Printmaking Collection (page 8)

Making clothes for the boys in the army, c. 1880-90 (etching)
497525 Making clothes for the boys in the army, c.1880-90 (etching) by Volck, Adalbert John (1828-1912); 26.1x34.6 cm; Gilder Lehrman Collection, New York

Portable darkroom
A man uses a self contained, portable darkroom to develop photographic prints. Date: 19th century

The Apple Harvest, 1889 (woodcut)
1218012 The Apple Harvest, 1889 (woodcut) by Pissarro, Lucien (1863-1944); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

La femme sur la route, 1879 (aquatint and drypoint)
1217692 La femme sur la route, 1879 (aquatint and drypoint) by Pissarro, Camille (1830-1903); 15.4x20.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

St Jerome in his study, 1514 (engraving)
1217552 St Jerome in his study, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 24.3x18.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

The History of Elector Friedrich I Palatine (woodcut)
1217336 The History of Elector Friedrich I Palatine (woodcut) by Master C. S. (15th century); 35x56.437.5x59.5 cm; Ashmolean Museum, University of Oxford

Christ carrying the cross (engraving)
1217315 Christ carrying the cross (engraving) by Schongauer, Martin (1440-91); 16.3x11.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Ecce Homo (engraving)
1217314 Ecce Homo (engraving) by Schongauer, Martin (1440-91); 16.7x11.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Christ crowned with Thorns (engraving)
1217313 Christ crowned with Thorns (engraving) by Schongauer, Martin (1440-91); 16.1x11.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Baby Sequoia, 1915 (etching & engraving)
1069234 Baby Sequoia, 1915 (etching & engraving) by Haskell, Ernest (1876-1925); 42.9x25.3 cm; Dallas Museum of Art, Texas, USA; gift of Mr. and Mrs

San Biagio, 1880 (etching & drypoint)
1069211 San Biagio, 1880 (etching & drypoint) by Whistler, James Abbott McNeill (1834-1903); 21x30.5 cm; Dallas Museum of Art, Texas, USA; bequest of Betty and Zedrick Moore; American

Max Klinger at Work, 1902 (soft-ground etching)
1067351 Max Klinger at Work, 1902 (soft-ground etching) by Orlik, Emil (1870-1932); 19.7x13.7 cm; Dallas Museum of Art, Texas

Fishermen fleeing the storm (etching)
1067348 Fishermen fleeing the storm (etching) by French School; 20.2x25.7 cm; Dallas Museum of Art, Texas, USA; gift of Mrs. Arthur Kramer, Sr.; French, out of copyright

Hercules and Cacus, 1588 (chiaroscuro woodcut on laid paper)
996325 Hercules and Cacus, 1588 (chiaroscuro woodcut on laid paper) by Goltzius, Hendrik (1558-1617); 41.2x33.2 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario; Purchase

Print from the series A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo
3115010 Print from the series A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo), c.1833 (colour woodblock print) by Hokusai

La Sortie, 1895 (woodcut)
615516 La Sortie, 1895 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.4 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Games in the Sun, VII from Les Petites Baigneuses, 1893 (woodcut)
615505 Games in the Sun, VII from Les Petites Baigneuses, 1893 (woodcut) by Vallotton, Felix Edouard (1865-1925); 11x16.8 cm; Private Collection; (add.info)

Three Bathers, 1894 (woodcut)
614932 Three Bathers, 1894 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18.3x11.2 cm; Private Collection; (add.info.: Trois Baigneuses); Photo eChristies Images; Swiss, out of copyright

Paris Intense, 1893-94 (zincograph)
614928 Paris Intense, 1893-94 (zincograph) by Vallotton, Felix Edouard (1865-1925); Private Collection; Photo eChristies Images; Swiss, out of copyright

