Romanticist Collection (page 8)

The Fairy and the Sea Serpent (oil on canvas laid on panel)
2956912 The Fairy and the Sea Serpent (oil on canvas laid on panel) by Fitzgerald, John Anster (1832-1906); 19.05x27.94 cm; Private Collection; (add.info)

South-East Gale at Portencross Castle, 1886 (oil on canvas)
2956910 South-East Gale at Portencross Castle, 1886 (oil on canvas) by Brett, John (1831-1902); 25.4x48.26 cm; Private Collection; (add.info.: Bretts 1886 exhibition at The Fine Art Society)

Near Shillingford, 1883 (oil on canvas)
2956866 Near Shillingford, 1883 (oil on canvas) by Halswelle, Keeley (1832-91); Private Collection; (add.info.: Agnew 1883 or exhibition at the Old Bond Street Gallery in 1884)

Illustration to The Lady of the Lake, 1811 (pen & ink
5044306 Illustration to The Lady of the Lake, 1811 (pen & ink, wash and pencil on paper) by Varley, Cornelius (1781-1873); 22.3x31.9 cm; Laing Art Gallery, Newcastle-upon-Tyne

Snowdon by Moonlight, 1792 (oil on canvas)
LIV47120 Snowdon by Moonlight, 1792 (oil on canvas) by Wright of Derby, Joseph (1734-97); 88x123 cm; University of Liverpool Art Gallery & Collections, UK; eVictoria Gallery & Museum

River Landscape (w / c on paper)
AGN355086 River Landscape (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

A View in Val d Aosta (pencil & w / c on paper)
AGN355054 A View in Val d Aosta (pencil & w/c on paper) by Turner, Joseph Mallord William (1775-1851); 22.5x32.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Lake Thun (w / c on paper)
AGN355050 Lake Thun (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Descent of Mount St. Gothard (w / c on paper)
AGN355047 Descent of Mount St. Gothard (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Folkestone (w / c on paper)
AGN355038 Folkestone (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Lucerne, Sunset (w / c on paper)
AGN355023 Lucerne, Sunset (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Farewell, 1855 (oil on canvas)
AKV406780 Farewell, 1855 (oil on canvas) by Spitzweg, Carl (1808-85); Schack Galerie, Munich, Germany; (add.info.: Der Abschied; ); eAckermann Kunstverlag; German, out of copyright

Tintern Abbey, c. 1840 (w / c on paper)
863171 A Tintern AbbeyA, c.1840 (w/c on paper) by Gastineau, Henry (1791-1876); 26.7x38.7 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

The Antiquarian, 1863 (w / c, gouache & gum Arabic on paper)
863155 The Antiquarian, 1863 (w/c, gouache & gum Arabic on paper) by Cattermole, Charles (1832-1900); 14x19.1 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

View off Margate, Evening, c. 1840 (oil on canvas)
877344 View off Margate, Evening, c.1840 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 32.1x48.9 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Two horses fighting in a stormy landscape, c. 1828 (oil on canvas)
877319 Two horses fighting in a stormy landscape, c.1828 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 36.8x45.9 cm; Sterling and Francine Clark Art Institute, Williamstown

The Book of Urizen, plate 2, 1794 (etching)
938612 The Book of Urizen, plate 2, 1794 (etching) by Blake, William (1757-1827); Private Collection; English, out of copyright

The Lake of Nemi or Speculum Dianae with Dolbadarn Castle (oil on canvas)
704521 The Lake of Nemi or Speculum Dianae with Dolbadarn Castle (oil on canvas) by Wilson, Richard (1714-82) (after); Shipley Art Gallery, Gateshead, Tyne & Wear

And the Thirty-Two Counties... plate 72 from Jerusalem
XYC151895 And the Thirty-Two Counties... plate 72 from Jerusalem (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper) by Blake

Extensive View of a Lake (w / c on paper)
BAC155889 Extensive View of a Lake (w/c on paper) by Turner, Joseph Mallord William (1775-1851) (circle of); 7.9x28.9 cm; Private Collection; English, out of copyright

The Nightingales Lesson, 1802 (pen and ink and wash on paper)
XKH157639 The Nightingales Lesson, 1802 (pen and ink and wash on paper) by Runge, Philipp Otto (1777-1810); 57.8x46.8 cm; Hamburger Kunsthalle, Hamburg, Germany; (add.info.: based on Klopestocks ode)

Romantic Landscape (Last of the Mohicans), 1827 (oil on paper)
NYH154267 Romantic Landscape (Last of the Mohicans), 1827 (oil on paper) by Cole, Thomas (1801-1848); 20.3x27.9 cm; Collection of the New-York Historical Society

Portrait of Victor Hugo (1802-85) (litho)
LMG139556 Portrait of Victor Hugo (1802-85) (litho) by Rodin, Auguste (1840-1917); 22.6x15.8 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; French

The Parting of Hero and Leander (oil on canvas)
REV143799 The Parting of Hero and Leander (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 146.1x236.2 cm; National Gallery, London, UK; English, out of copyright

The House of William Shakespeare (1564-1616) in Stratford-upon-Avon
CHT179960 The House of William Shakespeare (1564-1616) in Stratford-upon-Avon (pen & ink and wash on paper) by Hugo, Victor (1802-85); Musee de Victor Hugo, Hauteville House

Harbour at Night (Sisters), c. 1818-20
BOO73528 Harbour at Night (Sisters), c.1818-20 by Friedrich, Caspar David (1774-1840); 74x52 cm; State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

Moonrise, 1835-7 (sepia wash over pencil)
BOO73754 Moonrise, 1835-7 (sepia wash over pencil) by Friedrich, Caspar David (1774-1840); 24.5x34.5 cm; State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

