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Publius Ovidius Naso Collection (page 3)

Publius Ovidius Naso, commonly known as Ovid, was a renowned Roman poet who lived during the Silver Age

Background imagePublius Ovidius Naso Collection: Mercury Enamored of Herse, Daughter of Cecrops, published 1590. Creator: Hendrik Goltzius

Mercury Enamored of Herse, Daughter of Cecrops, published 1590. Creator: Hendrik Goltzius
Mercury Enamored of Herse, Daughter of Cecrops, published 1590. Book: Metamorphoses by Ovid, pl. 4

Background imagePublius Ovidius Naso Collection: Mercury Enamored of Herse, Daughter of Cecrops, published 1590. Creator: Hendrik Goltzius

Mercury Enamored of Herse, Daughter of Cecrops, published 1590. Creator: Hendrik Goltzius
Mercury Enamored of Herse, Daughter of Cecrops, published 1590. Book: Metamorphoses by Ovid, pl. 4

Background imagePublius Ovidius Naso Collection: Cupid & Psyche, ca. 1631. Creators: Bartholomeus Spranger, Jan Muller

Cupid & Psyche, ca. 1631. Creators: Bartholomeus Spranger, Jan Muller
Cupid & Psyche, ca. 1631

Background imagePublius Ovidius Naso Collection: Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphos

Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74, Published after 1606

Background imagePublius Ovidius Naso Collection: Coast View with Perseus and the Origin of Coral, 1674. Creator: Claude Lorrain

Coast View with Perseus and the Origin of Coral, 1674. Creator: Claude Lorrain
Coast View with Perseus and the Origin of Coral, 1674

Background imagePublius Ovidius Naso Collection: Pan and the Nymph Syrinx, 17th century. Artist: Sebastien Bourdon

Pan and the Nymph Syrinx, 17th century. Artist: Sebastien Bourdon
Pan and the Nymph Syrinx, 17th century. Depiction of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

Background imagePublius Ovidius Naso Collection: Diana and Callisto, 17th century. Artist: Pietro Liberi

Diana and Callisto, 17th century. Artist: Pietro Liberi
Diana and Callisto, 17th century. According to Ovid, Jupiter took the form of Diana in order to force himself on Callisto when she was separated from Diana

Background imagePublius Ovidius Naso Collection: Aeneas made immortal by Venus, second half 17th century (oil on canvas)

Aeneas made immortal by Venus, second half 17th century (oil on canvas)
7292740 Aeneas made immortal by Venus, second half 17th century (oil on canvas) by Giordano, Luca (1634-1705); Museo Civico Palazzo Chiericati, Vicenza

Background imagePublius Ovidius Naso Collection: Aesculapius, Metamophoses by Ovid (engraving)

Aesculapius, Metamophoses by Ovid (engraving)
1702023 Aesculapius, Metamophoses by Ovid (engraving) by French School; (add.info.: Asclepius (Latin: Aesculapius) is a hero and god of medicine in ancient Greek religion and mythology

Background imagePublius Ovidius Naso Collection: Ovids revenge (copper engraving)

Ovids revenge (copper engraving)
7201510 Ovids revenge (copper engraving) by German School, (16th century) (after); Private Collection; (add.info.: Ovids revenge)

Background imagePublius Ovidius Naso Collection: Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)

Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
CUL4906145 Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: by COECKE VAN AELST)

Background imagePublius Ovidius Naso Collection: Pomona Surprised by Vertumnus and Other Suitors, 1535 / 40. Creator: Unknown

Pomona Surprised by Vertumnus and Other Suitors, 1535 / 40. Creator: Unknown
Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus and Pomona, Brussels, 1535/40. Detail from a larger artwork

Background imagePublius Ovidius Naso Collection: Apollo Exposing Mars and Venus to the Ridicule of the Olympians

Apollo Exposing Mars and Venus to the Ridicule of the Olympians, from Ovids Metamorphoses, Aubusson, c. 1650

Background imagePublius Ovidius Naso Collection: Pygmalion, from Stories from Ovid, Antwerp, c. 1675. Creator: Unknown

Pygmalion, from Stories from Ovid, Antwerp, c. 1675. Creator: Unknown
Pygmalion, from Stories from Ovid, Antwerp, c. 1675. Pygmalion the sculptor carves the statue with which he will fall in love. Woven at the Wauters workshop, after a design probably by Daniel Janssens

Background imagePublius Ovidius Naso Collection: Venus and Adonis (?) with the Duck Hunt, Flanders, c. 1600

Venus and Adonis (?) with the Duck Hunt, Flanders, c. 1600. Presumably woven at the workshop of Jacques I Geubels or his widow Catharina van den Eynde

