Position Collection (page 20)

Five Miles to Taos, 1949 (oil on canvas)
823152 Five Miles to Taos, 1949 (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 50.8x61 cm; Private Collection; (add.info.: Five Miles to Taos. Oscar Edmund Berninghaus (1874-1952)

Indians on Horseback (Summer Hunt) (oil on canvas)
1767638 Indians on Horseback (Summer Hunt) (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 41.3x51.4 cm; Private Collection; (add.info.: Indians on Horseback (Summer Hunt)

The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas)
826729 The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas) by Ginner, Charles (1878-1952); 51x61 cm; Private Collection; (add.info.: The Landing Stage, Stratford-Upon-Avon)

A Corner in Chelsea, 1910 (oil on canvas)
1197128 A Corner in Chelsea, 1910 (oil on canvas) by Ginner, Charles (1878-1952); 94x133 cm; Private Collection; Photo © Christie's Images

A Corner in the Taos Plaza, c. 1925 (oil on canvas)
1767636 A Corner in the Taos Plaza, c.1925 (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 88.9x101.6 cm; Private Collection; (add.info.: A Corner in the Taos Plaza)

Taos Valley, 1950 (oil on canvas)
651131 Taos Valley, 1950 (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 50.8x61 cm; Private Collection; (add.info.: Taos Valley. Oscar Edward Berninghaus (1874-1952). Oil on canvas

The Quai, Dieppe, (oil on canvas)
657450 The Quai, Dieppe, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: The Quai, Dieppe. William Lee Hankey (1869-1952). Oil on canvas

The Duck Hunters, (gouache on board)
985103 The Duck Hunters, (gouache on board) by Berninghaus, Oscar Edward (1874-1952); 22.4x30 cm; Private Collection; (add.info.: The Duck Hunters. Oscar Edward Berninghaus (1874-1952)

Very simple still life with red forks
Brig Barkow

The Midnight Steeplechase near Melton Melbury--The Finish, 1890. Creator: Unknown
The Midnight Steeplechase near Melton Melbury--The Finish, 1890

Birmingham (near Detroit), Michigan, 1942. Creator: Arthurs Siegel
Birmingham (near Detroit), Michigan. Kitchen utensils hanging below a spice rack with mint, caraway, thyme, and sage jars

Street scene, Christiansted, St. Croix Island, Virgin Islands?, 1941. Creator: Jack Delano
Street scene, Christiansted, St. Croix Island, Virgin Islands?

Japan lamp for ceiling, ca. 1790. Creator: Matthew Boulton
Japan lamp for ceiling, ca. 1790

The victory of Scipio over Syphax, 1530-60. Creator: Master of the Die
The victory of Scipio over Syphax, 1530-60

Three horsemen, ca. 1770-94. Creator: Maria Catharina Prestel
Three horsemen, ca. 1770-94

Man on Horseback holding a Falcon, ca. 1525-50. Creator: Master I. S
Man on Horseback holding a Falcon, ca. 1525-50

Scipio Africanus on horseback preceeded by a foot soldier holding a standard, ca... ca. 1500-1534
Scipio Africanus on horseback preceeded by a foot soldier holding a standard, ca. 1500-1534

Horatius Cocles on horseback, trampling a fallen soldier, ca. 1510-27. Creator: Marcantonio Raimondi
Horatius Cocles on horseback, trampling a fallen soldier, ca. 1510-27

Titus and Vespanian both on horseback, ca. 1510-27. Creator: Marcantonio Raimondi
Titus and Vespanian both on horseback, ca. 1510-27

Aiding the wounded after a battle, 1635-60. Creator: Jacques Courtois
Aiding the wounded after a battle, 1635-60

Plate 8: the march to the battlefield, 1635-60. Creator: Jacques Courtois
Plate 8: the march to the battlefield, 1635-60

Plate 6: the combat, 1635-60. Creator: Jacques Courtois
Plate 6: the combat, 1635-60

Plate 4: the rescuing of dead and wounded soldiers, 1635-60. Creator: Jacques Courtois
Plate 4: the rescuing of dead and wounded soldiers, 1635-60

Plate 5: the wounded chief commander lies on the ground, while the battle goes on at ri... 1635-60
Plate 5: the wounded chief commander lies on the ground, while the battle goes on at right, 1635-60

Plate 3: the charge is ordered, 1635-60. Creator: Jacques Courtois
Plate 3: the charge is ordered, 1635-60

Plate 1: the departure of the armies, 1635-60. Creator: Jacques Courtois
Plate 1: the departure of the armies, 1635-60

Figures on horseback, from The Triumph of Caesar, 1504. Creator: Jacob von Strassburg
Figures on horseback, from The Triumph of Caesar, 1504

Trumpeters leading Ceasar on horseback, from The Triumphs of Caesar, 1504. Creator: Jacob von Strassburg
Trumpeters leading Ceasar on horseback, from The Triumphs of Caesar, 1504