F. 24. I Coast of Yorkshire, from the Liber Studiorum, engraved by William Say
FIT90223 F.24.I Coast of Yorkshire, from the Liber Studiorum, engraved by William Say, 1811 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.8x30.1 cm; Fitzwilliam Museum

Evening
PWI83799 Evening by Friedrich, Caspar David (1774-1840); Private Collection; ePeter Willi; German, out of copyright

P. 125-1950. pt14 The Little Boy Found: plate 14 from
FIT83167 P.125-1950.pt14 The Little Boy Found: plate 14 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake

P. 125-1950. pt9 The Little Black Boy: plate 9 from Songs of Innocence
FIT83162 P.125-1950.pt9 The Little Black Boy: plate 9 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

P. 125-1950. pt8 The Lamb: plate 8 from Songs of Innocence and of Experience
FIT83161 P.125-1950.pt8 The Lamb: plate 8 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

P. 125. 1950. pt5 The Shepherd: plate 5 from Songs of Innocence and of Experience
FIT83158 P.125.1950.pt5 The Shepherd: plate 5 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

P. 125-1950. pt3 Title page: plate 3 from Songs of Innocence and of Experience
FIT83156 P.125-1950.pt3 Title page: plate 3 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

P. 124-1950. pt49 Infant Sorrow: plate 49 from Songs of Innocence
FIT83149 P.124-1950.pt49 Infant Sorrow: plate 49 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

P. 124-1950. pt45 The Garden of Love: plate 45 from Songs of Innocence
FIT83145 P.124-1950.pt45 The Garden of Love: plate 45 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum

Brunnen (w / c on paper)
LEF221900 Brunnen (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.5x30.5 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; English, out of copyright

Furness Abbey, Lancashire, 1810 (colour engraving)
REV326524 Furness Abbey, Lancashire, 1810 (colour engraving) by English School, (19th century); Bibliotheque des Arts Decoratifs, Paris

The Rhinemaidens teasing Alberich, illustration from
STC324212 The Rhinemaidens teasing Alberich, illustration from The Rhinegold and the Valkyrie, 1910 (colour litho) by Rackham

Raging, Wotan Rides to the Rock! Like a Storm-wind he comes
STC324210 Raging, Wotan Rides to the Rock! Like a Storm-wind he comes!, frontispiece to The Rhinegold and the Valkyrie, 1910 (colour litho) by Rackham

Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen
XYC256357 Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

The Dogana and Santa Maria della Salute, Venice, detail, 1843 (oil on canvas) (detail)
BBC210772 The Dogana and Santa Maria della Salute, Venice, detail, 1843 (oil on canvas) (detail) by Turner, Joseph Mallord William (1775-1851); 62 x 93 cm; National Gallery of Art, Washington DC

The Lauerzersee with the Mythens, c. 1848 (w / c, pen & ink and scratching out on paper)
BBC210770 The Lauerzersee with the Mythens, c.1848 (w/c, pen & ink and scratching out on paper) by Turner, Joseph Mallord William (1775-1851); 33.7x54.5 cm; Victoria & Albert Museum, London

William Wordsworth (oil on canvas)
WRD276294 William Wordsworth (oil on canvas) by Carruthers, Richard (1792-1876); Wordsworth Trust; (add.info.: William Wordsworth (1770-1850)

The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink
STC247595 The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink, w/c and bodycolour on paper) by Blake

Grasmere, c. 1830 (w / c on paper)
WRD274290 Grasmere, c.1830 (w/c on paper) by Robson, George Fennel (1788-1833); 42.7x81.5 cm; Wordsworth Trust; eThe Wordsworth Trust; English, out of copyright

Samuel Taylor Coleridge, 1804 (oil on canvas)
WRD274287 Samuel Taylor Coleridge, 1804 (oil on canvas) by Northcote, James (1746-1831); 76.2x63.5 cm; Wordsworth Trust; (add.info)

Stretch d for a work of eternity... plate 22 from
XYC256908 Stretch d for a work of eternity... plate 22 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

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"Exploring the Romanticist Movement: A Journey through Art and Emotion" Step into the world of Romanticism, where emotions run wild and nature takes center stage. Dedham Lock and Mill, 1820, a captivating oil on canvas by John Constable, transports us to a serene riverside scene, evoking feelings of tranquility and nostalgia. In contrast, Mount Vesuvius in Eruption, 1817, William Turner's watercolor on paper masterpiece captures the raw power of nature as fire engulfs the sky. The vibrant hues ignite our senses with awe and wonder. Moving forward in time to explore photography's role in Romanticism, we encounter View of a folly in Roundhay Park. This albumen print showcases the beauty found within man-made structures amidst lush greenery—a testament to human creativity harmonizing with nature. The Young Martyr by Paul Delaroche tells a tragic tale through his skillful brushstrokes. Painted in 1855 with oils on canvas, this artwork portrays an innocent figure surrounded by darkness—an embodiment of sacrifice for one's beliefs. Blake's engraving I Want. I Want. From For the Sexes: The Gates of Paradise (1793) delves into desire and longing. Its intricate details depict humanity yearning for fulfillment beyond material possessions—a timeless theme that resonates even today. Caspar David Friedrich's Monk by the Sea (1808-10) invites contemplation as we witness a solitary figure standing before an expansive ocean landscape—symbolic of mankind's insignificance against nature’s vastness. The Wanderer above the Sea of Fog (1818), painted by Caspar David Friedrich once again mesmerizes viewers with its enigmatic portrayal. Here we see a lone figure gazing out at an ethereal mist-covered landscape—inviting introspection about life's mysteries. William Blake returns with The Ancient of Days - Urizen measuring out the material world, a captivating depiction of divine creation.