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Renaissance Collection (page 2)

The Renaissance, a period of artistic and intellectual rebirth that spanned from the 14th to the 17th century

Background imageRenaissance Collection: APHRODITE / VENUS. Detail of Venus. Canvas, by Sandro Botticelli

APHRODITE / VENUS. Detail of Venus. Canvas, by Sandro Botticelli
APHRODITE/VENUS. Detail of Venus. Canvas, by Sandro Botticelli

Background imageRenaissance Collection: Piero della Francesca, Italian painter

Piero della Francesca, Italian painter
Renaissance Art. Italy. 15th century. Piero della Francesca (c.1420-1492). Italian painter. The Nativity, 1470-75. Tempera on panel. National Gallery. London. England. UK

Background imageRenaissance Collection: Florence, Tuscany, Italy

Florence, Tuscany, Italy

Background imageRenaissance Collection: Design for a flying machine wing operated by a spring

Design for a flying machine wing operated by a spring
LEONARDO DA VINCI. Design for a flying machine wing operated by a spring

Background imageRenaissance Collection: Pen and ink studies, c1510, by Leonardo da Vinci of a human fetus

Pen and ink studies, c1510, by Leonardo da Vinci of a human fetus
LEONARDO: HUMAN FETUS. Pen and ink studies, c1510, by Leonardo da Vinci of a human fetus

Background imageRenaissance Collection: JUANES, Juan de (1523-1579). The Last Supper

JUANES, Juan de (1523-1579). The Last Supper. ca. 1550. Renaissance art. Oil on wood. SPAIN. Madrid. Prado Museum

Background imageRenaissance Collection: DE BARBARI, Jacopo (half 15th century-1515)

DE BARBARI, Jacopo (half 15th century-1515). Portrait of fra Luca Pacioli with a pupil. Pacioli demonstrating one of Euclids theorems. Renaissance art. Oil on wood. ITALY. Naples

Background imageRenaissance Collection: BRUEGEL: TRIUMPH OF DEATH. Triumph of Death; tempera on panel, c1562, by Peter Bruegel the Elder

BRUEGEL: TRIUMPH OF DEATH. Triumph of Death; tempera on panel, c1562, by Peter Bruegel the Elder

Background imageRenaissance Collection: Germany, Aschaffenburg, Schloss (castle) Johannisburg, Late afternoon

Germany, Aschaffenburg, Schloss (castle) Johannisburg, Late afternoon

Background imageRenaissance Collection: Night view of Plaza de Espana, Seville, Spain

Night view of Plaza de Espana, Seville, Spain
Plaza de Espa├▒a

Background imageRenaissance Collection: St. Nicholasa Church in Ghent, Belgium Circa 1887

St. Nicholasa Church in Ghent, Belgium Circa 1887
Beautifully Illustrated Antique Engraved Victorian Illustration of St. Nicholasa Church in Ghent, Belgium Circa 1887. Source: Original edition from my own archives

Background imageRenaissance Collection: Fra Angelico (1387-1455). The Coronation of the Virgin

Fra Angelico (1387-1455). The Coronation of the Virgin
Fra Angelico (1387-1455). Tuscan painter of early Renaissance, part of the Florentine school. The Coronation of the Virgin. 15th Century. Louvre Museum. Paris. France

Background imageRenaissance Collection: ANGELICO, Fra. The Annunciation Altarpiece

ANGELICO, Fra. The Annunciation Altarpiece
ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Left lower detail of the predella, depicting the wedding between Virgin Mary and Saint Joseph. Renaissance art. Quattrocento. Tempera on wood

Background imageRenaissance Collection: St. Peters Square and St. Peters Basilica, Vatican City, UNESCO World Heritage Site

St. Peters Square and St. Peters Basilica, Vatican City, UNESCO World Heritage Site, Rome, Lazio, Italy, Europe

Background imageRenaissance Collection: SEPHIROTIC TREE OF LIFE. Illustration from Portae Lucis, 1516, by Paul Ricci

SEPHIROTIC TREE OF LIFE. Illustration from Portae Lucis, 1516, by Paul Ricci

Background imageRenaissance Collection: The Town Hall in Augsburg, Germany

The Town Hall in Augsburg, Germany
The magnificent Renaissance Town Hall in Augsburg, Bavaria, Germany

Background imageRenaissance Collection: DURER, Albrecht (1471-1528). Knight, Death, and

DURER, Albrecht (1471-1528). Knight, Death, and the Devil. 1513. German school. Renaissance art. Engraving. FRANCE. Paris. Louvre Museum

Background imageRenaissance Collection: HOLBEIN, Hans, the Younger (1497-1547). Portrait

HOLBEIN, Hans, the Younger (1497-1547). Portrait
" HOLBEIN, Hans, " the Younger" (1497-1547). Portrait of Henry VIII. 1540. Renaissance art. Oil on wood. ITALY. Rome. Barberini Palace and National Gallery of Ancient Art."

