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Pointillist Collection (page 6)

"Capturing the World in Dots: Exploring the Pointillist Masterpieces" Immerse yourself in the mesmerizing world of pointillism

Background imagePointillist Collection: The Viaduct at Auteuil, c. 1900 (oil on canvas)

The Viaduct at Auteuil, c. 1900 (oil on canvas)
CH100754 The Viaduct at Auteuil, c.1900 (oil on canvas) by Signac, Paul (1863-1935); 46.3x52.4 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePointillist Collection: Evening, The Jetty at Vlissingen, 1898 (lithograph)

Evening, The Jetty at Vlissingen, 1898 (lithograph)
5672896 Evening, The Jetty at Vlissingen, 1898 (lithograph) by Signac, Paul (1863-1935); Cleveland Museum of Art, OH, USA; French, out of copyright

Background imagePointillist Collection: Shoemakers, the Two Givort Brothers, 1884 (oil on canvas)

Shoemakers, the Two Givort Brothers, 1884 (oil on canvas)
987497 Shoemakers, the Two Givort Brothers, 1884 (oil on canvas) by Luce, Maximilien (1858-1941); 64.8x80 cm; Private Collection; (add.info.: Shoemakers, the Two Givort Brothers; Le Cordonnier)

Background imagePointillist Collection: Bell Tower at Saint Tropez, 1896 (oil on canvas)

Bell Tower at Saint Tropez, 1896 (oil on canvas)
988899 Bell Tower at Saint Tropez, 1896 (oil on canvas) by Signac, Paul (1863-1935); 81x65 cm; Private Collection; (add.info.: Bell Tower at Saint Tropez; Clocher a Saint Tropez)

Background imagePointillist Collection: Marseille, La Bonne Mere, Morning Mist, 1907 (oil on canvas)

Marseille, La Bonne Mere, Morning Mist, 1907 (oil on canvas)
987540 Marseille, La Bonne Mere, Morning Mist, 1907 (oil on canvas) by Signac, Paul (1863-1935); 73.7x91.4 cm; Private Collection; (add.info.: Marseille, La Bonne Mere, Morning Mist; Marseille)

Background imagePointillist Collection: The models siesta, 1920 (oil on canvas)

The models siesta, 1920 (oil on canvas)
988375 The models siesta, 1920 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 66.3x75.2 cm; Private Collection; (add.info.: The models siesta; La sieste du modele)

Background imagePointillist Collection: The Pont Neuf (Notre Dame seen from the Pont-Neuf); Le Pont Neuf

The Pont Neuf (Notre Dame seen from the Pont-Neuf); Le Pont Neuf
824558 The Pont Neuf (Notre Dame seen from the Pont-Neuf); Le Pont Neuf (Notre Dame de Paris vue du Pont-Neuf), 1913 (oil on canvas) by Signac

Background imagePointillist Collection: Nude on a Divan; Nu au Divan, 1907 (oil on canvas)

Nude on a Divan; Nu au Divan, 1907 (oil on canvas)
824327 Nude on a Divan; Nu au Divan, 1907 (oil on canvas) by Rysselberghe, Theo van (1862-1926); Private Collection; (add.info.: Nude on a Divan; Nu au Divan. Theo van Rysselberghe (1862-1926)

Background imagePointillist Collection: A Street in Abbesses; La Rue des Abesses, 1895 (oil on cradled panel)

A Street in Abbesses; La Rue des Abesses, 1895 (oil on cradled panel)
825823 A Street in Abbesses; La Rue des Abesses, 1895 (oil on cradled panel) by Luce, Maximilien (1858-1941); 49.5x36.5 cm; Private Collection; (add.info.: A Street in Abbesses; La Rue des Abesses)

Background imagePointillist Collection: Bathers; Baigneurs, 1906 (oil on canvas)

Bathers; Baigneurs, 1906 (oil on canvas)
825798 Bathers; Baigneurs, 1906 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 46x55.2 cm; Private Collection; (add.info.: Bathers; Baigneurs. Henri-Edmond Cross (1856-1910). Oil on canvas

Background imagePointillist Collection: Antibes, Afternoon, 1908 (oil on canvas)

Antibes, Afternoon, 1908 (oil on canvas)
825667 Antibes, Afternoon, 1908 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 81x100 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePointillist Collection: Vase of Flowers; Vase de Fleurs, c. 1911 (oil on canvas)