Background imagePublius Ovidius Naso Collection: The Offering of the Boars Head, from The Story of Meleager and Atalanta, Brussels

The Offering of the Boars Head, from The Story of Meleager and Atalanta, Brussels, 1673/86. Woven at the workshop of Jan II Leyniers, after a design by Charles Le Brun

Background imagePublius Ovidius Naso Collection: Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus

Pomona Surprised by Vertumnus and Other Suitors, from The Story of Vertumnus and Pomona, Brussels, 1535/40

Background imagePublius Ovidius Naso Collection: Apollo and Marsyas, 1888. Creator: Hans Thoma

Apollo and Marsyas, 1888. Creator: Hans Thoma
Apollo and Marsyas, 1888

Background imagePublius Ovidius Naso Collection: The Sacrifice of Polyxena, 1776. Creator: Giovanni David

The Sacrifice of Polyxena, 1776. Creator: Giovanni David
The Sacrifice of Polyxena, 1776. King Priams daughter Polyxena is sacrificed for her betrayal of Achilles after her brothers shot a poisoned arrow in his heel

Background imagePublius Ovidius Naso Collection: The Wedding Feast of Peleus and Thetis, 1636-79. Creator: Frans van den Wyngaerde

The Wedding Feast of Peleus and Thetis, 1636-79. Creator: Frans van den Wyngaerde
The Wedding Feast of Peleus and Thetis, 1636-79

Background imagePublius Ovidius Naso Collection: Ovid among the Scythians, 1862 (oil on paper, laid down on wood)

Ovid among the Scythians, 1862 (oil on paper, laid down on wood)
scythia, Christian, care, metamorphoses, landscape, empire, french, romanticism, sea, christianity, romantic, exile, milk, black sea, exiled, horse, painting, banishment, constanta

Background imagePublius Ovidius Naso Collection: Portrait of Ovid (engraving)

Portrait of Ovid (engraving)
819856 Portrait of Ovid (engraving) by English School, (19th century); Private Collection; (add.info.: Publius Ovidius Naso, popularly known as Ovid, Roman poet)

Background imagePublius Ovidius Naso Collection: Ovid, Roman poet (engraving)

Ovid, Roman poet (engraving)
5216750 Ovid, Roman poet (engraving) by German School, (19th century); Private Collection; (add.info.: Ovid (43 BC - 18 AD), Roman poet

Background imagePublius Ovidius Naso Collection: L Echo, painting by A Seifert (litho)

L Echo, painting by A Seifert (litho)
2798180 L Echo, painting by A Seifert (litho) by Seifert, Alfred (1850-1901); Private Collection; (add.info.: L Echo, painting by A Seifert)

Background imagePublius Ovidius Naso Collection: Clytie, 1785. Creator: Valentine Green

Clytie, 1785. Creator: Valentine Green
Clytie, 1785

Background imagePublius Ovidius Naso Collection: Margot la Critique, 1854. Creator: Felix Bracquemond

Margot la Critique, 1854. Creator: Felix Bracquemond
Margot la Critique, 1854. [Margot the Critic)

Background imagePublius Ovidius Naso Collection: Acis and Galatea, 1787. Creator: Francesco Bartolozzi

Acis and Galatea, 1787. Creator: Francesco Bartolozzi
Acis and Galatea, 1787

Background imagePublius Ovidius Naso Collection: Diana at the Bath After Returning from the Hunt, ca. 1730-60

Diana at the Bath After Returning from the Hunt, ca. 1730-60. [Posito visam velamine narres]

Background imagePublius Ovidius Naso Collection: The Feast of the Gods, 1514 / 1529. Creator: Giovanni Bellini

The Feast of the Gods, 1514 / 1529. Creator: Giovanni Bellini
The Feast of the Gods, 1514/1529

Background imagePublius Ovidius Naso Collection: Philemon and Baucis, 1658. Creator: Rembrandt Harmensz van Rijn

Philemon and Baucis, 1658. Creator: Rembrandt Harmensz van Rijn
Philemon and Baucis, 1658

Background imagePublius Ovidius Naso Collection: Pyramus et Thisbe, from Game of Mythology (Jeu de la Mythologie), 1644

Pyramus et Thisbe, from Game of Mythology (Jeu de la Mythologie), 1644

Background imagePublius Ovidius Naso Collection: Triumph of Galatea, 1610-42. Creator: Pierre Brebiette

Triumph of Galatea, 1610-42. Creator: Pierre Brebiette
Triumph of Galatea, 1610-42

Background imagePublius Ovidius Naso Collection: Judgment of Paris, 1610-42. Creator: Pierre Brebiette

