buonaccorsi Collection: Alexander Consecrating the Altars for the Twelve Olympian Gods, 1545/1547. Creator: Perino del Vaga

Alexander Consecrating the Altars for the Twelve Olympian Gods, 1545/1547. Creator: Perino del Vaga
Alexander Consecrating the Altars for the Twelve Olympian Gods, 1545/1547

Background imagePietro Buonaccorsi Collection: Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude... 1528/33

Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude... 1528/33. Creator: Perino del Vaga
Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso), 1528/33

Background imagePietro Buonaccorsi Collection: The Virgin Enthroned with Saints Gregory and James, and a Family of Donors, 1535/36

The Virgin Enthroned with Saints Gregory and James, and a Family of Donors, 1535/36. Creator: Perino del Vaga
The Virgin Enthroned with Saints Gregory and James, and a Family of Donors, 1535/36

Background imagePietro Buonaccorsi Collection: Apollo Driving the Chariot of the Sun, 1519/21. Creator: Workshop of Pietro Buonaccorsi

Apollo Driving the Chariot of the Sun, 1519/21. Creator: Workshop of Pietro Buonaccorsi, called Perino del Vaga
Apollo Driving the Chariot of the Sun, 1519/21

Background imagePietro Buonaccorsi Collection: The Raising of Lazarus, 1538-40 (fresco transferred to canvas)

The Raising of Lazarus, 1538-40 (fresco transferred to canvas)
862854 The Raising of Lazarus, 1538-40 (fresco transferred to canvas) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Victoria & Albert Museum, London

Background imagePietro Buonaccorsi Collection: San Giuliano l'Ospedaliere

San Giuliano l'Ospedaliere
3359315 San Giuliano l'Ospedaliere by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Galleria Colonna, Rome, Italy; (add.info.: San Giuliano l'Ospedaliere, Pietro Bonaccorsi)

Background imagePietro Buonaccorsi Collection: Holy family, 16th century (oil on panel)

Holy family, 16th century (oil on panel)
7062993 Holy family, 16th century (oil on panel) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Holy family)

Background imagePietro Buonaccorsi Collection: Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter

Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter, 1530-33 (fresco) (detail of 3606300)
3606301 Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter, 1530-33 (fresco) (detail of 3606300) by Vaga

Background imagePietro Buonaccorsi Collection: Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)

Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)
3606307 Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Palazzo di Andrea Doria (Villa del Principe), Genoa, Liguria

Background imagePietro Buonaccorsi Collection: Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)

Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)
3606305 Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Palazzo di Andrea Doria (Villa del Principe), Genoa, Liguria

Background imagePietro Buonaccorsi Collection: Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)

Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)
3606312 Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Palazzo di Andrea Doria (Villa del Principe), Genoa, Liguria

Background imagePietro Buonaccorsi Collection: Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter

Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter, 1530-33 (fresco) (detail of 3606300)
3606303 Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter, 1530-33 (fresco) (detail of 3606300) by Vaga

Background imagePietro Buonaccorsi Collection: Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)

Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco)
3606308 Andrea Dorias ancestors, Loggia of the Heroes, 1530-33 (fresco) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Palazzo di Andrea Doria (Villa del Principe), Genoa, Liguria

Background imagePietro Buonaccorsi Collection: Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter

Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter, 1530-33 (fresco) (detail of 3606300)
3606302 Zeus striking the rebelling Giants (the Fall of Giants) in The Hall of Jupiter, 1530-33 (fresco) (detail of 3606300) by Vaga

Background imagePietro Buonaccorsi Collection: A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder

A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder
990021 A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder and Right Leg, (red chalk, pen and brown ink) by Vaga

Background imagePietro Buonaccorsi Collection: Tarquinius the Proud founding the Temple of Jupiter on Capitol Hilll

Tarquinius the Proud founding the Temple of Jupiter on Capitol Hilll
3567511 Tarquinius the Proud founding the Temple of Jupiter on Capitol Hilll by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); Galleria degli Uffizi, Florence, Tuscany

Background imagePietro Buonaccorsi Collection: The Back of a Nude and Two Studies of a Raised Arm and Shoulder, Seen from the Front

The Back of a Nude and Two Studies of a Raised Arm and Shoulder, Seen from the Front
990022 The Back of a Nude and Two Studies of a Raised Arm and Shoulder, Seen from the Front, (black chalk, pen and brown ink) by Vaga

Background imagePietro Buonaccorsi Collection: panel ornament putti standing cornucopia lower section

panel ornament putti standing cornucopia lower section
Artokoloro

Background imagePietro Buonaccorsi Collection: panel ornament woman holding vase centre 1532

panel ornament woman holding vase centre 1532
Artokoloro

Background imagePietro Buonaccorsi Collection: Alexander Cutting Gordian Knot Study Fresco Castel Sant Angelo

Alexander Cutting Gordian Knot Study Fresco Castel Sant Angelo
Artokoloro

Background imagePietro Buonaccorsi Collection: coronation Virgin Christ holding crown head God

coronation Virgin Christ holding crown head God
Artokoloro

Background imagePietro Buonaccorsi Collection: Caryatid Perino del Vaga drawing Albertina ca

Caryatid Perino del Vaga drawing Albertina ca
Artokoloro

Background imagePietro Buonaccorsi Collection: Virgin Child Enthroned Saint Anthony Abbot Peter

Virgin Child Enthroned Saint Anthony Abbot Peter
Artokoloro

Background imagePietro Buonaccorsi Collection: Neptune Seated Blowing Conch Shell 16th century

