Romanticist Collection (page 3)

Louis Vaz de Camoens, c. 1800 (tempera on canvas)
1772295 Louis Vaz de Camoens, c.1800 (tempera on canvas) by Blake, William (1757-1827); 42x57 cm; Manchester Art Gallery, UK; (add.info.: Luis Vaz de Camoes (c)

Genoa, Italy, c. 1851 (w/c on paper)
495778 Genoa, Italy, c.1851 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 37.1x54.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Rochester, Kent, 1795 (w/c on paper)
495777 Rochester, Kent, 1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

Valle Crucis Abbey, Denbighshire, c. 1826 (w/c on paper)
495775 Valle Crucis Abbey, Denbighshire, c.1826 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.5x41 cm; Manchester Art Gallery

Windermere, Westmorland (w/c on paper)
MAN434075 Windermere, Westmorland (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

A Village in the Alps, Sion, c. 1846 (w/c on paper)
495758 A Village in the Alps, Sion, c.1846 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 38.3x56 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The Origin of the Harp, c. 1842 (oil on canvas)
MAN443323 The Origin of the Harp, c.1842 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); Manchester Art Gallery, UK; © Manchester Art Gallery

Kussnacht, Lake of Lucerne, Switzerland, 1843 (w/c & bodycolour on paper)
MAN278078 Kussnacht, Lake of Lucerne, Switzerland, 1843 (w/c & bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 31x47.4 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Furstenburg, 1817 (w/c on paper)
495784 Furstenburg, 1817 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x31.9 cm; Manchester Art Gallery

Now for the Painter (rope) - passengers going on board, 1827 (w/c on paper)
495770 Now for the Painter (rope) - passengers going on board, 1827 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 174.3x223.5 cm; Manchester Art Gallery

View of the Salute from the Entrance to the Grand Canal Venice, 1727-28 (oil on canvas)
5974051 View of the Salute from the Entrance to the Grand Canal Venice, 1727-28 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 45x60 cm; Musee des Beaux-Arts, Strasbourg

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Princess Zainab Nazli Khanum (Nazili Hanum), 1875 (oil on canvas)
3610405 Princess Zainab Nazli Khanum (Nazili Hanum), 1875 (oil on canvas) by Jerichau-Baumann, Elisabeth Maria Anna (1819-1881); 132x170 cm; Private Collection; (add.info)

Death of the Strong Wicked Man, illustration from The Grave by Robert Blair
1785950 Death of the Strong Wicked Man, illustration from The Grave by Robert Blair, engraved by Louis Schiavonetti (hand-coloured etching) (see also 1785949-52) by Blake

The Revolt of Cairo, c. 1810 (oil and ink on paper, laid down on canvas)
2970904 The Revolt of Cairo, c.1810 (oil and ink on paper, laid down on canvas) by Girodet de Roucy-Trioson, Anne Louis (1767-1824); 30.8x45.1 cm; The Art Institute of Chicago, IL

The Combat of the Giaour and Hassan, 1826 (oil on canvas)
2968525 The Combat of the Giaour and Hassan, 1826 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 59.6x73.4 cm; The Art Institute of Chicago, IL, USA; Gift of Bertha Palmer Thorne

Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w / c)
XYC285570 Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

What time the thirteen Governors... plate 15 from America: A Prophecy, 1793
XYC285547 What time the thirteen Governors... plate 15 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

The Battle of Bunkers Hill, 1798 (engraving)
497587 The Battle of Bunkers Hill, 1798 (engraving) by Trumbull, John (1756-1843) (after); 81x59.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: After the painting of John Trumbull)

Sound! Sound! my loud war-trumpets... plate 11 from America: A Prophecy, 1793
XYC285564 Sound! Sound! my loud war-trumpets... plate 11 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

Venus and Cupid in a wooded landscape (oil on canvas)
863223 Venus and Cupid in a wooded landscape (oil on canvas) by Tresham, Henry (1751-1814); 152.4x238.1 cm; Private Collection; Photo © Christies Images

In Happy Copulation, if in evening mild plate 10r from Visions of the Daughters of Albion
XYC309868 In Happy Copulation, if in evening mild.. plate 10r from Visions of the Daughters of Albion, 1793 (relief etching printed in green with w/c) by Blake

Banks of the Tiber, Rome (oil on canvas)
780774 Banks of the Tiber, Rome (oil on canvas) by Wilson, Richard (1713/14-82); 44.5x61 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; Welsh

Classical landscape with boys bathing (oil on canvas)
780768 Classical landscape with boys bathing (oil on canvas) by Wilson, Richard (1713/14-82); 88.9x116.9 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries

Banks of the Tiber, Rome (chalk on paper)
780571 Banks of the Tiber, Rome (chalk on paper) by Wilson, Richard (1713/14-82); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK

Lord Alfred Tennyson (1809-92), 1901 (oil)
Ma199967 Lord Alfred Tennyson (1809-92), 1901 (oil) by Hambidge, Alice (1869-1947); Private Collection; Photo © The Ms Gallery, London

Elisabeth Schumann with Richard Strauss (b / w photo)
3823015 Elisabeth Schumann with Richard Strauss (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944); (add.info)

Italian Town above a stream (chalk on paper)
780572 Italian Town above a stream (chalk on paper) by Wilson, Richard (1713/14-82); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; Welsh, out of copyright

Sunset (w / c on paper)
2561302 Sunset (w/c on paper) by Hassam, Childe Frederick (1859-1935); 29.1x22.7 cm; Private Collection; Photo © Christies Images

