Ribbon Collection (page 10)

The bronze capital located beneath the pulpit of Prato's Cathedral. Work by Michelozzo. Prato Cathedral Square Capital Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

The right chancel and the corresponding chapel below it, both attributed to Salvi Castellucci, located in the Church of Santa Maria in Gradi in Arezzo Arezzo Church of Santa Maria in Gradi

A marble floor gravestone in the Church of Sant'Agostino in Pietrasanta, in the province of Lucca, Versilia Pietrasanta Church of Sant'Agostino Slab, Plate, Sheet Late Renaissance

A floor gravestone in the Church of Sant'Agostino in Pietrasanta, in the province of Lucca, Versilia Pietrasanta Church of Sant'Agostino Slab, Plate, Sheet Late Renaissance, Renaissance

Tapestry with the Allegory of Purity, Florentine tapestry weaver. This piece was previously at the Gallery of Ancient and Modern Art in Florence

Tapestry of the Allegory of Faith, Florentine tapestry weaver. The piece was previously held at the Gallery of Ancient and Modern Art in Florence

Terracotta basin attributed to Santi Buglioni. Sculpture located in the sacristy of the Church of S. Niccol da Bari in Prato. Prato Church of S. Niccol da Bari, sacristy

Part of the frieze of a trabeation located in the Church of S. Maria delle Carceri, Prato. Sculpted work by Andrea Della Robbia. Prato Church of Santa Maria delle Carceri

The pronaos of the facade of the Villa Medicea of Poggio a Caiano, near Prato. Poggio a Caiano Pronaos Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Monument fo Luisa Favreau. Work by Felicie De Fauveau in the Medici Chapel (or of the Noviziato) in the Basilica of Santa Croce in Florence Florence Basilica of Santa Croce

Monument to Luisa Favreau. Work by Felicie De Fauveau in the Medici Chapel (or of the Noviziato) in the Basilica of Santa Croce in Florence Florence Basilica of Santa Croce

Mosaic with a skull located at the National Archaeological Museum in Naples. Naples National Archaeological Museum Mosaic First Imperial Period, Imperial Period, Roman Art, Europe

A coat of arms surrounded by ribbons decorating the panel of one of the stalls of the Salon of the Town Hall in Pistoia. The sculpture is by Giovanni Mati and his son Bartolomeo

The coat of arms, Pistoia. Sculpture by the school of Verrocchio located in the Salon of the Town Hall of the town of Pistoia. Pistoia Town Hall, Salon

Shell made of stucco, by Giovanni da Udine, situated at the top of a wall in a room of Villa Madama, Rome Rome Villa Madama Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods

Detail of the stuccos, by Giovanni da Udine, in a room of Villa Madama, Rome Rome Villa Madama Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe

Detail of the transenna of the Sistine Chapel in Vatican City. High-relief by Mino da Fiesole depicting two putti lifting the papal blazon of the Rovere family

Detail with the papal arm of the Rovere family, held up by puttos and rounded by garland of spikes and fruits. High-relief work by Mino da Fiesole in the marble transenna of the Sistine Chapel

Funerary monument to Giovanni Volpato, by Antonio Canova, located in the church of the Holy Apostles in Rome Rome Church of the Holy Apostles, arcade Stele Neoclassicism, Nineteenth century

Architrave with the blazon of Pius II, in the Court of Maresciallo, Vatican City State of the Vatican City Court of Maresciallo Low Relief, Basrelief Early Renaissance, Renaissance

Relief from Hadrian's Villa portraying Antinous, preserved in the Museum of Villa Albani, Rome Rome Museum of Villa Albani Relief Hadrianic Period, Imperial Period, Roman Art, Europe

The tomb of Pope Pius IX. Sculpted work preserved in the Funerary Chapel of Pius IX inside the Church of San Lorenzo fuori le mura, Rome

Part of the stuccoed ceiling of a room. Work by Giovanni da Udine, Villa Madama, Rome Rome Villa Madama Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe

Stucco panels by Giovanni da Udine, in a room of Villa Madama, Rome Rome Villa Madama Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe

Roman copy of a greek relief showing Menader, an Athenian Dramatist of the 4th C. BC. Lateran Museum, Rome. Today in Gregoriano Profano Museum (formerly Lateran Museum), Vatican Museums

A chest of drawers in green and gold lacquer. Work of a Venetian cabinet maker, belonging to the Count Fossati Bellani Collection

Ancient relief with the imperial eagle in the portico of the Basilica of the Holy Apostles in Rome Rome Basilica of the Holy Apostles Relief Roman Art, Europe, Ancient Civilization

Reliquary of Saint Veronica and Saint Celestine. Goldsmith's work by the Florentine School, originally located in the Parish Church of S

