Revelation Collection (page 6)

The Revelation of Saint John the Evangelist, from the Apocalypse. n. d. Creator: Jean Duvet
The Revelation of Saint John the Evangelist, from the Apocalypse.n.d

The Annunciation, late 15th-early 16th century. Creator: Hans Wechtlin the Elder
The Annunciation, late 15th-early 16th century

The Babylonian Whore, from The Apocalypse. Facsimile. n. d. Creator: Albrecht Durer
The Babylonian Whore, from The Apocalypse. Facsimile.n.d

The Adoration of the Lamb, from the Apocalypse series. n. d. Creator: Albrecht Durer
The Adoration of the Lamb, from the Apocalypse series.n.d

The Whore of Babylon. n. d. Creator: Albrecht Durer
The Whore of Babylon.n.d

The Beast with Two Horns Like a Lamb, from The Apocalypse. n. d. Creator: Albrecht Durer
The Beast with Two Horns Like a Lamb, from The Apocalypse.n.d

Saint Michael Fighting the Dragon, from The Apocalypse, 1498. Creator: Unknown
Saint Michael Fighting the Dragon, from The Apocalypse, 1498

Four Avenging Angels, from the Apocalypse series. n. d. Creator: Albrecht Durer
Four Avenging Angels, from the Apocalypse series.n.d

The Apocalyptic Woman, from the Apocalypse series, 1511. Creator: Albrecht Durer
The Apocalyptic Woman, from the Apocalypse series, 1511

Saint John before God and the Elders, from The Apocalypse. n. d. Creator: Albrecht Durer
Saint John before God and the Elders, from The Apocalypse.n.d

The Opening of the Fifth and Sixth Seals, from the Apocalypse. n. d
The Opening of the Fifth and Sixth Seals, from the Apocalypse.n.d

The Vision of the Seven Candlesticks, from The Apocalypse. n. d. Creator: Albrecht Durer
The Vision of the Seven Candlesticks, from The Apocalypse.n.d

The Virgin and Saint John, from the Apocalypse, 1511. Creator: Albrecht Durer
The Virgin and Saint John, from the Apocalypse, 1511

Saint John Beholding the Seven Golden Candlesticks, from The Apocalypse. n. d
Saint John Beholding the Seven Golden Candlesticks, from The Apocalypse.n.d

Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1502 (German Text). n. d
Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1502 (German Text).n.d

The Vision of the Seven Candlesticks, from The Apocalypse, German Edition 1498, ca. 1498

Saint John before God and the Elders, from The Apocalypse, ca. 1496

The Apocalyptic Woman, from The Apocalypse, Latin Edition, 1511, 1511

The Four Angels Holding the Winds, from The Apocalypse, German Edition, 1498, ca. 1498

Saint Michael and the Dragon, from The Apocalypse, ca. 1498. Creator: Albrecht Durer
Saint Michael and the Dragon, from The Apocalypse, ca. 1498

The Beast with Two Horns Like a Lamb, from The Apocalypse, Latin Edition 1511, ca. 1496

The Adoration of the Lamb, from The Apocalypse, Latin Edition, 1511, 1511

Saint John Swallowing the Book, from The Apocalypse, Latin Edition, 1511, 1511

The Virgin Appearing to Saint John, Frontispiece to the Apocalypse, 1511

WOMAN CLOTHED WITH SUN
The Woman clothed with the Sun

Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter s
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peters Basilica, 1652

The Beast As Described In The Revelations, Chap. 13, Resembling Napoleon Buonaparte, July 22, 1808

Buddha of Revelation, Kirtipur, Nepal, Asia

Moses Shown the Promised Land, 1801. Creator: Benjamin West
Moses Shown the Promised Land, 1801

Joan of Arc, 1879. Creator: Jules Bastien-Lepage
Joan of Arc, 1879

Ruins of Sardis - Revelations. iii. 1. c1924. Creators: James Clark, Henry A Harper
Ruins of Sardis - Rev. iii. 1. c1924. Revelations 3:1 And to the angel of the church in Sardis write, These things says He who has the seven Spirits of God and the seven stars: I know your works

The Annunciation, 1915. Creator: Unknown
The Annunciation, 1915. From " Woodcuts of the Fifteenth Century in the John Rylands Library - Manchester". [The University Press, Longmans, Green & Company and Bernard Quaritch

Siegfried sees himself in the stream, 1924. Artist: Arthur Rackham
Siegfried sees himself in the stream, 1924. Illustration from Siegfried and the Twilight of the Gods. Siegfried says that he and Mime are not like the young of animals and their parents

