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A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder

A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder


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A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder

990021 A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder and Right Leg, (red chalk, pen and brown ink) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); 28.2x19 cm; Private Collection; (add.info.: A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder and Right Leg. Perino del Vaga (Pietro Buonaccorsi) (1501-1547). Red chalk, pen and brown ink. 28.2 x 19cm.); Photo eChristies Images; Italian, out of copyright

Media ID 22523976

© Christie's Images / Bridgeman Images

Anatomical Athletic Aversion Back Back View Backview Behind Biology Body Type Bottom Brown Ink Buttock Chalk Early Sixteenth Century Etude From The Back Human Body Human Build In Ink Ink Drawing Italian Art Italian Artist Legs Limb Looking Away Muscular Old Master Drawings Old Masters One Man Only Perino Del Vaga Pietro Buonaccorsi Rear View Red Chalk Shoulder Skin Studies Turning Away View From Behind Anatomist Buonaccorsi Ethnic Origin


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EDITORS COMMENTS
This print showcases the artwork titled "A Nude Seen from Behind, Looking to the Left, and Other Studies of his Left Shoulder" by Perino del Vaga. The piece, created in the early 16th century, depicts a male figure viewed from behind with his gaze turned away. Delicate red chalk lines and precise pen strokes bring out the intricate details of the subject's left shoulder and right leg. The artist's skillful rendering captures not only anatomical accuracy but also conveys a sense of aversion or introspection through the man's posture and body language. Standing in half-length view, this study explores human build and biology with a focus on skin texture and muscular definition. As an old master drawing, this work exemplifies Italian art from that era. The European artist demonstrates their expertise in capturing human form while utilizing various artistic techniques such as ink drawing with brown ink accents. The composition offers viewers a unique perspective on nudity as it presents a rear view of the figure. This portrayal emphasizes both physicality and vulnerability simultaneously. Overall, this print provides an intriguing glimpse into Perino del Vaga's mastery as an anatomist and artist during the Renaissance period. It is undoubtedly a valuable addition to any fine art collection or enthusiast's appreciation for classical works.

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