Purgatory Collection (page 5)

Purgatorio, Canto 2 : Dante bows before the angel pilot
GIA745666 Purgatorio, Canto 2 : Dante bows before the angel pilot, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 11 : The souls of the prideful, bearing heavy stones
GIA745657 Purgatorio, Canto 11 : The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 13 : The souls of the envious, illustration from
GIA745654 Purgatorio, Canto 13 : The souls of the envious, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 15 : Dantes vision of the stoning of Stephen (saint Etienne)
GIA745653 Purgatorio, Canto 15 : Dantes vision of the stoning of Stephen (saint Etienne), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 18 : The multitude of the slothful, illustration from
GIA745647 Purgatorio, Canto 18 : The multitude of the slothful, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from
GIA745643 Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 30 : Beatrice among the angels, illustration from
GIA745641 Purgatorio, Canto 30 : Beatrice among the angels, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The Valley of Vision, c. 1910 (pencil, red chalk and watercolour)
659823 The Valley of Vision, c.1910 (pencil, red chalk and watercolour) by Payne, Henry A. (Harry) (1868-1940); 37.5x47.6 cm; Private Collection; (add.info.: The Valley of Vision. Henry A)

Christ in Limbo, 1552 (oil on canvas)
BAT276799 Christ in Limbo, 1552 (oil on canvas) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

The Last Judgement (pen with wash on paper)
AMO427683 The Last Judgement (pen with wash on paper) by Buonarroti, Michelangelo (1475-1564) (after); 55.3x40.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Christs Descent into Limbo, 1557 (painted enamel)
XIR414017 Christs Descent into Limbo, 1557 (painted enamel) by Limosin, Leonard (c.1505-77); Musee National de la Renaissance, Ecouen, France; (add.info.: The Descent to Limbo; ); French

Representation of the Purgatory after the Divine Comedie of Dante Alighieri (1265-1321)
GIA4790748 Representation of the Purgatory after the Divine Comedie of Dante Alighieri (1265-1321): the earthly Paradise is at the top

Dante and Virgil meet the poet Sordello da Goito at Purgatory D
LRI4694132 Dante and Virgil meet the poet Sordello da Goito at Purgatory D pres un chant du Purgatory de Divine Comedy (Divine Comedia) by Dante Alighieri (1265-1321)

Dantes Vision of Matilda gathering Flowers, 1855 (pen
1217528 Dantes Vision of Matilda gathering Flowers, 1855 (pen and brown ink on off-white paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.8x18.5 cm; Ashmolean Museum, University of Oxford

The River Eunoe, Purgatory, Canto 33 (engraving)
5214016 The River Eunoe, Purgatory, Canto 33 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The River Eunoe, Purgatory, Canto 33)

The Mysterious Car, Purgatory, Canto 31 (engraving)
5214012 The Mysterious Car, Purgatory, Canto 31 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Mysterious Car, Purgatory, Canto 31)

The Earthquake, Purgatory, Canto 20 (engraving)
5214001 The Earthquake, Purgatory, Canto 20 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Earthquake, Purgatory, Canto 20)

The Valley, Purgatory, Canto 8 (engraving)
5213989 The Valley, Purgatory, Canto 8 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Valley, Purgatory, Canto 8)

The Negligent, Purgatory, Canto 4 (engraving)
5213986 The Negligent, Purgatory, Canto 4 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Negligent, Purgatory, Canto 4)

Casellas Song, Purgatory, Canto 2 (engraving)
5213983 Casellas Song, Purgatory, Canto 2 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Casellas Song, Purgatory, Canto 2)

The River Lethe, Purgatory, Canto 31 (engraving)
5214014 The River Lethe, Purgatory, Canto 31 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The River Lethe, Purgatory, Canto 31)

Region of Intemperance, Purgatory, Canto 22 (engraving)
5214002 Region of Intemperance, Purgatory, Canto 22 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Region of Intemperance, Purgatory, Canto 22)

Purification from Envy, Purgatory, Canto 13 (engraving)
5213994 Purification from Envy, Purgatory, Canto 13 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Purification from Envy, Purgatory, Canto 13)

Limbo, Purgatory, Canto 7 (engraving)
5213987 Limbo, Purgatory, Canto 7 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Limbo, Purgatory, Canto 7)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio
XEE4145526 The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 8: The angels drive the serpent away - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883)