The Diggers, 1855 - 1856 (etching)
1217873 The Diggers, 1855 - 1856 (etching) by Millet, Jean-Francois (1814-75); 23.5x33.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Woman emptying a wheelbarrow, 1880 (drypoint, aquatint, sandpaper and open bite etching)
1217694 Woman emptying a wheelbarrow, 1880 (drypoint, aquatint, sandpaper and open bite etching) by Pissarro, Camille (1830-1903); 32x23 cm; Ashmolean Museum, University of Oxford

The Entombment, 1592-1607 (woodcut)
1217341 The Entombment, 1592-1607 (woodcut) by Scolari, Giuseppe (fl.1550-1610); 66x44 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Women weeding the grass (woodcut & w / c on paper)
3619700 Women weeding the grass (woodcut & w/c on paper) by Pissarro, Camille (1830-1903); 17.5x11.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

An Artists Apprentice Cleaning an Engraving Plate, from Recueil de Figures
708964 An Artists Apprentice Cleaning an Engraving Plate, from Recueil de Figures... 1737 (engraving) by Bosse, Abraham (1602-76); Private Collection; The Stapleton Collection; French

Orpheus and Eurydice, 1870-72 (mezzotint)
489171 Orpheus and Eurydice, 1870-72 (mezzotint) by Watts, George Frederic (1817-1904); 36x53.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

The leader of the herd, 1876 (etching)
497612 The leader of the herd, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes)

A thirsty crowd at the old spring house, 1876 (etching)
497611 A thirsty crowd at the old spring house, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes)

Bummers, 1876 (etching)
497608 Bummers, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes, a member of the French Etching Club)

The outer picket line, winter, 1876 (etching)
497605 The outer picket line, winter, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes)

Newspapers in camp, 1876 (etching)
497603 Newspapers in camp, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes)

Stuck in the mud, 1876 (etching)
497597 Stuck in the mud, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes, a member of the French Etching Club)

An Army Forge, 1876 (etching)
497594 An Army Forge, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes, a member of the French Etching Club)

Making copper engravings (coloured engraving)
6032118 Making copper engravings (coloured engraving) by Engelbrecht, Martin (1684-1756); Private Collection; (add.info.: Making copper engravings)

The Splinter (Woman Nursing Her Foot), c. 1883-85 (pastel & charcoal over monotype
1199808 The Splinter (Woman Nursing Her Foot), c.1883-85 (pastel & charcoal over monotype on paper) by Degas, Edgar (1834-1917); 29.5x39.4 cm; Private Collection; (add.info)

Il Modo d Adoperare il Balador Secreto dei Giudei, by Jacopo Coppa of Modena
1562682 Il Modo d Adoperare il Balador Secreto dei Giudei, by Jacopo Coppa of Modena, Florence, 1st October, 1573 (woodcut & print) by Italian School

Rue Saint-Lazare, Paris, 1897 (lithograph on zinc)
1217699 Rue Saint-Lazare, Paris, 1897 (lithograph on zinc) by Pissarro, Camille (1830-1903); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Paysage sous Bois, a l Hermitage (Pontoise), 1879 (aquatint and drypoint)
1217691 Paysage sous Bois, A l Hermitage (Pontoise), 1879 (aquatint and drypoint) by Pissarro, Camille (1830-1903); 22x26.7frame45x60.4x2.4 cm; Ashmolean Museum, University of Oxford

Christ on the mount of olives, 1496 / 99 (woodcut with some old repairings in ink)
1217323 Christ on the mount of olives, 1496/99 (woodcut with some old repairings in ink) by DAorer or Duerer, Albrecht (1471-1528); 39x28 cm; Ashmolean Museum, University of Oxford

Self portrait, c. 1778 (etching, drypoint & engraving on wove paper)
2972794 Self portrait, c.1778 (etching, drypoint & engraving on wove paper) by Norblin, Jean Pierre (1745-1830); 14.6x15.8 cm; The Art Institute of Chicago, IL, USA; John H

