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Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons
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Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons
GIA745646 Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Dante Alighieri (1265-1321) Italian author and poet. Divina Commedia.); eGiancarlo Costa; French, out of copyright
Media ID 23307896
© Giancarlo Costa / Bridgeman Images
1265 1321 13 13o Xiii Xiiio Secolo Dore Gustave Duecento Gourmandise Greed Incisione Letteratura Litt And Xe9 Litterature Medioevale Medioevo Moyen Age P And Xe9 Peccati Mortali Peches Capitaux Po And Xe9 Poesia Poesie Purgatoire Purgatorio Purgatory Quattordicesimo Secolo Rature S Capitaux Seven Deadly Sins Trecento Tredicesimo Secolo Virgilio Vizi Capitali 13 13th Xiii Xiiith Century 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century Ch And Xe9
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EDITORS COMMENTS
This print captures a pivotal moment in Dante Alighieri's epic poem, "The Divine Comedy". In this digitally colored engraving by Gustave Dore from 1885, we are transported to the depths of Purgatory in Canto 23. As we gaze upon the image, our eyes are drawn to Dante himself, who stands amidst a group of gluttonous shades. Dante's recognition of Forese Donati among these sinners is the focal point of this illustration. The expression on his face reveals a mix of surprise and sorrow as he encounters his old friend consumed by greed. It is through such vivid imagery that Dore brings Dante's words to life. The artist skillfully portrays the medieval period with intricate details and rich colors. From the architecture in the background to the clothing worn by each figure, every element transports us back to Italy during this time. As we delve deeper into this artwork, it becomes evident that it not only depicts an individual encounter but also explores broader themes such as temptation and redemption. Through Giancarlo Costa's lens, we witness Dante grappling with his own mortality while confronting those who succumbed to their earthly desires. Overall, this visually stunning print invites us into Dante's world and encourages contemplation on our own vices and virtues. It serves as a reminder that even within darkness, there is always hope for salvation.
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