Vase of Flowers; Vase de Fleurs, c. 1911 (oil on canvas)
825528 Vase of Flowers; Vase de Fleurs, c.1911 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 50.2x40.7 cm; Private Collection; (add.info.: Vase of Flowers; Vase de Fleurs)

Background imagePointillist Collection: La Port de la Rochelle, 1927 (watercolour over black chalk on paper)

La Port de la Rochelle, 1927 (watercolour over black chalk on paper)
825468 La Port de la Rochelle, 1927 (watercolour over black chalk on paper) by Signac, Paul (1863-1935); 28.2x45.7 cm; Private Collection; (add.info.: La Port de la Rochelle. Paul Signac (1863-1935)

Background imagePointillist Collection: Landscape at Sunset; Paysage au Coucher du Soleil, (oil on panel)

Landscape at Sunset; Paysage au Coucher du Soleil, (oil on panel)
826477 Landscape at Sunset; Paysage au Coucher du Soleil, (oil on panel) by Cross, Henri-Edmond (1856-1910); 26.5x35 cm; Private Collection; (add.info)

Background imagePointillist Collection: Seated Woman with a Parasol (study for La Grande Jatte)

Seated Woman with a Parasol (study for La Grande Jatte)
2968553 Seated Woman with a Parasol (study for La Grande Jatte), 1884-85 (black contecrayon on ivory laid paper) by Seurat, Georges Pierre (1859-91); 47.7x31.5 cm; The Art Institute of Chicago, IL

Background imagePointillist Collection: Dieppe, Un Bassin, (oil on panel)

Dieppe, Un Bassin, (oil on panel)
652351 Dieppe, Un Bassin, (oil on panel) by Luce, Maximilien (1858-1941); 22.6x35.4 cm; Private Collection; (add.info.: Dieppe, Un Bassin. Maximilien Luce (1858-1941). Oil on panel

Background imagePointillist Collection: Still Life with Fruit; Nature Morte aux Fruits, (oil on canvas)

Still Life with Fruit; Nature Morte aux Fruits, (oil on canvas)
652338 Still Life with Fruit; Nature Morte aux Fruits, (oil on canvas) by Petitjean, Hippolyte (1854-1929); 33.2x46.3 cm; Private Collection; (add.info)

Background imagePointillist Collection: Sailing boats and pine trees, 1896

Sailing boats and pine trees, 1896
PWI83746 Sailing boats and pine trees, 1896 by Signac, Paul (1863-1935); Private Collection; (add.info.: Voiliers et pins; ); ePeter Willi; French, out of copyright

Background imagePointillist Collection: View of the Seine at Herblay, 1889

View of the Seine at Herblay, 1889
PWI82362 View of the Seine at Herblay, 1889 by Signac, Paul (1863-1935); 33x55 cm; Musee d Orsay, Paris, France; ePeter Willi; French, out of copyright

Background imagePointillist Collection: Landscape with a ruined castle

Landscape with a ruined castle
PWI82330 Landscape with a ruined castle by Signac, Paul (1863-1935); Private Collection; ePeter Willi; French, out of copyright

Background imagePointillist Collection: In the Garden

In the Garden
WH48260 In the Garden by Cross, Henri-Edmond (1856-1910); Private Collection; Photo eWhitford & Hughes, London, UK; French, out of copyright

Background imagePointillist Collection: Santa Maria della Salute, 1908 (oil on canvas)

Santa Maria della Salute, 1908 (oil on canvas)
NUL56234 Santa Maria della Salute, 1908 (oil on canvas) by Signac, Paul (1863-1935); 73x91.5 cm; Private Collection; French, out of copyright

Background imagePointillist Collection: The Seine at Herblay, 1890 (oil on canvas)

The Seine at Herblay, 1890 (oil on canvas)
GR15997 The Seine at Herblay, 1890 (oil on canvas) by Luce, Maximilien (1858-1941); 50.5x79.5 cm; Musee d Orsay, Paris, France; eGordon Roberton Photography Archive; French, out of copyright

Background imagePointillist Collection: The Marne at Dawn, 1888 (oil on canvas)

The Marne at Dawn, 1888 (oil on canvas)
GR16004 The Marne at Dawn, 1888 (oil on canvas) by Dubois-Pillet, Albert (1846-90); 32x46 cm; Musee d Orsay, Paris, France; eGordon Roberton Photography Archive; French, out of copyright

Background imagePointillist Collection: Port-en-Bessin, 1888 (oil on canvas)

Port-en-Bessin, 1888 (oil on canvas)
487975 Port-en-Bessin, 1888 (oil on canvas) by Seurat, Georges Pierre (1859-91); 66x83.2 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Port-en-Bessin, Normandy)

