Qualification Collection (page 4)

William Thomson, English church leader, Archbishop of York, c1890. Artist: Cassell, Petter & Galpin
William Thomson, English church leader, Archbishop of York, c1890. Thomson (1819-1890) became Archbishop of York in 1862. A lithograph from The Modern Portrait Gallery, Cassell, Petter and Galpin

Arthur Penrhyn Stanley, Dean of Westminster, c1890. Artist: Cassell, Petter & Galpin
Arthur Penrhyn Stanley, Dean of Westminster, c1890. Stanley (1815-1881) became dean in 1864. He was a great traveller and travelled extensively in Europe, America and Asia

James Fraser, Anglican bishop of Manchester, c1890. Artist: Cassell, Petter & Galpin
James Fraser, Anglican bishop of Manchester, c1890. Fraser (1818-1885) taught at Oriel College, was a prebendary at Salisbury Cathedral

Reverend Charles John Vaughan, Harrow Headmaster and Dean of Llandaff, 19th century. Educated at Rugby School, Vaughan (1816-1897) took orders in 1841, becoming vicar of St Martin s, Leicester

Alfred Elmore, artist and Royal Academician, 1881. Elmore (1815-1881), first exhibited at the Royal Academy in 1834, when aged only 19

Lawrence Alma-Tadema, artist and Royal Academician, 1881. Dutch-born painter Alma-Tadema (1836-1912) moved to London in 1870

William Charles Thomas Dobson, artist and Royal Academician, 1881. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science

Vicat Cole, landscape painter, 1881. Cole (1833-1893) was an important landscape painter of the mid 19th century who specialised in naturalistic English landscape scenes

Edward Armitage, professor and lecturer on painting to the Royal Academy, 1878. Artist: Lock & Whitfield
Edward Armitage, professor and lecturer on painting to the Royal Academy, 1878. A historical painter, Armitage was influential in the movements for the restoration of fresco painting in England

James Atlay, Bishop of Hereford, 1878. Artist: Lock & Whitfield
James Atlay, Bishop of Hereford, 1878. James Atlay became Bishop of Hereford in 1868, after having previously been vicar of Leeds

Henry Tamworth Wells, portrait-painter, 1878. Artist: Lock & Whitfield
Henry Tamworth Wells, portrait-painter, 1878. After the death of Ross and the retirement of Thorburn, Wells became the most important miniature painter of his time

Sir Francis Leopold McClintock, admiral, 1878. Artist: Lock & Whitfield
Sir Francis Leopold McClintock, admiral, 1878. In 1879 McClintock was appointed commander in chief on the North America and West Indies station. This was his last active service

Thomas Webster, painter, 1878. Artist: Lock & Whitfield
Thomas Webster, painter, 1878. In 1825 Webster exhibited Rebels shooting a Prisoner, the first painting of schoolboy life by which he won his reputation

James Fraser, Bishop of Manchester, 1878. Artist: Lock & Whitfield
James Fraser, Bishop of Manchester, 1878. Fraser taught at Oriel College, was a prebendary at Salisbury Cathedral, and wrote reports on education and the employment of women

Frederick Goodall, painter, 1878. Artist: Lock & Whitfield
Frederick Goodall, painter, 1878. Goodall was only 14 years old when he exhibited water-colour paintings of Willesden Church and Lambeth Palace at the Society of Arts

Edward Matthew Ward, historical painter, 1878. Artist: Lock & Whitfield
Edward Matthew Ward, historical painter, 1878. His paintings were mainly about the English history of the 17th century and the French history of the period of the revolution and the first empire

Alfred Ollivant, Bishop of Llandaff, 1878. Artist: Lock & Whitfield
Alfred Ollivant, Bishop of Llandaff, 1878. He became the Bishop of Llandaff in 1849. His long episcopate of thirty-three years was marked by many reforms such as providing additional pastoral

Sir Richard Redgrave, landscape painter, 1878. Artist: Lock & Whitfield
Richard Redgrave, landscape painter, 1878. His early years as an artist were difficult ones, until in 1837 he exhibited Gulliver on the Farmers Table

Sir George Strong Nares, Arctic explorer, 1878. Artist: Lock & Whitfield
Sir George Strong Nares, Arctic explorer, 1878. After returning to England in 1854 from an Arctic expedition he was promoted lieutenant, served for two years in the Mediterranean

