Purgatory Collection (page 4)

The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)
3493064 The Crucifixion; The Last Judgment, c.1440-41 (oil on canvas transferred from wood) by Eyck, Jan van (c.1390-1441); 56.5x19.7 cm; Metropolitan Museum of Art, New York, USA; Netherlandish

The Last Judgment: Detail of the Open Tombs, 1432-1435 (tempera on wood)
BAT5468003 The Last Judgment: Detail of the Open Tombs, 1432-1435 (tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); (add.info.: On the left, blessed)

The Region of Smoke, Purgatory, Canto 16 (engraving)
5213997 The Region of Smoke, Purgatory, Canto 16 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Region of Smoke, Purgatory, Canto 16)

The Bark of Purgatory, Purgatory, Canto 2 (engraving)
5213981 The Bark of Purgatory, Purgatory, Canto 2 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Bark of Purgatory, Purgatory, Canto 2)

The Mountain of Probation, Purgatory, Canto 1 (engraving)
5213978 The Mountain of Probation, Purgatory, Canto 1 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Mountain of Probation, Purgatory, Canto 1)

Foreses Elevation, Purgatory, Canto 23 (engraving)
5214004 Foreses Elevation, Purgatory, Canto 23 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Foreses Elevation, Purgatory, Canto 23)

The Boat of the Penitent and the Mountain of Purgatory (fresco)
702438 The Boat of the Penitent and the Mountain of Purgatory (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995604 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1838 (engraving) by Blake

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV
995601 The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995618 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, c.1827-38 (engraving) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995608 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995603 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

The Hermitage of Capua, from Italian Scenery, representing the Manners
3258432 The Hermitage of Capua, from Italian Scenery, representing the Manners, Customs and Amusements of the different States of Italy, pub. 1806 (hand coloured engraving) by Lerberghi, P

Purgatory (colour litho)
3108121 Purgatory (colour litho) by French School, (19th century); Private Collection; (add.info.: Purgatory. Le Purgatoire)

Christ in the Realm of the Dead, 1891-94 (oil on canvas)
1273900 Christ in the Realm of the Dead, 1891-94 (oil on canvas) by Skovgaard, Joakim (1856-1933); 351.5x489 cm; Statens Museum for Kunst, Copenhagen

The Descent into Limbo, from the Spanish Chapel, 1366-88 (fresco)
ALI249471 The Descent into Limbo, from the Spanish Chapel, 1366-88 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); Santa Maria Novella, Florence

Dante meets Matelda (song 28 from Purgatory, in the Divine Comedy) - miniature
LRI4636837 Dante meets Matelda (song 28 from Purgatory, in the Divine Comedy) - miniature, 15th century by Unknown Artist, (15th century); Biblioteca del Seminario Vescovile, Padua

Corrado Malaspinas soul predicts to Dante the exile (song 8 from Purgatory
LRI4636720 Corrado Malaspinas soul predicts to Dante the exile (song 8 from Purgatory, in the Divine Comedy) - Miniature, 14th century by Italian School, (14th century); Girolamini Library, Naples

The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio
XEE4145533 The Divine Comedy (La Divina Comedia, La Divine Comedie), Purgatorio, Canto 5: Dante speaks with Pia de Tolomei (Tolommei) - by Dante Alighieri (1265-1321)

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil
GIA745750 Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky
GIA745664 Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 8 : The angels drive the serpent away
GIA745661 Purgatorio, Canto 8 : The angels drive the serpent away, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell
GIA745660 Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V
GIA745650 Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from
GIA745648 Purgatorio, Canto 23 : The souls of the gluttonous, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons
GIA745646 Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 32 : The giant and the harlot in the chariot
GIA745637 Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 31 : Dante submerged in the River Lethe
GIA745636 Purgatorio, Canto 31 : Dante submerged in the River Lethe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 25 : The poets in the seventh circle, illustration from
GIA745635 Purgatorio, Canto 25 : The poets in the seventh circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The Intrigues of the Church, Purgatory, Canto 32 (engraving)
5214013 The Intrigues of the Church, Purgatory, Canto 32 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Intrigues of the Church, Purgatory, Canto 32)

The Poets Reposing, Purgatory, Canto 27 (engraving)
5214008 The Poets Reposing, Purgatory, Canto 27 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Poets Reposing, Purgatory, Canto 27)

