Tredicesimo Secolo Collection

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The Virgin and Child between Saint John and Saint Francois Fresco by Pietro Lorenzetti
LRI4607953 The Virgin and Child between Saint John and Saint Francois Fresco by Pietro Lorenzetti (1280-1348) in Assisi (Assisi), Lower Basilica, Orsini Chapel

Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei)
GIA745748 Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 5 : The late repenters singing the Miserere
GIA745746 Purgatorio, Canto 5 : The late repenters singing the Miserere, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy
GIA745743 Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy
GIA745732 Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : The doomed souls embarking to cross the Acheron
GIA745725 Inferno, Canto 3 : The doomed souls embarking to cross the Acheron, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from
GIA745721 Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from
GIA745704 Inferno, Canto 17 : Geryon, symbol of deceit, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 29 : The forgers tormented in the valley
GIA745685 Inferno, Canto 29 : The forgers tormented in the valley, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory
GIA745659 Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 27 : Dantes dream of Leah in the meadow
GIA745639 Purgatorio, Canto 27 : Dantes dream of Leah in the meadow, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from
GIA745638 Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been
GIA745632 Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been broken, illustration from The Divine Comedy by Dante Alighieri

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 28 : The scintillating host of heaven, illustration from
GIA745612 Paradiso, Canto 28 : The scintillating host of heaven, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Portrait of Theobald I (1201-1253), Count of Champagne (as Theobald IV
XEE556790 Portrait of Theobald I (1201-1253), Count of Champagne (as Theobald IV) from birth and King of Navarre from 1234

Portrait of Joan I of Navarre (1273-1305) queen regnant of Navarre
XEE556517 Portrait of Joan I of Navarre (1273-1305) queen regnant of Navarre and queen consort of France. by French School

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil
GIA745750 Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : The gluttons battered by eternal rain
GIA745735 Inferno, Canto 6 : The gluttons battered by eternal rain, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : Virgil feeds Cerberus (Cerbere) in the third circle
GIA745734 Inferno, Canto 6 : Virgil feeds Cerberus (Cerbere) in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : The soul of Francesca Da Rimini speaks to Dante
GIA745731 Inferno, Canto 5 : The soul of Francesca Da Rimini speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 15 : Brunetto Latini accosts Dante, illustration from
GIA745703 Inferno, Canto 15 : Brunetto Latini accosts Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia
GIA745697 Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 23 : The hypocrites address Dante, illustration from
GIA745691 Inferno, Canto 23 : The hypocrites address Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 23 : The poets escape the demons of the fifth bolgia
GIA745690 Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky
GIA745664 Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 8 : The angels drive the serpent away
GIA745661 Purgatorio, Canto 8 : The angels drive the serpent away, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell
GIA745660 Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V
GIA745650 Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from
GIA745648 Purgatorio, Canto 23 : The souls of the gluttonous, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons
GIA745646 Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 32 : The giant and the harlot in the chariot
GIA745637 Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 31 : Dante submerged in the River Lethe
GIA745636 Purgatorio, Canto 31 : Dante submerged in the River Lethe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

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"Exploring the Depths and Heights of the Tredicesimo Secolo: A Journey through Dante's Divine Comedy" In Paradiso, Canto 31, we witness a celestial marvel as the saintly throng forms a magnificent rose in the empyrean. The beauty and harmony of this divine creation leave us in awe. Moving to Inferno, Canto 4, we find ourselves amidst Homer, poets, and heroes in Limbo. These great minds reside here for lacking baptism but are still revered for their intellectual prowess. A powerful moment unfolds in Inferno, Canto 19 when Dante rebukes Pope Nicholas III in the fourth bolgia. This confrontation highlights Dante's courage to challenge even those with high authority. The intensity rises further in Inferno, Canto 22 as Ciampolo cunningly escapes from the demon Alichino in the fifth bolgia, and is a thrilling escape that keeps us on edge throughout. Inferno never fails to shock us; Canto 14 depicts violent souls tormented by rain of fire. The vivid illustration from The Divine Comedy showcases their agony amidst flames—a haunting reminder of consequences faced by sinners. Another striking image comes alive in Inferno, Canto 28 where Bertran de Born's severed head speaks to Dante. This digitally colored engraving captures both fascination and horror within this encounter. Shifting our focus to Purgatorio, Canto 5 brings an emotional meeting between Dante and Pia de Tolomei (Tolommei). Their conversation reveals her tragic fate and evokes empathy within our hearts. Witnessing late repenters singing Miserere fills Purgatorio, Canto 5 with poignant melodies that echo their remorseful pleas for redemption—an unforgettable scene brimming with hope despite past transgressions. Returning to Inferno now—Canto 1 introduces us to a fearsome she-wolf whose appearance signifies the challenges Dante must overcome.