Background imagePointillist Collection: Bathers at Asnieres, 1884 (oil on canvas) (detail of 2136)

Bathers at Asnieres, 1884 (oil on canvas) (detail of 2136)
495751 Bathers at AsniAres, 1884 (oil on canvas) (detail of 2136) by Seurat, Georges Pierre (1859-91); National Gallery, London, UK; French, out of copyright

Background imagePointillist Collection: Moulin d Edam, 1896 (oil no canvas)

Moulin d Edam, 1896 (oil no canvas)
CH401808 Moulin d Edam, 1896 (oil no canvas) by Signac, Paul (1863-1935); 65.3x81.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePointillist Collection: The Lake in the Bois de Boulogne, c. 1899 (oil on canvas)

The Lake in the Bois de Boulogne, c. 1899 (oil on canvas)
CH402531 The Lake in the Bois de Boulogne, c.1899 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 65x81 cm; Private Collection; (add.info)

Background imagePointillist Collection: The Port, 1923 (oil on canvas)

The Port, 1923 (oil on canvas)
LEF220695 The Port, 1923 (oil on canvas) by Signac, Paul (1863-1935); 59.5x73.5 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Background imagePointillist Collection: The Return of the Fisherman, 1896 (oil on canvas)

The Return of the Fisherman, 1896 (oil on canvas)
ALM289709 The Return of the Fisherman, 1896 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 66x94 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imagePointillist Collection: Les Champs Elysees, from Pan, 1898 (colour litho)

Les Champs Elysees, from Pan, 1898 (colour litho)
3822817 Les Champs Elysees, from Pan, 1898 (colour litho) by Cross, Henri-Edmond (1856-1910); 20.3x26 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePointillist Collection: Cranes on the Seine; Grues sur la Seine, (oil on canvas)

Cranes on the Seine; Grues sur la Seine, (oil on canvas)
656542 Cranes on the Seine; Grues sur la Seine, (oil on canvas) by Luce, Maximilien (1858-1941); 44.5x53 cm; Private Collection; (add.info.: Cranes on the Seine; Grues sur la Seine)

Background imagePointillist Collection: Two Nudes under Pine-Trees; Deux Nus sous les Pins, 1925 (oil on canvas)

Two Nudes under Pine-Trees; Deux Nus sous les Pins, 1925 (oil on canvas)
656119 Two Nudes under Pine-Trees; Deux Nus sous les Pins, 1925 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 116x89 cm; Private Collection; (add.info)

Background imagePointillist Collection: Roses in a Vase, 1910 (oil on canvas)

Roses in a Vase, 1910 (oil on canvas)
655911 Roses in a Vase, 1910 (oil on canvas) by Lauge, Achille (1861-1944); 55x38 cm; Private Collection; (add.info.: Roses in a Vase. Achille Lauge (1861-1944). Oil on canvas. Painted in 1910

Background imagePointillist Collection: The Building Sites of Paris, Boulevard de la Madeleine; Les Chantiers de Paris

The Building Sites of Paris, Boulevard de la Madeleine; Les Chantiers de Paris
656731 The Building Sites of Paris, Boulevard de la Madeleine; Les Chantiers de Paris, Boulevard de la Madeleine, (oil on canvas) by Luce

Background imagePointillist Collection: Le Port, Quai a Schiedamm, 1907 (oil on canvas)

Le Port, Quai a Schiedamm, 1907 (oil on canvas)
656543 Le Port, Quai a Schiedamm, 1907 (oil on canvas) by Luce, Maximilien (1858-1941); 38.4x47 cm; Private Collection; (add.info.: Le Port, Quai a Schiedamm. Maximilien Luce (1858-1941)

Background imagePointillist Collection: The Port at Fecamp; Le Port a Fecamp, 1930 (watercolour and pencil on paper)

The Port at Fecamp; Le Port a Fecamp, 1930 (watercolour and pencil on paper)
653320 The Port at Fecamp; Le Port a Fecamp, 1930 (watercolour and pencil on paper) by Signac, Paul (1863-1935); 28x44 cm; Private Collection; (add.info.: The Port at Fecamp; Le Port a Fecamp)

Background imagePointillist Collection: On the Beach in Normandy; Sur la Plage en Normandie, c. 1930