The Carnal, Purgatory, Canto 25 (engraving)
5214007 The Carnal, Purgatory, Canto 25 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Carnal, Purgatory, Canto 25)

The Fiery Doom, Purgatory, Canto 26 (engraving)
5214006 The Fiery Doom, Purgatory, Canto 26 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Fiery Doom, Purgatory, Canto 26)

The Region of Avarice, Purgatory, Canto 19 (engraving)
5213999 The Region of Avarice, Purgatory, Canto 19 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Region of Avarice, Purgatory, Canto 19)

The Choir, Purgatory, Canto 17 (engraving)
5213998 The Choir, Purgatory, Canto 17 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Choir, Purgatory, Canto 17)

The Guiding Angel, Purgatory, Canto 15 (engraving)
5213996 The Guiding Angel, Purgatory, Canto 15 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Guiding Angel, Purgatory, Canto 15)

Lucifer, Purgatory, Canto 12 (engraving)
5213993 Lucifer, Purgatory, Canto 12 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Lucifer, Purgatory, Canto 12)

The Benediction, Purgatory, Canto 2 (engraving)
5213980 The Benediction, Purgatory, Canto 2 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Benediction, Purgatory, Canto 2)

The Proud, Purgatory, Canto 11 (engraving)
5213992 The Proud, Purgatory, Canto 11 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Proud, Purgatory, Canto 11)

The Torments of Purgatory (fresco)
702437 The Torments of Purgatory (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

The Descent into Limbo, from the Spanish Chapel, 1366-88 (fresco) (detail of 249471)
ALI309553 The Descent into Limbo, from the Spanish Chapel, 1366-88 (fresco) (detail of 249471) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); Santa Maria Novella, Florence

Dantes Purgatory
3758262 Dantes Purgatory by Dore, Gustave (1832-83); (add.info.: Dantes purgatory, part of his Divine Comedy. Illustration by Gustave Dore)

The Angel with the Sword marking Dante with the Sevenfold
1066271 The Angel with the Sword marking Dante with the Sevenfold, illustration from Purgatorio, Dantes Divine Comedy, c.1825-27 (pen & ink with w/c on paper) by Blake

Souls in Purgatory, 1893 (drypoint)
1068524 Souls in Purgatory, 1893 (drypoint) by Rodin, Auguste (1840-1917); 15.6x9.8 cm; Dallas Museum of Art, Texas, USA; (add.info.: Ames du Purgatoire); Foundation for the Arts Collection

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995615 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827-38 (engraving) by Blake

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995611 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995600 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Dante Alighieri holding his poem the Divine Comedy. Near by him, hell
LRI4581552 Dante Alighieri holding his poem the Divine Comedy. Near by him, hell, and the city of Florence, in the background the Purgatory and Paradise, 1465 (fresco) by Domenico di Michelino

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"Purgatory: A Journey Through the In-Between Realms" Embark on a captivating journey through the realms of Purgatory, as depicted in Dante's Divine Comedy. Follow Dante's footsteps and explore this mystical place where souls find redemption before reaching paradise. The map unfolds before your eyes, revealing its intricate levels and challenges that await those seeking purification. Marvel at the vivid engravings depicting The Mouth of Hell, an ominous gateway leading to this realm of penance. Charon, the ferryman, stands tall in another engraving, guiding lost souls across the river Styx towards their ultimate destination. Witness Satan and Beelzebub themselves in all their terrifying glory - symbols of eternal damnation for those who succumbed to sin. Intriguingly, an 1885 engraving captures The Fall of Rebel Angels; a chaotic scene filled with fallen celestial beings battling against divine forces. Another depicts Satan in council – a chilling reminder that evil lurks even within these purifying confines. Saint Patrick emerges as a key figure opening Purgatory's gates - his role as Ireland's apostle intertwines with this spiritual realm. Engraved scenes from 1870 showcase countless souls arriving at Purgatory's shores; their expressions reflecting hope mixed with trepidation. Delve deeper into this ethereal plane and discover female souls navigating their own paths towards redemption - each carrying stories untold but etched upon their faces. Surprisingly light-hearted moments can be found amidst solemnity; Dudley Tennant’s caricature illustration portrays bewildered golfers playing Pastimes in Purgatory: Golf – reminding us that even here, human nature finds solace in leisure pursuits. Finally, witness Dante himself engaging in profound conversations within these hallowed grounds during his fifth canto adventure through Purgatorio – offering insights into humanity’s quest for salvation.