William Thomson, Archbishop of York, 1878. Artist: Lock & Whitfield
William Thomson, Archbishop of York, 1878. Before he graduated from the Queens College, Oxford, he had practically completed a treatise called, Outlines of the Laws of Thought, published in 1842

Frederick Richard Pickersgill, artist and Royal Academician, 1882. Artist: Lock & Whitfield
Frederick Richard Pickersgill, artist and Royal Academician, 1882. Pickersgill (1820-1900) was a painter of historical subjects as well as scenes from art and literature

Marcus Stone, artist and Associate of the Royal Academy, 1882. Artist: Lock & Whitfield
Marcus Stone, artist and Associate of the Royal Academy, 1882. A popular and influential Victorian genre painter, Stone (1840-1921) was trained by his father Frank, also an artist

John Callcott Horsley, artist and Royal Academician, 1882. Artist: Lock & Whitfield
John Callcott Horsley, artist and Royal Academician, 1882. A historical and genre painter, Horsley (1817-1903) gained the nickname Clothes Horsley for his role in championing the cause of public

Briton Riviere, artist and Royal Academician, 1882. Artist: Lock & Whitfield
Briton Riviere, artist and Royal Academician, 1882. Riviere (1840-1920) was a painter who specialised in Classical scenes as well as animal pictures. He became a Royal Academician in 1881

George Frederick Watts, artist and Royal Academician, 1882. Artist: Lock & Whitfield
George Frederick Watts, artist and Royal Academician, 1882. A popular Victorian painter and sculptor, Watts (1817-1904) was best known for his portraits.George Frederick Watts

Philip Hermogenes Calderon, artist and Royal Academician, 1882. Artist: Lock & Whitfield
Philip Hermogenes Calderon, artist and Royal Academician, 1882. Calderon (1833-1898) initially studied engineering before deciding to pursue a career as a painter

George Dunlop Leslie, artist and Royal Academician, 1882. Artist: Lock & Whitfield
George Dunlop Leslie, artist and Royal Academician, 1882. The son of the painter Charles Robert Leslie, George Dunlop Leslie (1836-1921) became a Royal Academician in 1876

John Pettie, artist and Royal Academician, 1882. Artist: Lock & Whitfield
John Pettie, artist and Royal Academician, 1882. Pettie (1839-1893) was born in Edinburgh and moved to London in 1862, two years after he first exhibited at the Royal Academy

Right Reverend James Colquhoun Campbell DD, Bishop of Bangor, 1882. Artist: Lock & Whitfield
Right Reverend James Colquhoun Campbell DD, Bishop of Bangor, 1882. Campbell was Bishop of Bangor from 1859-1890. From Men of Mark

William Quiller Orchardson, artist and Royal Academician, 1882. Artist: Lock & Whitfield
William Quiller Orchardson, artist and Royal Academician, 1882. Born in Scotland, Orchardson (1832-1910) was a subject and portrait painter who moved to London in 1862

Reverend Charles John Vaughan, DD, Dean of Llandaff and Master of the Temple, 1882. Artist: Lock & Whitfield
Reverend Charles John Vaughan, DD, Dean of Llandaff and Master of the Temple, 1882. Educated at Rugby School, Vaughan (1816-1897) took orders in 1841, becoming vicar of St Martin s, Leicester

Reverend Edward Meyrick Goulburn, Dean of Norwich, 1880. Artist: Lock & Whitfield
Reverend Edward Meyrick Goulburn, Dean of Norwich, 1880. In 1849 he was elected head master of Rugby School until 1857 when he resigned

James Clarke Hook, Royal Academician, 1880. Artist: Lock & Whitfield
James Clarke Hook, Royal Academician, 1880. He first exhibited at the Royal Academy in 1839. His early paintings were depictions of historical and heroic events, and events from romantic literature

Thomas Faed, Royal Academician, 1880. Artist: Lock & Whitfield
Thomas Faed, Royal Academician, 1880. He studied at the Edinburgh School of Design, and in 1849 was elected as an associate of the Scottish Academy

Walter William Ouless, portrait painter, 1880. Artist: Lock & Whitfield
Walter William Ouless, portrait painter, 1880. He first exhibited at the Royal Academy in 1869. He was elected Associate of the Academy in 1877, and Royal Academician in 1881

Lord Arthur Charles Hervey, Bishop of Bath and Wells, 1880. Artist: Lock & Whitfield
Lord Arthur Charles Hervey, Bishop of Bath and Wells, 1880. He was appointed bishop in 1869, after being recommended by Gladstone