Judgment of Paris, 1610-42. Creator: Pierre Brebiette
Judgment of Paris, 1610-42

Background imagePublius Ovidius Naso Collection: Pyramus and Thisbe, 1514. Creator: Lucas van Leyden

Pyramus and Thisbe, 1514. Creator: Lucas van Leyden
Pyramus and Thisbe, 1514

Background imagePublius Ovidius Naso Collection: Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part X

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819

Background imagePublius Ovidius Naso Collection: Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813-23

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813-23

Background imagePublius Ovidius Naso Collection: Cupid and Psyche, 1573-74. Creator: Giorgio Ghisi

Cupid and Psyche, 1573-74. Creator: Giorgio Ghisi
Cupid and Psyche, 1573-74. After Giulio Romano

Background imagePublius Ovidius Naso Collection: Plate 2: The Creation of Man (Hominis creatio), from Ovids Metamorphoses, 1606

Plate 2: The Creation of Man (Hominis creatio), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia)

Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transfor

Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20, Published after 1606

Background imagePublius Ovidius Naso Collection: Plate 7: The Flood (Diluvium. ), from Ovids Metamorphoses, 1606

Plate 7: The Flood (Diluvium. ), from Ovids Metamorphoses, 1606
Plate 7: The Flood (Diluvium.), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Plate 3: The Age of Gold (Aetas aurea), from Ovids Metamorphoses, 1606

Plate 3: The Age of Gold (Aetas aurea), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Lucretia and her handmaids spinning, 1537-45. Creator: Antonio Fantuzzi

Lucretia and her handmaids spinning, 1537-45. Creator: Antonio Fantuzzi
Lucretia and her handmaids spinning, 1537-45. [...Lucretia, before whose bed were baskets full of soft wool. By a dim light the handmaids were spinning their allotted stints of yarn

Background imagePublius Ovidius Naso Collection: Le Trasformationi, 1558. 1558. Creator: Giovanni Antonio Rusconi

Le Trasformationi, 1558. 1558. Creator: Giovanni Antonio Rusconi
Le Trasformationi, 1558

Background imagePublius Ovidius Naso Collection: Jupiter Fighting the Giants. 1540-96. Creator: Jacopo Zucchi

Jupiter Fighting the Giants. 1540-96. Creator: Jacopo Zucchi
Jupiter Fighting the Giants. 1540-96

Background imagePublius Ovidius Naso Collection: Pyramus and Thisbe, ca. 1580. Creator: Anon

Pyramus and Thisbe, ca. 1580. Creator: Anon
Pyramus and Thisbe, ca. 1580

Background imagePublius Ovidius Naso Collection: Venus Discovering the Death of Adonis, 17th century. Creator: Anon

Venus Discovering the Death of Adonis, 17th century. Creator: Anon
Venus Discovering the Death of Adonis, 17th century

Background imagePublius Ovidius Naso Collection: The Morning After He Greatly Daring Dined, 1843-47

The Morning After He Greatly Daring Dined, 1843-47
The Morning After " He Greatly Daring Dined", 1843-47



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Publius Ovidius Naso, commonly known as Ovid, was a renowned Roman poet who lived during the Silver Age. His works have left an indelible mark on art and literature throughout history. In Lucas Cranach the Elder's painting "The Silver Age, " we catch a glimpse of this influential period. Ovid's masterpiece, "Metamorphoses, " inspired countless artists to bring his stories to life. Randolph Rogers' sculpture "The Lost Pleiade" captures the tragic tale of seven sisters transformed into stars. Meanwhile, in Claude Lorrain's painting "Coast View with Perseus and the Origin of Coral, " we witness another metamorphosis unfold before our eyes. Theseus and the Minotaur is one of Ovid's most famous myths, depicted in various artworks like Sebastien Bourdon's captivating piece. The hero triumphs over the fearsome creature within a labyrinthine maze—a testament to Ovid's ability to captivate audiences through storytelling. In Aeneas made immortal by Venus, we see how love can transcend mortality itself. This second-half 17th-century oil painting portrays Venus granting immortality upon her son Aeneas—yet another example of Ovid exploring themes such as transformation and divine intervention. Aesculapius, engraved in Metamorphoses by Ovid, showcases his skillful use of words to depict vivid imagery. The story comes alive through intricate engravings that breathe life into ancient tales. But it seems revenge also played its part in some narratives from Metamorphoses—as seen in an intriguing copper engraving aptly titled "Ovid’s Revenge. " It reminds us that even great poets may seek retribution when wronged. Vertumnus and Pomona tell us yet another fascinating story from Ovid’s repertoire: Vertumnus transforming himself into a pruner to win over Pomona’s heart.