Savage Collection (page 6)

Drawings Prints, Print, Orpheus, Instructing, Savage, People, Theology, Arts, Social
Drawings and Prints, Print, Orpheus Instructing a Savage People in Theology and the Arts of Social Life, Artist, James Barry, Irish, Cork 1741-1806 London, Barry, James, Irish, 1741, 1806

Drawings Prints, Print, Music, Charms, Soothe, Savage, Breast, Artist publisher, Artist, T
Drawings and Prints, Print, Music Has Charms to Soothe the Savage Breast, Artist and publisher, Artist, After, T. Smith, Thomas Rowlandson, British, active London 1785-1800, British

WOMEN MARINES, 1967. Takeo Yemnshiro, a civilian employee at the Futenma Marine Corps Air Facility in Okinawa, Japan, presenting a bouquet to American Marine Corporals Diane Savage

A Saber Tooth Cat attacks a Woolly Mammoth
Life comes to an end for a Woolly Mammoth after a valiant struggle to get out of a bog

A Saber-Tooth cat pounces onto a frightened Buffalo in prehistoric times

Two Smilodon cats find protection in a vast cave system in the Eocene epoch

Illustration of a Saber Tooth Cat
The Saber Tooth cat is a feline that is now extinct which was a top worldwide predator in the Eocene and Pleistocene Epoch

Illustration of a Smilodon Cat from the Cenozoic Era. Smilodon Cat lived in North America from the Eocene to Pleistocene Period and preyed on many large animals

A lone Sabre-Tooth Tiger running through a snow covered forest during Earths Pleistocene epoch

A prehistoric Smilodon Cat is on the prowl for his next prey
A Smilodon Cat from prehistoric times is on the prowl for his next prey

A Smilodon cat roars to warn other males to leave his territory
A Smilodon cat roars to warn any other males to leave his territory

An angry saber-toothed tiger. The Saber-toothed tiger was a large carnivore that lived worldwide during the Eocene to Pleistocene epoch

A saber-toothed cat on white background. The saber-toothed cat, also called Smilodon, was a large predator that lived in the Eocene to Pleistocene Eras in North and South America

Source Size = 1897 x 2540
LORD RANDOLPH CHURCHILL IN SOUTH AFRICA: " A tiny crystal to be used for the gratification of female vanity, in imitation of a lust of personal adornment essentially barbaric

Casting a Monster Cylinder, at Messrs. Scott Russell and Co.s Building-Yard, Millwall, 1854. the Cylinder is Intended for the Iron Steamship being Built by Messrs. Scott Russell and Co

Source Size = 3770 x 1672
THE SEA SERPENT IN THE MEDITERRANEAN, A SKETCH FROM H.M. YACHT " OSBORNE" OFF THE NORTH COAST OF SICILY ON THE SECOND OF JUNE; 1. The Row of Fins as seen at First; 2

Source Size = 3771 x 5004
MARRIAGE IN HIGH LIFE, THE WEDDING OF LADY THEODORA GROSVENOR AND MR. T. MERTHYR GUEST: 1. The Ceremony in Motcombe Parish Church; 2. A Path of Flowers; 3

Source Size = 3834 x 2633
" gathering as it Goes; " Or, the Monster Snowball

Source Size = 5831 x 4034
Monster Swing Bridge at Brest, France

Source Size = 2402 x 2221
" the Monster City" by the Rev. Robert Jones

Source Size = 2026 x 2474
Monster Rhododendron, Grown at the American Nursery, Bagshot

Source Size = 2621 x 2418
The Monster Bell for York Minster

A Bear Hunt, 1655 (oil on panel)
BAL93446 A Bear Hunt, 1655 (oil on panel) by Hondius, Abraham Danielsz. (c.1625-95); 106x134.5 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Admiranta Narratio... Frontispiece (page 1), 1585-1588 (colour engraving)
XIR902309 " Admiranta Narratio...". Frontispiece (page 1), 1585-1588 (colour engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes

Edward Savage (American, 1761 - 1817), The Washington Family, 1789-1796, oil on canvas

Hunting a Wild Boar, c. 1615-16 (oil on canvas)
XIR39448 Hunting a Wild Boar, c.1615-16 (oil on canvas) by Rubens, Peter Paul (1577-1640); 250x320 cm; Musee des Beaux-Arts, Marseille, France; Flemish, out of copyright

The Lord Mayors Banquet to the Savage Club at the Mansion House, 1888 Engraving

Two Savages of New Zealand, illustration from Labillardieres An Account
XJF618958 Two Savages of New Zealand, illustration from LabillardiAšres An Account of A Voyage in search of La Perouse, engraved by Charles Turner Warren, 1800 (engraving) by Piron

Amerigo Vespucci (1454-1512) landing in America, engraved by Theodor Galle (1571-1633)
XIR239763 Amerigo Vespucci (1454-1512) landing in America, engraved by Theodor Galle (1571-1633) (engraving) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Bibliotheque Nationale

Distinctive Markings of a Warrior of Virginia, from Admiranda Narratio
XIR223423 Distinctive Markings of a Warrior of Virginia, from Admiranda Narratio.. engraved by Theodore de Bry (1528-98) 1585-88 (coloured engraving) by White

Cannibals savouring Human Remains, c. 1800-08 (oil on panel) (pair of 83503)
XIR243022 Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503) by Goya y Lucientes, Francisco Jose de (1746-1828); 32.7x47.2 cm; Musee des Beaux-Arts et d Archeologie

Cacodemon attacking the savages, from Americae Tertia Pars
XIR194995 Cacodemon attacking the savages, from Americae Tertia Pars.... 1562 (coloured engraving) by Bry, Theodore de (1528-98); Service Historique de la Marine, Vincennes

