Seemann Collection

Banks of the Oise, 1905. Artist: Henri Rousseau
Banks of the Oise, 1905. Painting held at The Smith College Museum of Art, Massachusetts. From Die Meister Des XX. Jahrhunderts II. [Verlag E. A. Seemann, Leipzig, 1935]

Reiter am Strande, 1902. Artist: Paul Gauguin
Reiter am Strande, 1902. Painting held a the Museum Folkwang, Essen. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

The Sea Rider, c1915. Artist: Ludwig von Hofmann
The Sea Rider, c1915. From Die Meister Des XX. Jahrhunderts IV. [Verlag E. A. Seemann, Leipzig, 1935]

Le Vocabulaire Illustre: Marin; Seaman; Seemann (engraving)
7196657 Le Vocabulaire Illustre: Marin; Seaman; Seemann (engraving) by European School, (19th century); Private Collection; (add.info.: Marin; Seaman; Seemann)

Sir James Dashwood (1715-1779), 1737. Creator: Enoch Seeman
Sir James Dashwood (1715-1779), 1737

Orchestra Muscians, c1872. Artist: Edgar Degas
Orchestra Muscians, c1872. Painting held at the Staedel Museum, Frankfurt am Main. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

The Sick Child, 1907. Artist: Edvard Munch
The Sick Child, 1907. Painting held at The Tate, London. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

The Sandpit, c1921. Artist: Willy Jaeckel
The Sandpit, c1921. From Die Meister Des XX. Jahrhunderts IV. [Verlag E. A. Seemann, Leipzig, 1935]

Venice, 1906. Artist: Paul Signac
Venice, 1906. From Die Meister Des XX. Jahrhunderts II. [Verlag E. A. Seemann, Leipzig, 1935]

The Girl with a Fan, 1902. Artist: Paul Gauguin
The Girl with a Fan, 1902. Painting held a the Museum Folkwang, Essen. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

Country House by a River, c1890. Artist: Paul Cezanne
Country House by a River, c1890. Painting held at the The Israel Museum, Jerusalem. From Die Meister Des XX. Jahrhunderts I. [Verlag E. A. Seemann, Leipzig, 1935]

Glass With Cress, c1915. Artist: Heinrich Nauen
Glass With Cress, c1915. From Die Meister Des XX. Jahrhunderts IV. [Verlag E. A. Seemann, Leipzig, 1935]

Landscape at Staffelsee, c1931. Artist: Georg Schrimpf
Landscape at Staffelsee, c1931. From Die Meister Des XX. Jahrhunderts IV. [Verlag E. A. Seemann, Leipzig, 1935]

Farm on Fehmarn, 1913. Artist: Ernst Kirchner
Farm on Fehmarn, 1913. From Die Meister Des XX. Jahrhunderts III. [Verlag E. A. Seemann, Leipzig, 1935]

St. Patrokus in Soest, c1912. Artist: Christian Rohlfs
St. Patrokus in Soest, c1912. From Die Meister Des XX. Jahrhunderts III. [Verlag E. A. Seemann, Leipzig, 1935]

George II of Great Britain. Artist: T Brown
George II of Great Britain. Portrait of King George II (1683-1760) who ruled from 1727 until his death

Campsis radicans L. seemann
Drawing by Richard Lancake [pl. 65]. Image used in The Chelsea Gardener Philip Miller (1990) by Hazel Le Rougetel, plate 7

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"Captivating the Essence of the Sea: A Journey through Art" Immerse yourself in a visual voyage as we explore the captivating world of "Seemann" through various masterpieces. From the tranquil Banks of the Oise, 1905 by Henri Rousseau to Paul Gauguin's Reiter am Strande, 1902, each artwork unveils a unique perspective on seafaring and its allure. Ludwig von Hofmann's The Sea Rider, c1915 transports us into an ethereal realm where mythical creatures dance amidst crashing waves. Meanwhile, Georges-Pierre Seurat's Study for A Sunday on La Grande Jatte, 1884 captures a serene moment along the shoreline with elegant figures basking in sunlight. Delving deeper into maritime culture, Le Vocabulaire Illustre: Marin; Seaman; Seemann (engraving) provides insight into nautical terminology while Enoch Seeman's portrait of Sir James Dashwood from 1737 showcases a distinguished figure adorned in naval attire. Shifting our focus to other artistic genres influenced by seafaring themes, Edouard Manet's Olympia from 1863 challenges societal norms with its provocative depiction of a reclining female figure. Edgar Degas' Orchestra Musicians, c1872 invites us backstage to witness musicians tuning their instruments before taking center stage. Edvard Munch tugs at our heartstrings with The Sick Child from 1907—a poignant portrayal that evokes empathy and vulnerability. In contrast, Willy Jaeckel's The Sandpit, c1921 exudes youthful joy as children revel in playful exploration along the shorelines. Paul Signac whisks us away to Venice in his vibrant masterpiece from 1906—each brushstroke capturing the city’s enchanting waterways and bustling atmosphere. Lastly, Paul Gauguin returns with The Girl with a Fan from 1902—an exotic beauty who exudes mystery and intrigue.