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St. Patrokus in Soest, c1912. Artist: Christian Rohlfs

St. Patrokus in Soest, c1912. Artist: Christian Rohlfs


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St. Patrokus in Soest, c1912. Artist: Christian Rohlfs

St. Patrokus in Soest, c1912. From Die Meister Des XX. Jahrhunderts III. [Verlag E. A. Seemann, Leipzig, 1935]

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Media ID 14968744

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Christian Rohlfs Community Die Meister Expressionism Expressionist North Rhine Westphalia Orange Orange Colour Rohlfs Rooftop Seemann Spire Verlag Verlag Ea Verlag Ea Seemann Verlag Seeman Artistic Movement Faaade Soest


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > Germany

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Expressionist Architecture

> Arts > Art Movements > Expressionism

> Arts > Artists > Related Images

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Modern art pieces > Expressionism > Fine art

> Europe > Germany > Leipzig


EDITORS COMMENTS
This print showcases the stunning St. Patrokus in Soest, captured by renowned artist Christian Rohlfs around 1912. The image is a part of the esteemed publication "Die Meister Des XX. Jahrhunderts III" from Verlag E. A. Seemann, Leipzig in 1935. Set against a picturesque outdoor backdrop in Germany, this architectural masterpiece stands tall with its vibrant blue and red hues that beautifully contrast against the orange sky. As a religious symbol, it exudes an aura of spirituality and tranquility. The church's intricate design reflects German craftsmanship at its finest, boasting a towering spire and meticulously detailed rooftop that add to its grandeur. Located in North Rhine-Westphalia, this historic landmark has served as a focal point for the local community since the early 20th century. Rohlfs' artistic movement can be seen through his expressionist style evident in this print. His use of bold colors and striking angles captures the essence of St. Patrokus' facade with great intensity. This remarkable photograph offers viewers a glimpse into both Germany's rich cultural heritage and Rohlfs' mastery as an artist during the early 1900s. It serves as a testament to his ability to evoke emotion through color and form while paying homage to Christian traditions within architecture.

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