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The Balcony, 1879-1880, (1925). Creator: James Abbott McNeill Whistler

The Balcony, 1879-1880, (1925). Creator: James Abbott McNeill Whistler


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The Balcony, 1879-1880, (1925). Creator: James Abbott McNeill Whistler

The Balcony, 1879-1880, (1925). House on a canal, one of a series of etchings of Venice, Italy. From Venice - Past and Present, text by Selwyn Brinton, M.A. edited by Geoffrey Holme. [The Studio Ltd. London, 1925]

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Media ID 15515572

© The Print Collector / Heritage-Images

A Mcneill Whistler Balconies Balcony Brinton C G Holme Canal Geoffrey Geoffrey Holme Holme Ja Mcneill Whistler James Abbot Mcneill Whistler James Abbott Mcneill James Abbott Mcneill Whistler James Mcneil Whistler James Mcneill James Mcneill Whistler Reflected Reflection Selwyn Selwyn Brinton Venice Whistler


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> Animals > Birds > Passerines > Whistlers > Related Images

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Venice

> Arts > Artists > James Whistler

> Arts > Artists > W > James Abbott McNeill Whistler

> Arts > Artists > W > James McNeill Whistler

> Europe > Italy > Veneto > Venice


The Balcony, 1879-1880

EDITORS COMMENTS
is a captivating black and white etching by James Abbott McNeill Whistler that transports viewers to the enchanting city of Venice. This architectural masterpiece captures the essence of Venetian life with its intricate details and stunning reflection on the tranquil canal below. Whistler's meticulous attention to detail is evident in every aspect of this print. The balconies, adorned with delicate ironwork, add a touch of elegance to the building's facade. As one gazes upon this scene, they can almost imagine themselves standing on one of these balconies, taking in the breathtaking view. The monochrome palette enhances the timeless beauty of Venice, showcasing its rich history and cultural heritage. The play between light and shadow creates a sense of depth and dimension within the artwork, drawing viewers into its atmospheric charm. This particular print was featured in "Venice - Past and Present" a publication edited by Geoffrey Holme. It serves as a visual testament to Whistler's mastery as an artist and his ability to capture both architectural grandeur and serene landscapes. "The Balcony" invites us to immerse ourselves in the romantic allure of Venice; it beckons us to explore its winding canals and marvel at its architectural wonders. With each glance at this remarkable etching, we are transported back in time to experience firsthand the magic that has captivated artists for centuries.

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