James Russell Woodford, Bishop of Ely, 1880. Artist: Lock & Whitfield
James Russell Woodford, Bishop of Ely, 1880. In 1869 he received a Doctorate in Divinity, and in 1872 was appointed one of the queens chaplains

Reverend Joseph Barber Lightfoot, Bishop Designate of Durham, 1880. Artist: Lock & Whitfield
Reverend Joseph Barber Lightfoot, Bishop Designate of Durham, 1880. He became the bishop of Durham in 1879. For a period of ten years he was a member of the New Testament Company of Revisers

Arthur Penrhyn Stanley, Dean of Westminster, 1880. Artist: Lock & Whitfield
Arthur Penrhyn Stanley, Dean of Westminster, 1880. He became dean in 1864. He was a great traveller and travelled extensivley in Europe, America and Asia

Edward White Benson, Lord Bishop of Truro, 1880. Artist: Lock & Whitfield
Edward White Benson, Lord Bishop of Truro, 1880. Benson was headmaster of Welligton School from 1858 until 1872, when he was appointed a Canon Residentiary and Chancellor of Lincoln Cathedral

Joseph Edgar Boehm, RA, British sculptor, 1883. Artist: Lock & Whitfield
Joseph Edgar Boehm, RA, British sculptor, 1883. Boehm is best known for his design of Queen Victorias head on British coinage

Henry Hugh Armstead, RA, British sculptor and illustrator, 1883. Artist: Lock & Whitfield
Henry Hugh Armstead, RA, British sculptor and illustrator, 1883. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art

William Frederick Yeames, RA, English painter, 1883. Artist: Lock & Whitfield
William Frederick Yeames, RA, English painter, 1883. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art, the army

Lumb Stocks, RA, British engraver, 1883. Artist: Lock & Whitfield
Lumb Stocks, RA, British engraver, 1883. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art, the army, navy, law

Richard Norman Shaw, RA, British architect, 1883. Artist: Lock & Whitfield
Richard Norman Shaw, RA, British architect, 1883. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art, the army, navy

Sir John Gilbert, RA, President of the Society of Painters in Water-Colours, 1877. Artist: Lock & Whitfield
Sir John Gilbert, RA, President of the Society of Painters in Water-Colours, 1877. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science

Thomas Woolner, RA, Professor of Sculpture at the Royal Academy, 1877. Artist: Lock & Whitfield
Thomas Woolner, RA, Professor of Sculpture at the Royal Academy, 1877. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science

James Sant, RA, Principal Painter in Ordinary to the Queen, 1877. Artist: Lock & Whitfield
James Sant, RA, Principal Painter in Ordinary to the Queen, 1877. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art

All Professionally Made to Order for Quick Shipping

"Qualification: A Journey of Mastery and Achievement" In the realm of art, JMW Turner's portraits captured the essence of qualification. With each stroke, Charles Turner immortalized the artist's brilliance in c1841 and c1827, showcasing his mastery. The pursuit extends beyond the canvas to realms such as politics. The intensity of an election campaign symbolizes individuals striving for validation and recognition. Just like the powerful aircraft soaring through the skies, Douglas TA-4J Skyhawk 158490 and 153672 represent pilots' unwavering dedication to qualification. These machines embody their skills honed through rigorous training. The Convair F-106B-31-CO Delta Dart 57-2507 stands tall as a testament to qualification in aviation. Its sleek design represents countless hours spent perfecting techniques that push boundaries. Paul Verlaine's Baccalaureat certificate from 1862 serves as a reminder that education is a vital step towards qualification. Through pen and ink on paper, this artifact encapsulates academic achievement. Guilds and trade objects like walking sticks and gourds made from wood & ceramic signify craftsmanship passed down through generations—a mark of expertise gained through experience. Charles Burney's portrait from April 1st, 1784 exemplifies musical qualification. Created by Francesco Bartolozzi, it captures Burney's talent as a composer—an embodiment of years dedicated to mastering his craft. James Tibbetts Willmore's portrait from 1830 reminds us that artistic skill evolves over time—qualification is not stagnant but ever-growing. Unknown creator or not, this piece signifies growth on one's creative journey. Capping ceremonies at Edinburgh University in 1845 showcase doctors receiving their qualifications—the culmination of tireless efforts in medicine. This event celebrates their expertise while marking new beginnings for patients' well-being. The Convocation in the Theatre painting from 1844 portrays scholars gathering to celebrate qualification.