Brunnhilde stands for a long time, dazed and alarmed, 1910. Artist: Arthur Rackham
Brunnhilde stands for a long time, dazed and alarmed, 1910. Illustration from The Rhinegold and the Valkyrie. Having been told that Wotan has decided that his son Siegmund must die, and that she

Siegmund the Walsung thou does see! As bride gift he brings thee his sword, 1910. Illustration from The Rhinegold and the Valkyrie

The old gods vanquished, 1925. A princess of ancient Mexico is shown the coming of a new faith. From The Book of Myths by Amy Cruse, 1925

Unofficial opening of the Tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. Artist
Lord Carnavon (1866-1923) leading the party invited to the unofficial opening of the tomb. A keen egyptologist, Carnarvon was archaeologist Howard Carters financial backer in his excavations in

Crowd outside Tutankhamuns tomb, Valley of the Kings, Egypt, 1922. Artist: Harry Burton
Crowd of interested spectators waiting outside Tutankhamuns tomb, Valley of the Kings, Egypt, 1922. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

Lord Carnavons first visit to the Valley of the Kings, Egypt, 1922
Lord Carnavons first visit to the Valley of the Kings, Egypt, 1923. Lord Carnavon (1866-1923) and a party in a motor car. Carnarvon was archaeologist Howard Carters financial backer in his

A party going down the steps to the tomb of Tutankhamun, Valley of the Kings, Egypt, 1923. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

Opening of the inner chamber of Tutankhamuns tomb, Egypt, 18th February 1923. Artist
Opening of the inner chamber of Tutankhamuns tomb, Egypt, 18th February 1923. Distinguished visitors taking refreshments near the tomb in the Valley of the Kings

The unofficial opening of the inner chamber of the tomb of Tutankhamun, Egypt, 1922. Dr A Gardiner and Professor Breasted

View of the antechamber of the Tomb of Tutankhamun looking west, Vally of the Kings
Antechamber of the Tomb of Tutankhamun, Valley of the Kings, Egypt, November 1922. View of the antechamber looking west. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard

Removing a tray of chariot parts from the Tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter (1874-1939)

Archaeologists working at the Tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. Moving the centre portion of one of the beds or couches from the tomb

Outside the tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. Artist: Harry Burton
Outside the tomb of Tutankhamun, Valley of the Kings, Egypt, 1922. Lord Carnavon (1866-1923), his daughter Lady Evelyn Herbert

A chariot being removed from Tutankhamuns tomb, Valley of the Kings, Egypt, 1920s
The body of a gilt chariot being removed from Tutankhamuns tomb, Valley of the Kings, Egypt, 1920s. The discovery of Tutankhamuns tomb in the Valley of the Kings in 1922 by British archaeologist

Tutankhamuns tomb, Valley of the Kings, Egypt, November, 1922. Artist: Harry Burton
Tutankhamuns tomb, Valley of the Kings, Egypt, November, 1922. View of the antechamber of the tomb looking south. The discovery of Tutankhamuns tomb in 1922 by British archaeologist Howard Carter

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"Revelation: Unveiling the Mysteries of Life and Beyond" In the depths of a wintry night, amidst the timeless tale penned by Charles Dickens, we find ourselves immersed in a scene from "A Christmas Carol. " The artist's brush strokes capture the essence as Ebenezer Scrooge confronts his past, present, and future, and is through this transformative journey that he experiences a profound revelation about his own humanity. As our eyes wander further into the realm of revelations, we stumble upon Gustave Doré's wood engraving depicting Death on a pale horse. This chilling vision draws inspiration from Revelation 6:8, reminding us that even in death there lies an undeniable truth – an ultimate revelation awaiting each soul. But not all they are shrouded in darkness; some emerge from innocence itself. A naked little girl gazes intently into her reflection within a mirror. In her innocent curiosity lies the potential for self-discovery and personal growth—a tender revelation that will shape her perception of herself and others. Gustave Doré returns to grace our visual narrative with "The Last Judgment, " where divine justice unfolds before our eyes. This masterpiece serves as both warning and reassurance—an awe-inspiring depiction of final reckoning and eternal truths revealed to those who have traversed life's winding path. Turning our attention to ancient texts, we encounter chronological charts mapping out Daniel's visions alongside John's prophetic insights found within the Book of Revelation. These intricate illustrations guide us through apocalyptic landscapes while unraveling prophecies—each stroke revealing glimpses into mankind's destiny. Romanesque art transports us back to Moissac Abbey in France during the twelfth century—a time when religious symbolism thrived. Here at its tympanum, richly carved scenes depict biblical narratives intertwined with revelations about faith—a testament to human devotion seeking spiritual enlightenment. Yet not all revelations come from sacred sources.