Po And Xe9 Collection

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei)
GIA745748 Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 5 : The late repenters singing the Miserere
GIA745746 Purgatorio, Canto 5 : The late repenters singing the Miserere, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy
GIA745743 Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy
GIA745732 Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : The doomed souls embarking to cross the Acheron
GIA745725 Inferno, Canto 3 : The doomed souls embarking to cross the Acheron, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from
GIA745721 Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from
GIA745704 Inferno, Canto 17 : Geryon, symbol of deceit, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 29 : The forgers tormented in the valley
GIA745685 Inferno, Canto 29 : The forgers tormented in the valley, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory
GIA745659 Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 27 : Dantes dream of Leah in the meadow
GIA745639 Purgatorio, Canto 27 : Dantes dream of Leah in the meadow, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from
GIA745638 Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been
GIA745632 Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been broken, illustration from The Divine Comedy by Dante Alighieri

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 28 : The scintillating host of heaven, illustration from
GIA745612 Paradiso, Canto 28 : The scintillating host of heaven, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Portrait of Jean-Baptiste-Louis Gresset (1709-1777), French poet and dramatist
XEE556304 Portrait of Jean-Baptiste-Louis Gresset (1709-1777), French poet and dramatist. by French School, (19th century); Private Collection; (add.info)

Portrait of Etienne Charles Henri, vicomte de Bornier (1825-1901)
XEE555858 Portrait of Etienne Charles Henri, vicomte de Bornier (1825-1901), French poet and dramatist. by French Photographer, (19th century); Private Collection; Stefano Bianchetti; French

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil
GIA745750 Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : The gluttons battered by eternal rain
GIA745735 Inferno, Canto 6 : The gluttons battered by eternal rain, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : Virgil feeds Cerberus (Cerbere) in the third circle
GIA745734 Inferno, Canto 6 : Virgil feeds Cerberus (Cerbere) in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : The soul of Francesca Da Rimini speaks to Dante
GIA745731 Inferno, Canto 5 : The soul of Francesca Da Rimini speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 15 : Brunetto Latini accosts Dante, illustration from
GIA745703 Inferno, Canto 15 : Brunetto Latini accosts Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia
GIA745697 Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 23 : The hypocrites address Dante, illustration from
GIA745691 Inferno, Canto 23 : The hypocrites address Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 23 : The poets escape the demons of the fifth bolgia
GIA745690 Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky
GIA745664 Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 8 : The angels drive the serpent away
GIA745661 Purgatorio, Canto 8 : The angels drive the serpent away, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell
GIA745660 Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V
GIA745650 Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from
GIA745648 Purgatorio, Canto 23 : The souls of the gluttonous, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons
GIA745646 Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 32 : The giant and the harlot in the chariot
GIA745637 Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 31 : Dante submerged in the River Lethe
GIA745636 Purgatorio, Canto 31 : Dante submerged in the River Lethe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 25 : The poets in the seventh circle, illustration from
GIA745635 Purgatorio, Canto 25 : The poets in the seventh circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

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"Po and Xe9: A Journey Through Dante's Divine Comedy" In Paradiso, Canto 31, the saintly throng forms a celestial rose in the empyrean. The beauty of their unity radiates throughout the heavens, illuminating the path for Po and Xe9. But before reaching this heavenly realm, they must traverse through Inferno. In Canto 4, they encounter Homer, along with other poets and heroes in Limbo. Their presence serves as a reminder of the greatness that exists even within damnation. As they descend further into darkness in Inferno, Canto 19 brings them face to face with Pope Nicholas III. Dante boldly rebukes him for his sins committed during his papacy. This confrontation highlights the moral accountability even for those who hold positions of power. The treacherous fifth bolgia is where Ciampolo attempts to escape from the demon Alichino in Inferno, Canto 22. Po and Xe9 witness this desperate struggle against eternal torment—a testament to human resilience amidst overwhelming odds. Inferno continues to expose them to unimaginable suffering as depicted in Canto 14—the violent souls tormented by rain of fire, and is a chilling illustration that reminds them of the consequences awaiting those who succumb to their darkest impulses. Canto 28 introduces Bertran de Born's severed head speaking to Dante—an eerie encounter that symbolizes how one's actions can haunt them beyond death itself and can reminded that every choice has far-reaching consequences. Transitioning from Hell to Purgatory in Purgatorio, Canto 5 offers respite as Dante converses with Pia de Tolomei—a soul seeking redemption after her unjust murder on Earth. Her story inspires hope amidst despair. The late repenters singing Miserere in Purgatorio, Canto 5 serve as a poignant reminder of the power of forgiveness and the transformative nature of remorse.