Plate 29: Germany conquered by Drusus; from Guillielmus Becanuss Serenissimi Principis F... 1636. Creator: Jacob Neeffs
Plate 29: Germany conquered by Drusus; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Henri IV Entering at Aumale, 1822. Creator: Emile Jean-Horace Vernet
Henri IV Entering at Aumale, 1822

Lancer, 1816. Creator: Emile Jean-Horace Vernet
Lancer, 1816

Embarrassing position of the commanding officer, or love at first sight (colour litho)
5990872 Embarrassing position of the commanding officer, or love at first sight (colour litho) by Valda, Salvator (c.1880-1926); Private Collection; (add.info)

The Epic Fight At Col Della Berretta (colour litho)
2808645 The Epic Fight At Col Della Berretta (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Epic Fight At Col Della Berretta)

The Late Attempt on the Life of the Czar of Russia (engraving)
1054338 The Late Attempt on the Life of the Czar of Russia (engraving) by English School, (19th century); Private Collection; (add.info.: The Late Attempt on the Life of the Czar of Russia)

Pull Against Us! (colour litho)
2808723 Pull Against Us! (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Pull Against Us)

The Alpine troops take over Malga Fossetta and Monte Maybe, capturing, among other things
2777559 The Alpine troops take over Malga Fossetta and Monte Maybe, capturing, among other things, a battery of six cannons (colour litho) by Beltrame

A brilliant counterattack by the valiant Calabrians of the 141st Infantry frees two remaining batteries
2777553 A brilliant counterattack by the valiant Calabrians of the 141st Infantry frees two remaining batteries... (colour litho) by Beltrame

A master shot, an Austrian piece hidden in a cave in Trentino reached and shattered... (colour litho)
2777539 A master shot, an Austrian piece hidden in a cave in Trentino reached and shattered... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A master shot)

Bold shot of the Gondarini hand (colour litho)
2778605 Bold shot of the Gondarini hand (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Bold coup de mano by the Gondarini)

An Italian Hero In France (Colour Litho)
2808725 An Italian Hero In France (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: An Italian Hero In France)

The war of the Romanians, a lieutenant and a few men conquer two Bavarian batteries and turn them against the enemy
2777598 The war of the Romanians, a lieutenant and a few men conquer two Bavarian batteries and turn them against the enemy (colour litho) by Beltrame

Yesterday morning the opponent managed to break into the reduced of the Tooth (Pasubio)... (colour litho)
2777593 Yesterday morning the opponent managed to break into the reduced of the Tooth (Pasubio)... (colour litho) by Beltrame

Our people bomb the Prebacina station, where the enemy clears the materials of lost positions (colour litho)
2777575 Our people bomb the Prebacina station, where the enemy clears the materials of lost positions (colour litho) by Beltrame

The victorious operations in Tripolitania (colour litho)
2809179 The victorious operations in Tripolitania (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The victorious operations in Tripolitania)

The Loot Giants (Colour Litho)
2808619 The Loot Giants (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The loot giants. One of the two magnificent examples of 305 Skoda mortars that fell in)

The new Allied weapons, an English terrestrial dreadnought on German positions (colour litho)
2777587 The new Allied weapons, an English terrestrial dreadnought on German positions (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The new Allied weapons)

Deathly Wounded (Colour Litho)
2777563... Deathly Wounded (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: "... Mortally wounded)

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"Position: A Tapestry of Time and Place" In the intricate threads of history, positions define our past, present, and future. From the strategic Map of the Battle of Waterloo in 1815 to Marie Curie's groundbreaking scientific position, we witness moments that shaped humanity. Just as fencing positions demand precision and skill, so do life's challenges require us to find our stance. In Glenariff valley's serene beauty or amidst Greenan Castle's ancient walls, we discover our place within Ireland's majestic landscapes. Within Westminster Abbey's hallowed halls lies a map depicting the coronation ritual—a testament to power and authority held by those who ascend their rightful position. And like Taki Katei's exquisite artwork capturing Flowers and Birds in 19th-century Japan, we too can create beauty from where we stand. The iconic Forth Bridge stands tall as a symbol of engineering prowess—an architectural marvel that exemplifies strength in its structural position. Similarly, Geishas embody grace while reminding us to see no evil, hear no evil, speak no evil—finding harmony through their poised presence. Castlerock Beach whispers tales of Northern Ireland’s coastal wonders—a meeting point between land and sea where nature finds its perfect positioning. Meanwhile, Rifle Brigade soldiers on the Western Front during WWI demonstrate unwavering determination as they hold their ground against adversity. And just like the timeless elegance exuded by a 1959 Ford Thunderbird cruising down an open road—we are reminded that sometimes it is not about reaching a destination but reveling in every moment along the way. In this vast tapestry woven with diverse positions across time and space—let us embrace our own unique place with courage and conviction. For it is through finding our footing that we leave an indelible mark upon this world.