Yacht Tavern, Erith, 1865 (etching from a zinc plate on ivory china paper)
2972657 Yacht Tavern, Erith, 1865 (etching from a zinc plate on ivory china paper) by Haden, Francis Seymour (1818-1910); 26x38.8 cm; The Art Institute of Chicago, IL, USA; Wallace L

Action, 1881 (etching)
5864228 Action, 1881 (etching) by Klinger, Max (1857-1920); 48.6x31.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 9 13/16 x 7 3/8 in

The Drunk Bacchus, c. 1520 (woodcut)
5858425 The Drunk Bacchus, c.1520 (woodcut) by Grien, Hans Baldung (1484/5-1545); 22A--15.1 cm; German, out of copyright

Triumph, 1881 (etching)
5864230 Triumph, 1881 (etching) by Klinger, Max (1857-1920); 31.8x48.6 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 4 5/16 x 9 7/16 in

Dirty bride or the wedding of Mopsus and Nisa, engraved by Pieter van der Heyden
5196972 Dirty bride or the wedding of Mopsus and Nisa, engraved by Pieter van der Heyden, 1570 (engraving) by Brueghel, Pieter The Elder (c.1525-69) (after); 22.3x28.9 cm; Rijksmuseum, Amsterdam

The fight between Carnival and Lent, engraved by Pieter van der Heyden, 1558 (engraving)
5196967 The fight between Carnival and Lent, engraved by Pieter van der Heyden, 1558 (engraving) by Brueghel, Pieter The Elder (c.1525-69) (after); 33x50.7 cm; Rijksmuseum, Amsterdam

Portrait of the engraver Franz Xaver Stober, 1837 (oil on canvas)
869288 Portrait of the engraver Franz Xaver Stober, 1837 (oil on canvas) by Amerling, Friedrich von (1803-87); 41x33 cm; Private Collection; (add.info)

Othello Suite, No. 9 (Act 4, Scene 3), 1900 (etching on chine colle)
877263 Othello Suite, No. 9 (Act 4, Scene 3), 1900 (etching on chine colle) by Chasseriau, Theodore (1819-56); 61.8x42.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

The Engravers Workshop (engraving)
3646809 The Engravers Workshop (engraving) by Bosse, Abraham (1602-76) (after); Private Collection; (add.info.: The Engravers Workshop)

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"Exploring the Art of Printmaking: A Journey through Seasons and Styles" Step into the captivating world of printmaking, where artistry meets technique. From delicate hand-coloured drypoint & aquatint masterpieces to bold woodcuts, this diverse collection showcases the beauty and versatility of this ancient craft. Immerse yourself in "The Four Seasons" series, a stunning display of nature's ever-changing palette. Feel the vibrant energy of Spring as blossoms burst forth in a symphony of colors (c. 1928). Experience the warmth and joyous spirit of Summer captured with meticulous detail (c. 1928). Then, embrace Winter's serene tranquility that blankets landscapes in ethereal white (c. 1928). Transport yourself back to 1901 Paris World Fair with "Fireworks, " a mesmerizing woodcut that ignites the sky with explosive brilliance. Witness history unfold before your eyes as you marvel at scenes from one of humanity's grandest celebrations. Delve into Francisco Goya's provocative imagination with "Aguarda Que Te Unten, " an etching & aquatint plate from his renowned series "Los Caprichos. " Let its intricate details and social commentary transport you to 18th-century Spain. Celebrate nature's splendor through contemporary linocut prints like "Flowers in a Vase" or "Native Flowers. " These vivid creations breathe life into any space, capturing the essence and beauty found within our natural surroundings. Experience abstract expressions brought to life through linocuts like "Linocut Abstract #7". Lose yourself in its dynamic shapes and textures, allowing your imagination to roam freely amidst its intriguing patterns. Capture glimpses of everyday life with prints such as "Neighbourhood", which encapsulates familiar scenes filled with charm and nostalgia. Explore modern interpretations like "Modern Plant / Lino Print", where traditional techniques merge seamlessly with contemporary aesthetics.