Elisabeth Schumann with Richard Strauss (b / w photo)
3823012 Elisabeth Schumann with Richard Strauss (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944); (add.info.: Elisabeth Schumann (1888-1952)

The Circus of Flora, Roma (pencil with white heightening on paper)
715557 The Circus of Flora, Roma (pencil with white heightening on paper) by Wilson, Richard (1713/14-82); Norwich Castle Museum and Art Gallery; © Norwich Castle Museum & Art Gallery

Landscape with Figures (oil on canvas)
715560 Landscape with Figures (oil on canvas) by Wilson, Richard (1713/14-82); Bradford Art Galleries and Museums, West Yorkshire, UK; © Bradford Museums & Galleries; Welsh, out of copyright

On the Banks of the River (oil on canvas)
714723 On the Banks of the River (oil on canvas) by Wilson, Richard (1713/14-82); Bristol Museum and Art Gallery, UK; © Bristol Museums, Galleries & Archives; Given by Frederick John Nettlefold

Elisabeth Schumann with Richard Strauss and his son Franz (b / w photo)
3823014 Elisabeth Schumann with Richard Strauss and his son Franz (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944); (add.info)

Wilton House (chalk on paper)
780573 Wilton House (chalk on paper) by Wilson, Richard (1713/14-82); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; Welsh, out of copyright

Elisabeth Schumann with Richard Strauss and his son Franz, (b / w photo)
3823013 Elisabeth Schumann with Richard Strauss and his son Franz, (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944); (add.info)

John Keats, 1906 (litho)
1772399 John Keats, 1906 (litho) by Hartrick, Archibald Standish (1864-1950); Private Collection; (add.info.: John Keats, 1795 - 1821. English Romantic poet.); Photo © Hilary Morgan

Rome from the Villa Madama, during or post 1753 (oil on canvas)
1217779 Rome from the Villa Madama, during or post 1753 (oil on canvas) by Wilson, Richard (1713/14-82); 44x53 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Jewish Musicians, c. 1832 (w / c on paper)
1109142 Jewish Musicians, c.1832 (w/c on paper) by Delacroix, Ferdinand Victor Eugene (1798-1863); Private Collection; (add.info.: Musicien juifs, aquarelle par Eugene Delacroix, c)

Lighthouse (oil on panel)
1219979 Lighthouse (oil on panel) by Balke, Peder (1804-87); 22.5x33 cm; Private Collection; (add.info.: Fyrtarn); Photo © O. Vaering

Landscape Study, Northern Norway (oil on panel)
1219977 Landscape Study, Northern Norway (oil on panel) by Balke, Peder (1804-87); 34.5x26 cm; Private Collection; (add.info.: Landskapsstudie fra Nordland); Photo © O. Vaering

From Northern Norway, 1864 (oil on panel)
1219978 From Northern Norway, 1864 (oil on panel) by Balke, Peder (1804-87); 60x71.5 cm; Private Collection; (add.info.: Fra Nordland); Photo © O. Vaering

North Cape (oil on canvas)
1219975 North Cape (oil on canvas) by Balke, Peder (1804-87); Private Collection; Photo © O. Vaering

The Storm (oil on canvas)
PCT2629155 The Storm (oil on canvas) by Velazquez, Eugenio Lucas (1817-70); Louvre, Paris, France

From North Cape, 1848 (oil on canvas)
1219976 From North Cape, 1848 (oil on canvas) by Balke, Peder (1804-87); 63x80 cm; Private Collection; Photo © O. Vaering

From Finnmarks, 1861 (oil on canvas)
1219974 From Finnmarks, 1861 (oil on canvas) by Balke, Peder (1804-87); 95x123 cm; Private Collection; Photo © O. Vaering

Goethes Faust I, the first volume of Reclams Universal Library
6256906 Goethes Faust I, the first volume of Reclams Universal Library, appeared on November 10, 1867 (lithograph) by German School

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"Exploring the Romanticist Movement: A Journey through Art and Emotion" Step into the world of Romanticism, where emotions run wild and nature takes center stage. Dedham Lock and Mill, 1820, a captivating oil on canvas by John Constable, transports us to a serene riverside scene, evoking feelings of tranquility and nostalgia. In contrast, Mount Vesuvius in Eruption, 1817, William Turner's watercolor on paper masterpiece captures the raw power of nature as fire engulfs the sky. The vibrant hues ignite our senses with awe and wonder. Moving forward in time to explore photography's role in Romanticism, we encounter View of a folly in Roundhay Park. This albumen print showcases the beauty found within man-made structures amidst lush greenery—a testament to human creativity harmonizing with nature. The Young Martyr by Paul Delaroche tells a tragic tale through his skillful brushstrokes. Painted in 1855 with oils on canvas, this artwork portrays an innocent figure surrounded by darkness—an embodiment of sacrifice for one's beliefs. Blake's engraving I Want. I Want. From For the Sexes: The Gates of Paradise (1793) delves into desire and longing. Its intricate details depict humanity yearning for fulfillment beyond material possessions—a timeless theme that resonates even today. Caspar David Friedrich's Monk by the Sea (1808-10) invites contemplation as we witness a solitary figure standing before an expansive ocean landscape—symbolic of mankind's insignificance against nature’s vastness. The Wanderer above the Sea of Fog (1818), painted by Caspar David Friedrich once again mesmerizes viewers with its enigmatic portrayal. Here we see a lone figure gazing out at an ethereal mist-covered landscape—inviting introspection about life's mysteries. William Blake returns with The Ancient of Days - Urizen measuring out the material world, a captivating depiction of divine creation.