On the Beach in Normandy; Sur la Plage en Normandie, c. 1930
652891 On the Beach in Normandy; Sur la Plage en Normandie, c.1930 (oil on paper laid down on canvas) by Luce, Maximilien (1858-1941); 39.5x31.5 cm; Private Collection; (add.info)

Background imagePointillist Collection: Auto-Portrait, c. 1885 (oil on panel)

Auto-Portrait, c. 1885 (oil on panel)
652776 Auto-Portrait, c.1885 (oil on panel) by Cross, Henri-Edmond (1856-1910); 41x32.5 cm; Private Collection; (add.info.: Auto-Portrait. Henri Edmond Cross (1856-1910). Oil on panel. Painted c

Background imagePointillist Collection: Autumn Landscape, c. 1903 (oil on canvas)

Autumn Landscape, c. 1903 (oil on canvas)
NUL128453 Autumn Landscape, c.1903 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; French, out of copyright

Background imagePointillist Collection: The Sailing Boats, 1892 (oil on canvas)

The Sailing Boats, 1892 (oil on canvas)
NUL168682 The Sailing Boats, 1892 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 70.5x90 cm; Private Collection; Belgian, out of copyright

Background imagePointillist Collection: Bathers at Asnieres, 1884 (oil on canvas) (detail of 2136)

Bathers at Asnieres, 1884 (oil on canvas) (detail of 2136)
QED26136 Bathers at Asnieres, 1884 (oil on canvas) (detail of 2136) by Seurat, Georges Pierre (1859-91); 201x300 cm; National Gallery, London, UK; French, out of copyright

Background imagePointillist Collection: The Orchard under the Snow (oil on canvas)

The Orchard under the Snow (oil on canvas)
CH19675 The Orchard under the Snow (oil on canvas) by Petitjean, Hippolyte (1854-1929); 49x69 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePointillist Collection: Young Girls in a Boat, c. 1900

Young Girls in a Boat, c. 1900
NUL42127 Young Girls in a Boat, c.1900 by Lebasque, Henri (1865-1937); 90x90cm cm; Private Collection; French, out of copyright

Background imagePointillist Collection: Cap Canaille, Cassis, 1889 (oil on canvas)

Cap Canaille, Cassis, 1889 (oil on canvas)
CH35282 Cap Canaille, Cassis, 1889 (oil on canvas) by Signac, Paul (1863-1935); 65.7x82.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePointillist Collection: View of the Church of Santa Maria degli Angeli, near Assisi, 1909 (oil on canvas)

View of the Church of Santa Maria degli Angeli, near Assisi, 1909 (oil on canvas)
BOO183453 View of the Church of Santa Maria degli Angeli, near Assisi, 1909 (oil on canvas) by Cross, Henri-Edmond (1856-1910); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imagePointillist Collection: Ladies Man (oil on panel)

Ladies Man (oil on panel)
BRN198230 Ladies Man (oil on panel) by Seurat, Georges Pierre (1859-91); The Barnes Foundation, Philadelphia, Pennsylvania



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"Capturing the World in Dots: Exploring the Pointillist Masterpieces" Immerse yourself in the mesmerizing world of pointillism, a revolutionary artistic technique that emerged in the late 19th century. One such masterpiece is "A View of Menton, " painted between 1899 and 1900 by an unknown artist. With meticulous precision, tiny dots of color come together to depict a scenic view of this charming French town. In "Le Jardin du Vert-Galant, " created around 1928, we witness how pointillism evolved over time. The vibrant colors and intricate details bring to life this enchanting garden located on Île de la Cité in Paris. Henri-Edmond Cross showcases his mastery with "Entrance to the Port of Marseille" from 1918. Through carefully placed dots, he captures the bustling atmosphere and maritime charm of this iconic French port city. "Misty Sea, " painted in 1899 by another anonymous artist, transports us to a serene coastal scene where foggy hues blend seamlessly through delicate points. It evokes a sense of tranquility as we gaze upon nature's ethereal beauty. As dusk settles over Herblay in 1889, Georges Seurat's "Sunset" captivates viewers with its warm tones and shimmering reflections on water. Each dot contributes to creating an atmospheric landscape that exudes peacefulness. Jean-Baptiste-Camille Corot's "Boy Sitting on the Grass, " completed circa 1882, showcases his ability to capture human emotion through pointillism. The careful placement of dots brings out both innocence and contemplation within this young subject. Portraitist Paul Signac presents us with "Portrait of Alexander Reid" from 1887—a testament to his skillful use of pointillism even when depicting individuals. Every dot adds depth and character while revealing Reid's personality through subtle nuances.