The Circle of the Lustful: Paolo and Francesca Inferno V
995612 The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 (engraving) by Blake

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995610 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV
995609 The Circle of Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV
995616 The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 (engraving) by Blake

The Circle of the Lustful: Paolo and Francesca Inferno V
995596 The Circle of the Lustful: Paolo and Francesca Inferno V, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Leaf from a Beatus Manuscript, c. 1180 (tempera, gold, and ink on parchment)
3615967 Leaf from a Beatus Manuscript, c.1180 (tempera, gold, and ink on parchment) by Spanish School; 44.5x30 cm; Metropolitan Museum of Art, New York

Purgatorio, Canto 4 : Virgil leads Dante up the rugged mountainside
GIA745669 Purgatorio, Canto 4 : Virgil leads Dante up the rugged mountainside, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 3 : The company of souls upon the cliff
GIA745668 Purgatorio, Canto 3 : The company of souls upon the cliff, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Twilight, illustration from The Divine Comedy
GIA745662 Purgatorio, Canto 9 : Twilight, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from
GIA745656 Purgatorio, Canto 13 : Sapia cleanses his guilty life, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 16 : Marco Lombardo follows the poets through the smoke
GIA745651 Purgatorio, Canto 16 : Marco Lombardo follows the poets through the smoke, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 20 : The souls of the avaricious, illustration from
GIA745645 Purgatorio, Canto 20 : The souls of the avaricious, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 25 : The lustful pass through fire in the seventh circle
GIA745644 Purgatorio, Canto 25 : The lustful pass through fire in the seventh circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 29 : The 24 elders in the apocalyptic procession
GIA745640 Purgatorio, Canto 29 : The 24 elders in the apocalyptic procession, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre restoration)
ALI53521 Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari

The Last Judgement (tempera & gold on panel) (detail of 238447)
LEE354294 The Last Judgement (tempera & gold on panel) (detail of 238447) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Saint Patrick opening purgatory (chromolitho)
964157 Saint Patrick opening purgatory (chromolitho) by French School, (19th century); Private Collection; (add.info.: Saint Patrick opening purgatory (Saint Patrice ouvrant purgatoire)

The Descent of Beatrice, Purgatory, Canto 30 (engraving)
5214011 The Descent of Beatrice, Purgatory, Canto 30 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Descent of Beatrice, Purgatory, Canto 30)

The Intemperate, Purgatory, Canto 24 (engraving)
5214005 The Intemperate, Purgatory, Canto 24 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Intemperate, Purgatory, Canto 24)

The Meeting with Statius, Purgatory, Canto 21 (engraving)
5214003 The Meeting with Statius, Purgatory, Canto 21 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Meeting with Statius, Purgatory, Canto 21)

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"Purgatory: A Journey Through the In-Between Realms" Embark on a captivating journey through the realms of Purgatory, as depicted in Dante's Divine Comedy. Follow Dante's footsteps and explore this mystical place where souls find redemption before reaching paradise. The map unfolds before your eyes, revealing its intricate levels and challenges that await those seeking purification. Marvel at the vivid engravings depicting The Mouth of Hell, an ominous gateway leading to this realm of penance. Charon, the ferryman, stands tall in another engraving, guiding lost souls across the river Styx towards their ultimate destination. Witness Satan and Beelzebub themselves in all their terrifying glory - symbols of eternal damnation for those who succumbed to sin. Intriguingly, an 1885 engraving captures The Fall of Rebel Angels; a chaotic scene filled with fallen celestial beings battling against divine forces. Another depicts Satan in council – a chilling reminder that evil lurks even within these purifying confines. Saint Patrick emerges as a key figure opening Purgatory's gates - his role as Ireland's apostle intertwines with this spiritual realm. Engraved scenes from 1870 showcase countless souls arriving at Purgatory's shores; their expressions reflecting hope mixed with trepidation. Delve deeper into this ethereal plane and discover female souls navigating their own paths towards redemption - each carrying stories untold but etched upon their faces. Surprisingly light-hearted moments can be found amidst solemnity; Dudley Tennant’s caricature illustration portrays bewildered golfers playing Pastimes in Purgatory: Golf – reminding us that even here, human nature finds solace in leisure pursuits. Finally, witness Dante himself engaging in profound conversations within these hallowed grounds during his fifth canto adventure through Purgatorio – offering insights into humanity’s quest for salvation.