Savage Collection (page 4)

The Lion Hunt, 1855 (oil on canvas)
BBC188956 The Lion Hunt, 1855 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); Musee des Beaux-Arts, Bordeaux, France; French, out of copyright

Head of a Gaul (b / w photo)
6020584 Head of a Gaul (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Head of a Gaul)

Hans Christian Andersen: The Marsh Kings Daughter (litho)
5988965 Hans Christian Andersen: The Marsh Kings Daughter (litho) by Whistler, Rex (1905-44) (after); Private Collection; (add.info.: The savage ways of the little creature pleased him especially)

Group of Brazilian savages dancing with costumes, masks and traditional headdresses
2334806 Group of Brazilian savages dancing with costumes, masks and traditional headdresses (engraving) by Unknown Artist

Loves Shadow, c. 1867 (oil on panel)
1066106 Loves Shadow, c.1867 (oil on panel) by Sandys, Anthony Frederick Augustus (1829-1904); Private Collection; Photo eChristies Images; English, out of copyright

A Savage Coronation (colour litho)
2812071 A Savage Coronation (colour litho) by English School, (19th century); Private Collection; (add.info.: A Savage Coronation)

The Sukia Medicine Woman unharmed in the midst of fire (colour litho)
2812067 The Sukia Medicine Woman unharmed in the midst of fire (colour litho) by English School, (19th century); Private Collection; (add.info)

Banquet in the baronial hall, Penshurst Place, Kent, from
STC87431 Banquet in the baronial hall, Penshurst Place, Kent, from Architecture in the Middle Ages, 1838 (litho) by Nash, Joseph (1809-78) (after)

A Lion Savaging a Tiger
BBC202080 A Lion Savaging a Tiger by Delacroix, Ferdinand Victor Eugene (1798-1863); Victoria & Albert Museum, London, UK; French, out of copyright

Robinson Crusoe and Friday, illustration from The Story of Robinson Crusoe
STC405591 Robinson Crusoe and Friday, illustration from The Story of Robinson Crusoe: An adaptation for children following Defoes language, pub. by Griffith Farran Browne & Co

Mowgli and Bagheera, illustration from The Jungle Book by Rudyard Kipling
CH438746 Mowgli and Bagheera, illustration from The Jungle Book by Rudyard Kipling, coloured by Jean Dunand (1877-1942), 1919 (colour litho) by Schmied

Plains Indian equipment for the buffalo hunt (pigment on canvas)
STC168283 Plains Indian equipment for the buffalo hunt (pigment on canvas) by Kills Two (Nupa Kte) (1969-1927); Private Collection; The Stapleton Collection; American, out of copyright

Dogs Attacking a Man on a Mule (w / c on paper)
BRN165381 Dogs Attacking a Man on a Mule (w/c on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; Spanish

Pocahontas saving the life of Captain John Smith, c. 1836-40 (oil on canvas)
NYH154519 Pocahontas saving the life of Captain John Smith, c.1836-40 (oil on canvas) by Chapman, John Gadsby (1808-89); 53.3x66 cm; Collection of the New-York Historical Society

Black Panther, 1907 (w / c)
6200147 Black Panther, 1907 (w/c) by Walls, William (1860-1942); 40.5x59 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; English, out of copyright

The Prince of Wales at the Savage Club (engraving)
1624128 The Prince of Wales at the Savage Club (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: The Prince of Wales at the Savage Club)

The Missionary, having taught the Savage the Pleasures of Home, convinces him of the Immortality of the Spirit
1594521 The Missionary, having taught the Savage the Pleasures of Home, convinces him of the Immortality of the Spirit, and at Length persuades him to build a Temple to the Most High God

Polyphemus, (oil on canvas)
989438 Polyphemus, (oil on canvas) by Gerome, Jean Leon (1824-1904); 61x100 cm; Private Collection; (add.info.: Polyphemus. Jean Leon Gerome (1824-1904). Oil on canvas

Callisto, Custos Orsae
Model: Ilaria Fracasso Make Up Artist/Style/Hair Style: Sara De Blasi (Sara De Blasi - Make Up Artist). Traven Milovich

Lions
Marco Pozzi

Wolves discuss, Canis lupus, confusion in the pack
The wolf, Canis lupus, confusion in the pack, during winter season. Petr Simon

1886 Savage Steam Powered Fun Fair Carousel. A 38ft hree abreast 12 section steam gallopers powered by Savage No. 664 Lady Golightly steam Engine

A portrait of Nelly (Nellie) Savage, July 1925. A pupil of Michel Fokine, she had been on the concert stage but had ventured into motion pictures as a dancer and actress Date: 1925

A SAVAGE OF NEW CALEDONIA Date: 1817

Portrait of The Earl Rivers ?, 1650-1660. Creator: Peter Lely
Portrait of The Earl Rivers ?, 1650-1660

Dall Ram on ridge, fall tundra, Denali National Park, Alaska

Trade Card for J. M. Savage, engraver, printer and lithographer, 19th century
Trade Card for J.M. Savage, engraver, printer and lithographer, 19th century

American Fork Canyon, ca. 1875. Creator: Charles Roscoe Savage
American Fork Canyon, ca. 1875

Bell Savage, outer yard 1828
The Bristol coach is loaded up in the outer yard of the Bell Savage (or La Belle Sauvage) coaching inn in Ludgate Hill, London. Date: 1828

