Revelation Collection (page 2)

Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone)

Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue... 1899. Creator: Odilon Redon
Et il avait dans sa main droit sept etoiles, et de sa bouch sortait une epee aigue a deux tranchants (And he had in his right hand seven stars; and out of his mouth went a sharp two-edged sword), 1899

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

The Four Horsemen of the Apocalypse, published 1630. Creator: Christoph Maurer
The Four Horsemen of the Apocalypse, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

The Last Judgment, c. 1513. Creator: Albrecht Altdorfer
The Last Judgment, c. 1513

Et le lia pour mille ans (And bound him a thousand years), 1899. Creator: Odilon Redon
Et le lia pour mille ans (And bound him a thousand years), 1899

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

The Prophet Balaam's donkey, 1626. Creator: Rembrandt Harmensz van Rijn
The Prophet Balaam's donkey, 1626

The Last Judgment, Christ at top center surrounded by many figures, below figures... ca. 1550-1600. Creator: Anon
The Last Judgment, Christ at top center surrounded by many figures, below figures sound trumpets and people are being forced from the boat into hell, ca. 1550-1600

The Last Judgment, c. 1513. Creator: Albrecht Altdorfer
The Last Judgment, c. 1513

Saint John on the Island of Patmos, c. 1460. Creator: Master ES
Saint John on the Island of Patmos, c. 1460

The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse, 1465-70. Creator: Unknown
The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse, 1465-70

Book of Revelation (Seven Trumpets) from The Bible (also called the...1485...assembled 1929)
Book of Revelation (Seven Trumpets) from The Bible (also called the Tenth German Bible), Plate 28 from Woodcuts from Books of the 15th Century, 1485, portfolio assembled 1929

The conductor
Marco Redaelli

Worship
Ali Nejatbakhsh

ANGELS & MONSTERS ANGELS & MONSTERS
Angels come down from Heaven to deal with the evil monsters

The Miracle
Jaroslav Zakravsky

School Dancers
DDiArte

having prospects
Christoph Hessel

Holy Music
Baris Guven

Manta Silhouette
Henry Jager

Sun Diver
Henry Jager

The old church on the coast of White sea
Sergey Ershov

Southcott, (1750- 1814), 1830. Creator: Unknown
Southcott, (1750- 1814), 1830. Joanna Southcott (1750- 1814) self-described religious prophetess, dismissed as a domestic servant she joined the Wesleyan Church

The Lamb, holding the book of the Seven Seals, adored by the Elders, 14th-15th century. Revelations 5. V6-14. Panel 7 of the Altarpiece of the Apocalypse

The Woman Clothed with the Sun, 14th-15th century. Artist: Master Bertram of Hamburg
The Woman Clothed with the Sun, 14th-15th century. Her child, threatened by the dragon, taken to heaven. Panel 29 from the Altarpiece of the Apocalypse. Master Bertram of Hamburg, (Revelations 12 v)

Sossusvlei dunes in the Namib desert, Swakopmund, Namibia

Birth of Antichrist
The birth of Antichrist Date: 1516

immersed
Lukas Duran

Angel
Marko Dasic

Advert for Revelation Luggage
Here Revelation Luggage are advertising their expanding suitcase. Date: 1939

Advert for the innovative Rev-Robe luggage
The Rev-Robe by Revelation Luggage promises a quick, easy and creaseless packing experience in this advert. Date: circa 1939

Death of the two prophets - Revelation 12. circa 1688

The Last Judgement. Bible Book of Revelation 20:11. Illustration by Gustave Dore 1865-1866. Wood engraving
536425 The Last Judgement. Bible Book of Revelation 20:11. Illustration by Gustave Dore 1865-1866. Wood engraving by Dore, Gustave (1832-83); Universal History Archive/UIG

Philip now learned that he was the son of King Richard, illustration from Shakespeare's stories of the English
IL274122 Philip now learned that he was the son of King Richard, illustration from Shakespeare's stories of the English Kings, published by George Harrap & Son, 1912 (colour litho) by Hammond

The Burning Bush
2096710 The Burning Bush by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Religion. Old Testament. Moses and the Burning Bush: God Appears to Moses in Burning Bush)

DivineTouch
Marcel Egger

Supper at Emmaus, c. 1610 (oil on canvas)
XIR409293 Supper at Emmaus, c.1610 (oil on canvas) by Rodriguez, Alonso (1578-1648); 116x166 cm; Musee des Beaux-Arts, Pau, France; (add.info.: La Cene a Emmaus;)

Detail of the Last Judgement, 1551 (oil on panel)
489994 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

Detail of the Last Judgement, 1551 (oil on panel)
489992 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

Detail of the Last Judgement, 1525 (oil on panel)
490013 Detail of the Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info)

St John on Patmos (oil on panel)
471560 St John on Patmos (oil on panel) by Netherlandish School (16th century); 33x47 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Detail of the Last Judgement, 1551 (oil on panel)
489993 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

The Last Judgement, 1525 (oil on panel)
490011 The Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); 145x169 cm; Groeningemuseum, Bruges, Belgium; (add.info)

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"Revelation: Unveiling the Mysteries of Life and Beyond" In the depths of a wintry night, amidst the timeless tale penned by Charles Dickens, we find ourselves immersed in a scene from "A Christmas Carol. " The artist's brush strokes capture the essence as Ebenezer Scrooge confronts his past, present, and future, and is through this transformative journey that he experiences a profound revelation about his own humanity. As our eyes wander further into the realm of revelations, we stumble upon Gustave Doré's wood engraving depicting Death on a pale horse. This chilling vision draws inspiration from Revelation 6:8, reminding us that even in death there lies an undeniable truth – an ultimate revelation awaiting each soul. But not all they are shrouded in darkness; some emerge from innocence itself. A naked little girl gazes intently into her reflection within a mirror. In her innocent curiosity lies the potential for self-discovery and personal growth—a tender revelation that will shape her perception of herself and others. Gustave Doré returns to grace our visual narrative with "The Last Judgment, " where divine justice unfolds before our eyes. This masterpiece serves as both warning and reassurance—an awe-inspiring depiction of final reckoning and eternal truths revealed to those who have traversed life's winding path. Turning our attention to ancient texts, we encounter chronological charts mapping out Daniel's visions alongside John's prophetic insights found within the Book of Revelation. These intricate illustrations guide us through apocalyptic landscapes while unraveling prophecies—each stroke revealing glimpses into mankind's destiny. Romanesque art transports us back to Moissac Abbey in France during the twelfth century—a time when religious symbolism thrived. Here at its tympanum, richly carved scenes depict biblical narratives intertwined with revelations about faith—a testament to human devotion seeking spiritual enlightenment. Yet not all revelations come from sacred sources.