Armour of Carlo Emanuele I and Vittorio Amedeo I preserved at the Armoury of the Royal Palace, Musei Reali, Turin Turin Musei Reali, Royal Palace, Armoury Armor Baroque

A cinerary urn found at Canosa di Puglia, near Bari, and now in the National Museum of Taranto Taranto National Museum Urn Classical, Greek Art, Greece, Europe, Ancient Civilization

Burgundian sallet of the armoury of Emanuele Filiberto conserved at the Armoury of the Royal Palace, Musei Reali, Turin Turin Musei Reali, Royal Palace, Armoury Helmet Renaissance

Coat of arms of the Martelli family, sculptural work by Donatello, located on the outside of the Casa Martelli, in Florence, Tuscany Florence Low Relief, Basrelief Early Renaissance, Renaissance

Terracotta lavabo attributed to Santi Buglioni, in the sacristy of the Church of San Niccol da Bari, Prato Prato Church of San Niccol da Bari, sacristy Basin, Sink, Lavabo High Renaissance

The coat-of-arms of Federico da Montefeltro, Duke of Urbino, originally located in the staircase of the Ducal Palace of Urbino

Tomb of Canova inside the Canova Temple in Possagno. Possagno Canova Temple Tomb Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Putto, in the dome pendentive of the church of San Giobbe in Venice Venice Church of San Giobbe, dome pendentive High Relief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

A putto. Detail from the Tomb of Maria Pereira Camponeschi by Silvestro dell'Aquila, in the Church of San Bernardino in L'Aquila

Plate with the Bonafede family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

Particular of the upper part of the Piazza Chapel, at the foot of the Mangia Tower, in Piazza del Campo in Siena. Architectonic work carried out by Domenico D'Agostino

Pieta, sculpture by Baccio Bandinelli, in the Basilica of the Santissima Annunziata, Florence, Tuscany Florence Basilica of the Santissima Annunziata Monument High Renaissance, Renaissance

Scroll with inscription hung under the Medici crest. Work designed by Filippo Brunelleschi, located in the Badia Fiesolana, in Fiesole, near Florence, in Tuscany Fiesole Badia Fiesolana Low Relief

Plate with the Da Uzzano family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

Plate with the Mataron family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

Plate with the Monte family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

Plate with the Medici family coat of arms: three plumes, the diamond ring and the motto, "SEMPER, " della Robbia-style ceramic piece, part of the Contini Bonacossi Collection

Plate with the Canigiano or Covoni family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

Gilded plaster chest with battle scenes. Furniture piece belonging to the Contini Bonacossi Collection, in the Palazzina della Maridiana, Boboli Gardens, Florence Florence Boboli Gardens

Monument to the Oneto Family. Work by Antonio Rota, located in the Staglieno Cemetery, near Genoa Genoa Staglieno, Cemetery Funerary Monument Arts and handicrafts of XIX century, Nineteenth century

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"From Royalty to Rock: The Colorful Story of Ribbon" In 1954, Queen Elizabeth II and the Duke of Edinburgh were captured in a timeless photograph, adorned with ribbons that symbolized their regal elegance. Little did they know that this simple accessory would become an iconic representation of style and celebration. Fast forward to an advert for Mumms Champagne, where a bottle is gracefully wrapped in a vibrant ribbon, enticing us with promises of joyous festivities. Ribbons have always been associated with special occasions, adding a touch of glamour and flair. Across Europe, in Montreux's Canton Vaud, stands a statue paying tribute to the legendary Freddie Mercury. Adorned with colorful ribbons by devoted fans from all corners of the world, it serves as a testament to his enduring legacy and the power of music. But they are not limited to grand gestures; they also find their place in intricate works like Walter Crane's Garland. This stunning piece showcases delicate ribbons intertwined amidst beautiful floral patterns - an exquisite display of artistry. Moving on to history-making moments, we encounter the Suffragette W. S. P. U Badge and Ribbon. A symbol worn proudly by women fighting for equality during suffrage movements - these ribbons carried messages that spoke volumes without uttering a word. Artists throughout time have found inspiration in ribbon's graceful curves. Jane Austen herself was immortalized through watercolor on paper wearing one such elegant accessory – her portrait capturing both her literary prowess and feminine charm. Madame Rimsky-Korsakov too embraced ribbon's allure as she posed for her portrait in 1864. The soft fabric cascading down her dress added an air of sophistication befitting this remarkable woman who left her mark on Russian culture. Ribbon even finds its way into unconventional realms; Alice dons one around her neck in Amedeo Modigliani's captivating painting from 1918 – a whimsical touch that adds an element of mystery to her enigmatic persona.