Quattordicesimo Secolo Collection (page 2)

Virgin and Child between St. Nicholas and St. Elijah. Central panel
LRI4607944 Virgin and Child between St. Nicholas and St. Elijah. Central panel, Altarpiece of Carmel (Tempera on wood, 1328-1329) by Lorenzetti, Pietro (c.1280-1348); Pinacoteca Nazionale, Siena

Madonna and the child on the throne with angels (Tempera on wood, 1315)
LRI4607915 Madonna and the child on the throne with angels (Tempera on wood, 1315) by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

Saint Paul. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood
LRI4607873 Saint Paul. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood. Roccalbegna (Grosseto), Chiesa dei Santi Pietro e Paolo by Lorenzetti

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil
GIA745750 Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : The gluttons battered by eternal rain
GIA745735 Inferno, Canto 6 : The gluttons battered by eternal rain, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : Virgil feeds Cerberus (Cerbere) in the third circle
GIA745734 Inferno, Canto 6 : Virgil feeds Cerberus (Cerbere) in the third circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : The soul of Francesca Da Rimini speaks to Dante
GIA745731 Inferno, Canto 5 : The soul of Francesca Da Rimini speaks to Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 15 : Brunetto Latini accosts Dante, illustration from
GIA745703 Inferno, Canto 15 : Brunetto Latini accosts Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia
GIA745697 Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 23 : The hypocrites address Dante, illustration from
GIA745691 Inferno, Canto 23 : The hypocrites address Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 23 : The poets escape the demons of the fifth bolgia
GIA745690 Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky
GIA745664 Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 8 : The angels drive the serpent away
GIA745661 Purgatorio, Canto 8 : The angels drive the serpent away, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell
GIA745660 Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V
GIA745650 Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from
GIA745648 Purgatorio, Canto 23 : The souls of the gluttonous, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons
GIA745646 Purgatorio, Canto 23 : Dante recognizes the shade of Forese Donati among the gluttons, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 32 : The giant and the harlot in the chariot
GIA745637 Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 25 : The poets in the seventh circle, illustration from
GIA745635 Purgatorio, Canto 25 : The poets in the seventh circle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from
GIA745730 Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : Virgil and Dante at the gates of Hell
GIA745723 Inferno, Canto 3 : Virgil and Dante at the gates of Hell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : Devils torment the barrators, illustration from
GIA745710 Inferno, Canto 21 : Devils torment the barrators, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 34 : Lucifer, king of Hell, frozen in the ice
GIA745680 Inferno, Canto 34 : Lucifer, king of Hell, frozen in the ice, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop
GIA745676 Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from The Divine Comedy by Dante Alighieri

Inferno, Canto 31 : Ephialtes (Ephialte) in manacles among the giants
GIA745672 Inferno, Canto 31 : Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Portrait of John Froissart (1337-1404), French chroniclers of medieval France
XEE557001 Portrait of John Froissart (1337-1404), French chroniclers of medieval France. by French School, (19th century); Private Collection; (add.info)

Portrait of John Froissart (1337-1404), French chroniclers of medieval France
XEE556998 Portrait of John Froissart (1337-1404), French chroniclers of medieval France. by French School, (19th century); Private Collection; (add.info)

Portrait of Charles V of France, called the Wise (1338-1380), King of France
XEE556127 Portrait of Charles V of France, called the Wise (1338-1380), King of France. by French School, (19th century); Private Collection; (add.info)

The miracle of the knight falling from the cliff and remaining alive
LRI4608588 The miracle of the knight falling from the cliff and remaining alive. Part of the triptych History of Hermit of St

Saint Peter. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood
LRI4607867 Saint Peter. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood. Roccalbegna (Grosseto), Chiesa dei Santi Pietro e Paolo by Lorenzetti

Inferno, Canto 8 : Phlegyas (Phlegias) ferries Dante and Virgil across the Styx
GIA745739 Inferno, Canto 8 : Phlegyas (Phlegias) ferries Dante and Virgil across the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy
GIA745737 Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones, illustration from The Divine Comedy by Dante Alighieri

Inferno, Canto 18 : Virgil shows Dante the shade of Thais
GIA745708 Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : Nimrod of the giants (Nimrud, Nemrod)
GIA745671 Inferno, Canto 31 : Nimrod of the giants (Nimrud, Nemrod), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence
GIA745622 Paradiso, Canto 16 : The soul of Caddiaguida speaks of Florence, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Francesca Da Rimini describes her death
GIA745733 Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 11 : The burning tomb of Pope Anastasius II (Anastase II)
GIA745719 Inferno, Canto 11 : The burning tomb of Pope Anastasius II (Anastase II), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 9 : The burning sepulchres of the heresiarchs
GIA745717 Inferno, Canto 9 : The burning sepulchres of the heresiarchs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 18 : Devils and seducers, illustration from The Divine Comedy
GIA745706 Inferno, Canto 18 : Devils and seducers, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : The centaurs attack the souls in boiling blood
GIA745698 Inferno, Canto 12 : The centaurs attack the souls in boiling blood, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 25 : Agnello transforming into a serpent
GIA745694 Inferno, Canto 25 : Agnello transforming into a serpent, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 2 : Dante bows before the angel pilot
GIA745666 Purgatorio, Canto 2 : Dante bows before the angel pilot, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 11 : The souls of the prideful, bearing heavy stones
GIA745657 Purgatorio, Canto 11 : The souls of the prideful, bearing heavy stones, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 13 : The souls of the envious, illustration from
GIA745654 Purgatorio, Canto 13 : The souls of the envious, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 15 : Dantes vision of the stoning of Stephen (saint Etienne)
GIA745653 Purgatorio, Canto 15 : Dantes vision of the stoning of Stephen (saint Etienne), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 18 : The multitude of the slothful, illustration from
GIA745647 Purgatorio, Canto 18 : The multitude of the slothful, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from
GIA745643 Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 30 : Beatrice among the angels, illustration from
GIA745641 Purgatorio, Canto 30 : Beatrice among the angels, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

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"Quattordicesimo secolo: A Journey Through Dante's Divine Comedy and Medieval Art" Step back in time to the 14th century, a period of profound artistic and literary achievements. In Paradiso, Canto 31, we witness the celestial beauty as the saintly throng forms a magnificent rose in the empyrean. This ethereal scene captures the essence of divine perfection. In Inferno, Canto 4, we encounter Homer, poets, and heroes residing in Limbo. These great minds from antiquity find solace amidst their eternal exile. Their presence reminds us of the timeless power of literature and its impact on human civilization. Moving forward to Inferno, Canto 19, we witness Dante fearlessly rebuking Pope Nicholas III in the fourth bolgia. This bold act showcases his unwavering commitment to truth and justice even when confronting powerful figures. Inferno continues to captivate our imagination in Canto 22 as Ciampolo cunningly escapes the demon Alichino in the fifth bolgia. The suspenseful chase keeps us on edge while highlighting Dante's ability to craft thrilling narratives. The visual arts also flourished during this era with masterpieces like "The resurrection of the dead child. " Painted with tempera on wood around 1330, it depicts a miraculous event that fills our hearts with hope and wonder. Another remarkable artwork is "Decapitation of St. Columba, " created around 1340 using tempera on panel. This vivid portrayal transports us into an episode from St. Columba's life filled with bravery and sacrifice for his faith. "The miracle of the child grabbed between fangs of a wolf" is part of "History of Hermit Saint Augustine, " painted between 1325-1328 using tempera on wood. It illustrates an extraordinary moment where divine intervention saves an innocent soul from perilous danger.