Background imageRenaissance Collection: Fresco by Giotto, c1305, Scrovegni Chapel, Padua

Fresco by Giotto, c1305, Scrovegni Chapel, Padua
CHRIST AT THE TEMPLE. Fresco by Giotto, c1305, Scrovegni Chapel, Padua

Background imageRenaissance Collection: CANTINO WORLD MAP, 1502. Western half of the Cantino map of the world

CANTINO WORLD MAP, 1502. Western half of the Cantino map of the world, 1502, showing (at left) the Tordesillas Treaty demarcation line of 1494 which divided the non-Christian (i.e)

Background imageRenaissance Collection: MAP OF AFRICA from the 1595 edition of Abraham Ortelius atlas Theatrum Orbis Terrarum

MAP OF AFRICA from the 1595 edition of Abraham Ortelius atlas Theatrum Orbis Terrarum
MAP OF AFRICA from the 1595 edition of Abraham Ortelius atlas " Theatrum Orbis Terrarum."

Background imageRenaissance Collection: BRUEGEL: TOWER OF BABEL. Building the Tower of Babel. Oil on panel by Pieter Bruegel the Elder, 1563

BRUEGEL: TOWER OF BABEL. Building the Tower of Babel. Oil on panel by Pieter Bruegel the Elder, 1563

Background imageRenaissance Collection: Ladies in Florence during the Renaissance

Ladies in Florence during the Renaissance
Noble ladies of Florence during the early 1400s. Antique hand-colored print

Background imageRenaissance Collection: Mary Queen of Scotland (1542-1567)

Mary Queen of Scotland (1542-1567)
Mary (1542-1587). Queen of Scotland (1542-1567). CLOUET, Francois (1505-1573). Renaissance art. Cinquecento. Oil on canvas. FRANCE. OE-DE-FRANCE. Paris. Musue Carnavalet (Carnavalet Museum)

Background imageRenaissance Collection: Photographer at the top of the spiral stairs inside the towers of Initiation Well

Photographer at the top of the spiral stairs inside the towers of Initiation Well at Quinta da Regaleira, Sintra, Portugal, Europe

Background imageRenaissance Collection: St. Peters Basilica, the River Tiber and Ponte Sant Angelo at night, Rome, Lazio

St. Peters Basilica, the River Tiber and Ponte Sant Angelo at night, Rome, Lazio, Italy, Europe

Background imageRenaissance Collection: Cantino planisphere by Alberto Cantino, 1502

Cantino planisphere by Alberto Cantino, 1502
Cartography, 16th century. Cantino planisphere, by Alberto Cantino, 1502

Background imageRenaissance Collection: Raphael (1483-1520). Transfiguration. 1517 -

Raphael (1483-1520). Transfiguration. 1517 -

Background imageRenaissance Collection: MANTEGNA, Andrea (1431-1506). The Lamentation

MANTEGNA, Andrea (1431-1506). The Lamentation over the Dead Christ. ca. 1490. Renaissance art. Quattrocento. Tempera. ITALY. Milan. Pinacotheca of Brera

Background imageRenaissance Collection: LEONARDO DA VINCI (1452-1519). Anatomic studio

LEONARDO DA VINCI (1452-1519). Anatomic studio. Drawing

Background imageRenaissance Collection: Portolan chart, 1591. Map of the Pacific Ocean

Portolan chart, 1591. Map of the Pacific Ocean. It depicts the western coast of Central and South America, from Mexico to the Strait of Magellan. Renaissance art. Miniature Painting

Background imageRenaissance Collection: DANTE: PARADISE. The Heavenly Choir. Wood engraving after Gustave Dore

DANTE: PARADISE. The Heavenly Choir. Wood engraving after Gustave Dore

Background imageRenaissance Collection: NINA: WORLD MAP, 1500. World map, 1500, of Juan de la Cosa, navigator on the Nina on Christopher

NINA: WORLD MAP, 1500. World map, 1500, of Juan de la Cosa, navigator on the Nina on Christopher Columbus second voyage of 1493-94

Background imageRenaissance Collection: MAP OF THE ROMAN EMPIRE. From the 1595 atlas, Theatrum Orbis Terrarum

MAP OF THE ROMAN EMPIRE. From the 1595 atlas, Theatrum Orbis Terrarum, by Abraham Oertel, also known as Ortelius, featuring portraits of Roma, deity of ancient Rome, and Romulus

Background imageRenaissance Collection: MICHELANGELO: ADAM. The Creation of Adam. Fresco by Michelangelo from the Sistine Chapel

MICHELANGELO: ADAM. The Creation of Adam. Fresco by Michelangelo from the Sistine Chapel

