Printmaking Collection (page 5)

Flower (engraved wooden block)
3930002 Flower (engraved wooden block) by Ruskin, John (1819-1900); 6x10x2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Wing from Durer (engraved wooden block)
3929999 Wing from Durer (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Three Coins (engraved wooden block)
3929997 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

A Scene in the Campagna, 1812 (etching & mezzotint)
5894347 A Scene in the Campagna, 1812 (etching & mezzotint) by Turner, Joseph Mallord William (1775-1851); 20.9x28.1 cm; Manchester Art Gallery

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)
3929995 The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block) by Burgess, Arthur (1844-87); 14x10 cm; Manchester Art Gallery

Lily (engraved wooden block)
3929994 Lily (engraved wooden block) by Ruskin, John (1819-1900); 7x6x2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Callot
3783242 Callot; (add.info.: Jacques Callot. French Baroque printmaker and draughtsman / draftsman. 1593-1635. Engraving by A. Boilly, c.1846 Plutarque Francais: XVIe, XVIIe Siecles, Vol 3)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

The Body of Christ Carried by Angels towards Heaven, 1516 (woodcut)
5858423 The Body of Christ Carried by Angels towards Heaven, 1516 (woodcut) by Grien, Hans Baldung (1484/5-1545); 22.3--15.2 cm; Metropolitan Museum of Art, New York, USA

Adam and Eve, 1519 (woodcut)
5858432 Adam and Eve, 1519 (woodcut) by Grien, Hans Baldung (1484/5-1545); 25.8x10.1 cm; National Gallery of Art, Washington DC, USA

Adam and Eve, 1511 (woodcut)
5858433 Adam and Eve, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 37.7x25.7 cm; National Gallery of Art, Washington DC, USA

The Fall of Mankind, 1511 (woodcut)
5858421 The Fall of Mankind, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38--25.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: on upper plaque: LAPSUS HUMA: / NI GENERIS )

The Flagellation (engraving)
1217312 The Flagellation (engraving) by Schongauer, Martin (1440-91); 16.2x11.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Battle of Nude Men, c. 1470 - 1475 (engraving)
1217305 Battle of Nude Men, c. 1470 - 1475 (engraving) by Pollaiuolo, Antonio (1432/3-98); 40x62.1 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

l Emoi, 1894 (woodcut)
615514 l Emoi, 1894 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.6 cm; Private Collection; Photo © Christies Images

Temples of Venus and Rome, Rome (drypoint)
3088170 Temples of Venus and Rome, Rome (drypoint) by Nixon, Job (1891-1938); 19x35.8 cm; Private Collection; © Liss Fine Art

Subiaco, 1926 (drypoint)
3088174 Subiaco, 1926 (drypoint) by Nixon, Job (1891-1938); 22.22x30.48 cm; Private Collection; © Liss Fine Art

Florence, 1924 (drypoint)
3088245 Florence, 1924 (drypoint) by Nixon, Job (1891-1938); 24.76x34.92 cm; Private Collection; © Liss Fine Art

The Monkey and the Whip (woodcut)
397429 The Monkey and the Whip (woodcut) by Gill, Eric (1882-1940); Private Collection; English, out of copyright

The Marriage (woodcut)
397436 The Marriage (woodcut) by Gill, Eric (1882-1940); Private Collection

The Bubble (photogravure)
3618397 The Bubble (photogravure) by Brigman, Anne W. (1869-1950); Minneapolis Institute of Arts, MN, USA; © Minneapolis Institute of Art; © Minneapolis Institute of Art

Francesconi (etching)
1067360 Francesconi (etching) by Chahine, Edgar (1874-1947); 19.1x16.2 cm; Dallas Museum of Art, Texas, USA; gift of Mrs. Arthur Kramer, Sr

Cos Cob Dock, 1915 (etching)
1066876 Cos Cob Dock, 1915 (etching) by Hassam, Childe Frederick (1859-1935); 17.8x12.7 cm; Dallas Museum of Art, Texas, USA; gift of Mrs. A.E. Zonne

Barmaid (Any Bar), 1898 (woodcut)
3088152 Barmaid (Any Bar), 1898 (woodcut) by Nicholson, William (1872-1949); 25.4x22.8 cm; Private Collection; (add.info.: Original woodcut, without hand colouring)

Self Portrait (Physick 497), 1927 (wood engraving)
3088115 Self Portrait (Physick 497), 1927 (wood engraving) by Gill, Eric (1882-1940); 33x25.5 cm; Private Collection; (add.info)