Neptune Seated Blowing Conch Shell 16th century
Artokoloro

Background imagePietro Buonaccorsi Collection: panel ornament putto centre holding windmill

panel ornament putto centre holding windmill
Artokoloro

Background imagePietro Buonaccorsi Collection: Two Standing Male Figures 1501-47 Pen dark brown ink

Two Standing Male Figures 1501-47 Pen dark brown ink
Artokoloro

Background imagePietro Buonaccorsi Collection: Saints Peter John Healing Cripple Gate Temple

Saints Peter John Healing Cripple Gate Temple
Artokoloro

Background imagePietro Buonaccorsi Collection: Design Grotesque Wall Decoration early 16th century

Design Grotesque Wall Decoration early 16th century
Artokoloro

Background imagePietro Buonaccorsi Collection: Saint Peter John Healing Cripple Gate Temple

Saint Peter John Healing Cripple Gate Temple
Artokoloro

Background imagePietro Buonaccorsi Collection: panel ornament large jar centre putti figures

panel ornament large jar centre putti figures
Artokoloro

Background imagePietro Buonaccorsi Collection: Naked man walking right carrying column base

Naked man walking right carrying column base
Artokoloro

Background imagePietro Buonaccorsi Collection: Design Candlestick Winged Figures Base Surrounding Scenic Medallion

Design Candlestick Winged Figures Base Surrounding Scenic Medallion
Artokoloro

Background imagePietro Buonaccorsi Collection: Study Allegorical Figure Prudence 1501-47 Pen

Study Allegorical Figure Prudence 1501-47 Pen
Artokoloro

Background imagePietro Buonaccorsi Collection: Thetis Standing Two Tritons Engraving plate 9 5 / 16 x 6 3 / 8

Thetis Standing Two Tritons Engraving plate 9 5 / 16 x 6 3 / 8
Artokoloro

Background imagePietro Buonaccorsi Collection: Thetis Seated Triton 16th century Engraving sheet

Thetis Seated Triton 16th century Engraving sheet
Artokoloro

Background imagePietro Buonaccorsi Collection: Triumph Bacchus 16th century Engraving sheet

Triumph Bacchus 16th century Engraving sheet
Artokoloro

Background imagePietro Buonaccorsi Collection: Thetis Seated Triton 16th century Engraving plate

Thetis Seated Triton 16th century Engraving plate
Artokoloro

Background imagePietro Buonaccorsi Collection: Combat Amazons men front architectural arcades

Combat Amazons men front architectural arcades
Artokoloro

Background imagePietro Buonaccorsi Collection: Venus Vulcan Seated Bed Three Putti mid-1550s

Venus Vulcan Seated Bed Three Putti mid-1550s
Artokoloro

Background imagePietro Buonaccorsi Collection: Christ Daughter Centurion 16th century Pen brown ink

Christ Daughter Centurion 16th century Pen brown ink
Artokoloro

Background imagePietro Buonaccorsi Collection: Thetis Standing Two Tritons Engraving sheet 8 7 / 8 x 6 1 / 16

Thetis Standing Two Tritons Engraving sheet 8 7 / 8 x 6 1 / 16
Artokoloro

Background imagePietro Buonaccorsi Collection: Kneeling Seated Standing Figures recto Reclining

Kneeling Seated Standing Figures recto Reclining
Artokoloro

Background imagePietro Buonaccorsi Collection: Sketch wall panel Sala Paolina Castel Sant Angelo

Sketch wall panel Sala Paolina Castel Sant Angelo
Artokoloro

Background imagePietro Buonaccorsi Collection: Design Grotesque Wall Decoration 1501-47 Pen

Design Grotesque Wall Decoration 1501-47 Pen
Artokoloro

Background imagePietro Buonaccorsi Collection: Seated Neptune holding conch shell mouth accompanied

Seated Neptune holding conch shell mouth accompanied
Artokoloro

Background imagePietro Buonaccorsi Collection: Thetis Seated Triton Engraving sheet 9 3 / 16 x 6 1 / 8

Thetis Seated Triton Engraving sheet 9 3 / 16 x 6 1 / 8
Artokoloro

Background imagePietro Buonaccorsi Collection: holy family 1642 Etching state 8 x 6 3 / 16 20. 3 15. 7 cm

holy family 1642 Etching state 8 x 6 3 / 16 20. 3 15. 7 cm
Artokoloro



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Pietro Buonaccorsi, also known as Perino del Vaga, was a renowned Italian painter during the 16th century. His artistic talent is evident in his various works such as "The Raising of Lazarus, " a captivating fresco transferred to canvas that showcases his mastery of detail and emotion. Another notable piece is "Holy Family, " an oil painting on panel that exudes serenity and grace. In "Salome and beheaded St John the Baptist, " Buonaccorsi's skillful brushstrokes bring this biblical scene to life with its dramatic composition and vivid colors. The artist's ability to capture movement and expression is further demonstrated in "Zeus striking the rebelling Giants" from The Hall of Jupiter, where every muscle seems to ripple with energy. Buonaccorsi's dedication to historical accuracy can be seen in his work on the Loggia of the Heroes, specifically in the stunning depiction of Andrea Doria's ancestors. These frescoes showcase not only his technical prowess but also his deep understanding of storytelling through art. One cannot overlook Buonaccorsi's portrayal of compassion in "Roman Charity. " This oil painting portrays a mother breastfeeding her elderly father who had been sentenced to death by starvation—a powerful representation of selflessness amidst adversity. Throughout these diverse artworks, Pietro Buonaccorsi demonstrates his versatility as an artist while leaving an indelible mark on Renaissance art history. His attention to detail, emotional depth, and commitment to storytelling make him a true master whose legacy continues to inspire generations.