Selwyn Brinton Collection
Selwyn Brinton, a lover of art and history, finds himself captivated by the enchanting city of Venice
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Selwyn Brinton, a lover of art and history, finds himself captivated by the enchanting city of Venice. As he strolls along the Piazzetta, he is transported back to 1904 when gondolas gracefully glided through its canals. The masterpiece "Gondolas by the Piazzetta" by John Singer Sargent captures his imagination. Moving on, Selwyn gazes at Peter Schenk's "View of the Dogana, " painted in 1702 but still resonating with beauty in 1925. It offers a glimpse into Venice's rich maritime history and architectural splendor. Stepping inside St. Mark's Basilica, Selwyn is awestruck by Samuel Prout's depiction from around 1830. The intricate details bring to life this sacred place that has witnessed centuries of devotion and grandeur. As Selwyn continues his exploration, James Abbott McNeill Whistler's painting "The Riva (No. 1)" transports him to late nineteenth-century Venice. He imagines himself walking along this iconic waterfront promenade bustling with activity and adorned with elegant buildings. Palazzo Mocenigo beckons Selwyn next as Robert Wallis' brushstroke reveals its magnificence from 1830. This noble residence evokes images of Venetian aristocracy and their opulent lifestyle during that era. Continuing his journey through time, Robert Wallis' portrayal of "The Rialto" takes Selwyn back to bustling marketplaces and vibrant trade routes that made Venice an economic powerhouse during the early nineteenth century. JMW Turner's depiction of "The Arsenal" showcases its historical significance as a naval shipyard dating back to approximately 1840. Its imposing presence reminds Selwyn of Venice's military might throughout history. Imagining St. Mark’s Square in the sixteenth century becomes effortless for Selwyn when he encounters Joris Hoefnagel's masterpiece.