Illustration from Histoire philosophique et politique des deux Indes by
XIR188720 Illustration from Histoire philosophique et politique des deux Indes by Abbe Guillaume Raynal (1713-96) (engraving) (b/w photo) by Moreau

Display of Trophies, 1871-72 (oil on canvas)
BAL172719 Display of Trophies, 1871-72 (oil on canvas) by Vereshchagin, Vasili Vasilievich (1842-1904); 240.8x171.5 cm; Tretyakov Gallery, Moscow

Canoe of the Iroquois, from Dialogues de M
XIR164772 Canoe of the Iroquois, from Dialogues de M. le baron de Lahontan et d un sauvage dans l Amerique, published in Amsterdam in 1704 (engraving) (b/w photo) by French School

Ambush of the Iroquois, from Dialogue de M
XIR164771 Ambush of the Iroquois, from Dialogue de M. le baron de Lahontan et d un sauvage dans l Amerique, published in Amsterdam 1704 (engraving) (b/w photo) by French School

Iroquois Indians (engraving) (b / w photo)
XIR164757 Iroquois Indians (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Fol. 40v Map of the Magellan Straits, from Cosmographie Universelle, 1555
XIR229320 Fol.40v Map of the Magellan Straits, from Cosmographie Universelle, 1555 (w/c on paper) by Le Testu, Guillaume (c.1509-73); Min

A Deer Chased by Dogs, 1725 (oil on canvas)
XIR161712 A Deer Chased by Dogs, 1725 (oil on canvas) by Oudry, Jean-Baptiste (1686-1755); 171x156 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: Chevreuil poursuivi par des chiens; ); French

Fol. 39v Map of the Magellan Straits, from Cosmographie Universelle, 1555
XIR161170 Fol.39v Map of the Magellan Straits, from Cosmographie Universelle, 1555 (w/c on paper) by Le Testu, Guillaume (c.1509-73); Min

The Fountain of Life, detail of a lion, 1418-30 (fresco)
XAL161066 The Fountain of Life, detail of a lion, 1418-30 (fresco) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo, Italy; (add.info.: La Fontaine de la Vie; ); Italian

Manco Capac and his wife, Coya Mama Oello Huaco, gathering the savages and building Cuzco
XIR157740 Manco Capac and his wife, Coya Mama Oello Huaco, gathering the savages and building Cuzco (engraving) (b/w photo) by Debrie

Iroquois Indian of Canada, from Raretes des Indes Sauvages (engraving)
XIR154625 Iroquois Indian of Canada, from Raretes des Indes Sauvages (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris

Lingap, a Matabili Warrior, illustration from Wild Sports of South Africa by W
XZL149430 Lingap, a Matabili Warrior, illustration from Wild Sports of South Africa by W.C. Harris, 1841 (coloured engraving) by Harris, William Cornwallis (1807-48); Private Collection; English

Daniel in the Den of Lions (oil on canvas)
XIR169047 Daniel in the Den of Lions (oil on canvas) by Verdier, Francois (1651-1730) (attr. to); Musee des Beaux-Arts, Caen, France; (add.info.: Daniel dans la fosse aux lions; ); French

The Suffolk Hunt - The Death (oil on canvas)
XYC158552 The Suffolk Hunt - The Death (oil on canvas) by Herring Snr, John Frederick (1795-1865); Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Hippopotamus and Crocodile Hunt, c. 1615-16 (oil on canvas) (see 170972 for detail)
XIR156517 Hippopotamus and Crocodile Hunt, c.1615-16 (oil on canvas) (see 170972 for detail) by Rubens, Peter Paul (1577-1640); 248x321 cm; Alte Pinakothek, Munich, Germany; Flemish, out of copyright

Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk Richard Savage Lloyd and his Sister Richard Savage Lloyd and Cecil Lloyd, Thomas Gainsborough, 1727-1788, British

All Professionally Made to Order for Quick Shipping

"Savage: Exploring the Depths of Humanity's Dark Side" In Marjorie Miller's haunting painting, "Queen of the Night, " we are drawn into a world where darkness reigns supreme. The mysterious figure represents the savage nature that lurks within us all, reminding us that even in our most refined state, there is an untamed side waiting to be unleashed. Leon-Maxime Faivre's masterpiece, "Deux meres (Two Mothers), " captures a poignant moment between two women from different worlds. In this powerful portrayal of motherhood, we witness the raw and savage instinct to protect one's offspring at any cost. Charles E Gordon Frazer takes us on a journey into the depths of savagery with his vivid depiction of "A Cannibal Feast. " This chilling scene forces us to confront our primal instincts and question what separates civilization from barbarism. Joseph Harker, theatrical scenic artist extraordinaire, brings Shakespeare's play "The Tempest" to life with his stunning set design. Amidst swirling storms and treacherous seas lies an underlying theme of savagery versus civility as characters battle their own inner demons. Walter Landor transports us to Durbar Square in Bhaktapur, Kathmandu valley, Nepal. Here we witness ancient traditions colliding with modernity—a clash between tradition and progress that reveals both beauty and savagery coexisting side by side. Culloden Battlefield stands as a stark reminder of Scotland's turbulent past—a place where clans clashed in brutal combat. The echoes of war still resonate here today, serving as a testament to humanity's capacity for destruction when driven by savage impulses. Richard Savage immortalized by Van Gucht captures the essence of a man tormented by his own inner demons. His tragic story serves as a cautionary tale about how unchecked savagery can lead one down a path towards self-destruction.