Background imageRenaissance Collection: Notes by Leonardo da Vinci

Notes by Leonardo da Vinci on the flow of water. Leonardo da Vinci (1452-1519), an Italian artist, sculptor, architect and musician

Background imageRenaissance Collection: 1551 Gesner armoured rhino after Durer

1551 Gesner armoured rhino after Durer
Gesner Woodcut " Icones Animalium" 1560, reproduced from 1551. Published Christoph Froschover, Zurich. Gesner reproduces this image faithfully from the famous 1515 woodcut by Durer

Background imageRenaissance Collection: VENICE: MAP, 16TH CENTURY. Bird s-eye view of Venice, Italy. Map by Ignazio Danti, 16th century

VENICE: MAP, 16TH CENTURY. Bird s-eye view of Venice, Italy. Map by Ignazio Danti, 16th century

Background imageRenaissance Collection: DANCE OF DEATH, 1538. Death and the Soldier. Woodcut by Hans Holbein the Younger

DANCE OF DEATH, 1538. Death and the Soldier. Woodcut by Hans Holbein the Younger, from The Dance of Death, published in 1538

Background imageRenaissance Collection: Dante

Dante
Renaissance poet Dante Aligheri crowned with laurel. Digitally colored engraving

Background imageRenaissance Collection: Europe, 16th century nautical map

Europe, 16th century nautical map
Nautical map of Europe, 1544 copy of Agnese Atlas. Several copies of this atlas were produced between 1536 and 1564, in Venice, by the Italian mapmaker Battista Agnese

Background imageRenaissance Collection: Owen Jones Renaiss 78

Owen Jones Renaiss 78
Ornaments copied from specimens of Hispano-Arabic, French and Italian earthenware, from Italian towns of the 15th, 16th and 17th centuries

Background imageRenaissance Collection: TINTORETTO, Jacopo Robusti, called Il (1518-1594)

TINTORETTO, Jacopo Robusti, called Il (1518-1594). The Last Supper. Renaissance art. Cinquecento. Venetian school

Background imageRenaissance Collection: Cathedral (Duomo), Florence, UNESCO World Heritage Site, Tuscany, Italy, Europe

Cathedral (Duomo), Florence, UNESCO World Heritage Site, Tuscany, Italy, Europe

Background imageRenaissance Collection: ST. JOHN OF THE CROSS (1542-1591). Spanish mystic and poet. Line engraving, 17th century

ST. JOHN OF THE CROSS (1542-1591). Spanish mystic and poet. Line engraving, 17th century

Background imageRenaissance Collection: WILLIAM TYNDALE (1492?-1536). English translator of New Testament and Pentateuch: line engraving

WILLIAM TYNDALE (1492?-1536). English translator of New Testament and Pentateuch: line engraving, 17th century

Background imageRenaissance Collection: Durers Celestial Globe, 1515

Durers Celestial Globe, 1515. This shows the northern hemisphere, and was prepared in conjunction with the astronomer Stabius

Background imageRenaissance Collection: ROME: CHURCHES, 1575. Pilgrims visiting churches in Rome. Line engraving, 1575

ROME: CHURCHES, 1575. Pilgrims visiting churches in Rome. Line engraving, 1575



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The Renaissance, a period of artistic and intellectual rebirth that spanned from the 14th to the 17th century, brought forth a wave of creativity and innovation that forever changed the course of history. Artists like Albrecht Durer, with his intricate masterpiece "Hare" in 1502, showcased their immense talent and attention to detail. In this era, great minds such as Dante Alighieri emerged, whose Divine Comedy became an iconic work. The frontispiece depicting Dante praying hands by Durer perfectly captures the spiritual essence of this literary masterpiece. Leonardo da Vinci's contribution cannot be overlooked either; his anatomical studies on skulls revolutionized our understanding of human physiology. Architects like Filippo Brunelleschi left their mark on Florence with visionary designs such as the cross-section drawing for Santa Maria del Fiore Cathedral's dome. Lodovico Cardi da Cigoli's contemporary rendering allows us to glimpse into Brunelleschi's genius. Religious figures also played a significant role during this time. St. Francis of Assisi preached compassion towards all creatures, as depicted in Benozzo Gozzoli's predella panel showcasing him preaching to birds. Maps like Carta della Catena provide us with glimpses into cities' pasts; here we see Florence in all its glory in 1490—a bustling center of art and culture. Dante's Inferno woodcut from a Venetian edition transports us directly into hell itself—an eerie yet captivating representation that showcases both fear and fascination. Of course, no discussion about the Renaissance would be complete without mentioning Michelangelo Buonarroti—his Sistine Chapel ceiling frescoes are nothing short of breathtaking. Equally mesmerizing is his Pieta sculpture which beautifully captures Mary cradling Jesus after his crucifixion. Lastly, Alessandro Botticelli takes us back to classical mythology with "Birth of Venus, " where the goddess emerges from the sea, a symbol of beauty and rebirth.