Coursing with Grayhounds, late 17th century, (1911). Creator:s G
Coursing with Grayhounds, late 17th century, (1911). Hunting scene: landed gentry chasing hares with greyhounds, with a river, farmland, woodlands and stately home

Utah Lake from Circle Point, Salt Lake City, USA, 1895. Creator: Charles Roscoe Savage
Utah Lake from Circle Point, Salt Lake City, USA, 1895. View of a shallow lake which is 4, 489 feet (1, 368 metres) above sea level, in the state of Utah

The Assembly Hall, Tabernacle and Mormon Temple, Salt Lake City, USA, 1895. Creator
The Assembly Hall, Tabernacle and Mormon Temple, Salt Lake City, USA, 1895. The Salt Lake Assembly Hall, the Salt Lake Tabernacle, and the Salt Lake Temple

A Stone Age Feast, 1883 (oil on canvas)
BAL168240 A Stone Age Feast, 1883 (oil on canvas) by Vasnetsov, Victor Mikhailovich (1848-1926); 56x80 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

The merry Fidler, Cries of London, (c1688?). Artist: John Savage
The merry Fidler, (c1688?). A violinist with his instrument, his hat and fiddle decorated with bows. From Cries of London, (c1688?)

Christian missionaries interrupting a human sacrifice, 1878. Artist: J Christie
Christian missionaries interrupting a human sacrifice, 1878. From The Illustrated London News (1 June 1878)

The young savage of Saint-Ouen, Paris, 1898. Artist: Henri Meyer
The young savage of Saint-Ouen, Paris, 1898. An illustration from Le Petit Journal, 27th November 1898

Ball of the Burning Men, 1393. (c1470). In 1393, Isabeau de Baviere organised a celebration of the marriage of one of her ladies-in-waiting

To rise and to fall, 1799. Artist: Francisco Goya
To rise and to fall, 1799. Plate 56 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Cannibals savouring human remains, 1800-1808. Artist: Francisco Goya
Cannibals savouring human remains, 1800-1808. Savage brandishing head and arm of human, Musee des Beaux-Arts et d Archeologie, Besancon, France

Riddle of Fury, 1819-1823. Artist: Francisco Goya
Riddle of Fury, 1819-1823. Plate 6 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Horseman, 1480-1481. Artist: Leonardo da Vinci
Horseman, 1480-1481. Study for The Adoration of the Kings, from the collection of Captain Colville, London, England; top right: Horseman, 1480-1481, Study for The Adoration of the Kings

A Savage Pastime; or, the Morality of Field Sports, 1870. Artist: Georgina Bowers
A Savage Pastime; or, the Morality of Field Sports, 1870. The rural labourer doffs his hat to the upper class rider who is preparing to set off with the Hunt

No 4 Mk II bayonet, from World War Two. Made by Stevens-Savage, USA. Socket stamped, No. 4, plunger stamped, Mk II, over a stylised, s. Date: 1939

Native American wearing a headdress and short skirt, a large silver plate on his chest.. Handcolored copperplate engraving from Ebenezer Siblys Universal System of Natural History, 1794

Prehistoric cave-dwellers
Primitive people finding shelter in caves in prehistoric times. Hand-colored woodcut of a 19th-century illustration

Close-up of female cheetah yawning at camera, Serengeti, Tanzania
Close-up of female cheetah (Acinonyx jubatus) yawning at camera, Serengeti; Tanzania

West Side Main St. Salt Lake City Utah C. R Savage
West Side Main St. Salt Lake City Utah; C.R. Savage (American, born England, 1832 - 1909); 1882; Albumen silver print

He Reached For His Rifle And Covered The Rest Of The Group. From The Book Buffalo Jim By William Hatfield Published Circa 1930 s

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"Savage: Exploring the Depths of Humanity's Dark Side" In Marjorie Miller's haunting painting, "Queen of the Night, " we are drawn into a world where darkness reigns supreme. The mysterious figure represents the savage nature that lurks within us all, reminding us that even in our most refined state, there is an untamed side waiting to be unleashed. Leon-Maxime Faivre's masterpiece, "Deux meres (Two Mothers), " captures a poignant moment between two women from different worlds. In this powerful portrayal of motherhood, we witness the raw and savage instinct to protect one's offspring at any cost. Charles E Gordon Frazer takes us on a journey into the depths of savagery with his vivid depiction of "A Cannibal Feast. " This chilling scene forces us to confront our primal instincts and question what separates civilization from barbarism. Joseph Harker, theatrical scenic artist extraordinaire, brings Shakespeare's play "The Tempest" to life with his stunning set design. Amidst swirling storms and treacherous seas lies an underlying theme of savagery versus civility as characters battle their own inner demons. Walter Landor transports us to Durbar Square in Bhaktapur, Kathmandu valley, Nepal. Here we witness ancient traditions colliding with modernity—a clash between tradition and progress that reveals both beauty and savagery coexisting side by side. Culloden Battlefield stands as a stark reminder of Scotland's turbulent past—a place where clans clashed in brutal combat. The echoes of war still resonate here today, serving as a testament to humanity's capacity for destruction when driven by savage impulses. Richard Savage immortalized by Van Gucht captures the essence of a man tormented by his own inner demons. His tragic story serves as a cautionary tale about how unchecked savagery can lead one down a path towards self-destruction.