M is for Milkmaid (wood engraving)
3088157 M is for Milkmaid (wood engraving) by Nicholson, William (1872-1949); 26.7x24 cm; Private Collection; (add.info.: Wood Engraving, without colour)

Franklin Stove, 1927 (wood engraving)
1069212 Franklin Stove, 1927 (wood engraving) by Gag, Wanda (1893-1946); 22.2x28.6 cm; Dallas Museum of Art, Texas, USA; gift of Robert Janssen; American, out of copyright

Reverie Venitienne (litho)
863170 Reverie Venitienne (litho) by Gabain, Ethel (1883-1950); 33x25.4 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

Map and diagram of the world, folio a4v of Orbis Breviarium by Zaccaria Lilio (d. c)
488665 Map and diagram of the world, folio a4v of Orbis Breviarium by Zaccaria Lilio (d.c.1522), Florence, 1493 (print & woodcut) by Italian School

Kobo Daishi (Kukai) as a Boy (Chigo Daishi), 15th century. Creator: Unknown
Kobo Daishi (Kukai) as a Boy (Chigo Daishi), 15th century

The Powhatan, c. 1854. Creator: Unknown
The Powhatan, c. 1854

A Young Woman Walking near a Plum Tree, c. 1688. Creator: Unknown
A Young Woman Walking near a Plum Tree, c. 1688

Narihira at Yatsuhashi Bridge, 1765. Creator: Unknown
Narihira at Yatsuhashi Bridge, 1765

Yamashita Kyonosuke as Ono no Komachi, Edo period (1615-1868), 1768. Creator: Unknown
Yamashita Kyonosuke as Ono no Komachi, Edo period (1615-1868), 1768

Parody of the Story of Narukami, 1765. Creator: Unknown
Parody of the Story of Narukami, 1765

John James Audubon discovering his drawings eaten by a rat, 1870s. Creator: Unknown
John James Audubon discovering his drawings eaten by a rat, 1870s

Banner Depicting Kintaro Battling Bears, 18th century. Creator: Unknown
Banner Depicting Kintaro Battling Bears, 18th century

Pinks in a Porcelain Pot, c. 1765. Creator: Unknown
Pinks in a Porcelain Pot, c. 1765

The Bad Tiger Cub, c. 1730. Creator: Unknown
The Bad Tiger Cub, c. 1730

Beauty Playing with Cat and Kitten, early 18th century. Creator: Unknown
Beauty Playing with Cat and Kitten, early 18th century

The Dancing Fox, 1766. Creator: Unknown
The Dancing Fox, 1766

Commodore Perry, c. 1853 / 54. Creator: Unknown
Commodore Perry, c. 1853/54

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"Exploring the Art of Printmaking: A Journey through Seasons and Styles" Step into the captivating world of printmaking, where artistry meets technique. From delicate hand-coloured drypoint & aquatint masterpieces to bold woodcuts, this diverse collection showcases the beauty and versatility of this ancient craft. Immerse yourself in "The Four Seasons" series, a stunning display of nature's ever-changing palette. Feel the vibrant energy of Spring as blossoms burst forth in a symphony of colors (c. 1928). Experience the warmth and joyous spirit of Summer captured with meticulous detail (c. 1928). Then, embrace Winter's serene tranquility that blankets landscapes in ethereal white (c. 1928). Transport yourself back to 1901 Paris World Fair with "Fireworks, " a mesmerizing woodcut that ignites the sky with explosive brilliance. Witness history unfold before your eyes as you marvel at scenes from one of humanity's grandest celebrations. Delve into Francisco Goya's provocative imagination with "Aguarda Que Te Unten, " an etching & aquatint plate from his renowned series "Los Caprichos. " Let its intricate details and social commentary transport you to 18th-century Spain. Celebrate nature's splendor through contemporary linocut prints like "Flowers in a Vase" or "Native Flowers. " These vivid creations breathe life into any space, capturing the essence and beauty found within our natural surroundings. Experience abstract expressions brought to life through linocuts like "Linocut Abstract #7". Lose yourself in its dynamic shapes and textures, allowing your imagination to roam freely amidst its intriguing patterns. Capture glimpses of everyday life with prints such as "Neighbourhood", which encapsulates familiar scenes filled with charm and nostalgia. Explore modern interpretations like "Modern Plant / Lino Print", where traditional techniques merge seamlessly with contemporary aesthetics.