Sentimental Collection (page 6)

Gentleman giving out medicines to beggars, 18th century
English gentleman dispensing his medicine cabinet to beggars at Ivry-sur Seine, 18th century. He gives aerated salts to a one-armed soldier, Bruchsal elixir to an old woman, and magnetic drops

English gentleman consulting a somniloquist, 18th century
English gentleman consulting a somniloquist in his chambers, 18th century. The sleeping fortune teller lies in a bed in a room decorated with crocodile skin, Egyptian figures and incense burners

Customs inspectors opening luggage at the border, 18th century. Searched by the Douaniers at the French frontiers. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson

Travellers dining at a restaurant in a French inn, 18thC
Travellers dining at a restaurant in a French inn, late 18th century. Table d hote. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from Journal of Sentimental Travels

English gentleman and sleeping woman in a hotel room
English gentleman with candlesticks in both hands tries to remove a bell rope from the bosom of a sleeping woman. The inn at Marseilles

English gentleman on trial in a religious tribunal in Avignon. He takes out a page with the legend of St. Clara of Falkenstein to the astonishment of an old hag and chaste Clara

A theatre company is disbanded after a charge of blasphemy. Actors, actresses and stage painters react in shock to the news. A tragic story at Avignon

English gentleman and bookseller staring at a young beauty
An English gentleman at a booksellers in Avignon, catching his first glimpse of the beauty Clara with her old aunt. First sight of Clara at Avignon

English gentleman at the tomb of Petrarchs muse, Laura de Sade, Laure des Noves, in the Chapelle des Sade, convent of the Cordeliers, Avignon. At the tomb of Laura

A gentleman and woman kiss on a bench near a town gate as a two-horse phaeton with leering man drives by. The Embrace. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson

Woman about to fall over with her shoes caught in the mud during a walk after the rain. Miseries of the Country. Handcoloured copperplate engraving designed

April (colour litho)
NBY335544 April (colour litho) by Greenaway, Kate (1846-1901); Newberry Library, Chicago, Illinois, USA; eNewberry Library; English, out of copyright

The Dying Man, c. 1853 (pen and brush & brown ink on paper)
XYC253487 The Dying Man, c.1853 (pen and brush & brown ink on paper) by Millais, John Everett (1829-96); 19.7x24.4 cm; Yale Center for British Art, Paul Mellon Collection

Mother and Child (oil on canvas)
NUL116868 Mother and Child (oil on canvas) by Munier, Emile (1840-1895); Private Collection; French, out of copyright

Marguerites, 1889 (oil on canvas)
LMG140020 Marguerites, 1889 (oil on canvas) by Morgan, Frederick (1856-1927); 82x56.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

The Parting of Evangeline and Gabriel, c. 1870 (oil on canvas)
BFA161241 The Parting of Evangeline and Gabriel, c.1870 (oil on canvas) by Faed, John (1820-1902); Private Collection; (add.info)

Mother in Profile with Baby Cheek to Cheek (No. 2), c. 1909 (oil on canvas)
FIN161427 Mother in Profile with Baby Cheek to Cheek (No.2), c.1909 (oil on canvas) by Cassatt, Mary Stevenson (1844-1926); 38.1x47 cm; Private Collection; American, out of copyright

Postcard depicting a letter from a Poilu, 1914-18 (coloured photo)
MTL194781 Postcard depicting a letter from a Poilu, 1914-18 (coloured photo) by French School, (20th century); Private Collection; French, out of copyright

Elysium, engraved by Augustin Le Grand (coloured engraving)
CHT167955 Elysium, engraved by Augustin Le Grand (coloured engraving) by Schall, Jean-Frederic (1752-1825) (after); Institut National de Recherche Pedagogique, Paris

Chevy Chase (oil on canvas)
SAG186614 Chevy Chase (oil on canvas) by Landseer, Edwin (1802-73); Sheffield Galleries and Museums Trust, UK; (add.info)

The Letter from Home (oil on panel)
INN181310 The Letter from Home (oil on panel) by Drummond, James (1816-77); Private Collection; eMalcolm Innes Gallery, London, UK; Scottish, out of copyright

Programme cover of Babes in the Wood at the Empire Palace Theatre
GUL232034 Programme cover of Babes in the Wood at the Empire Palace Theatre, Edinburgh (colour litho) by Scottish School, (19th century); Glasgow University Library

Anna Maria White (Mrs Charles Trench) and child (oil on canvas)
LMG157829 Anna Maria White (Mrs Charles Trench) and child (oil on canvas) by English School, (19th century); 69.5x61 cm; Leeds Museums and Galleries (Lotherton Hall)

Christmas Visitors, 1869 (oil on canvas)
WAG13350 Christmas Visitors, 1869 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 61 45.8 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

Not Forgotten, 1882 (oil on canvas)
WAG13346 Not Forgotten, 1882 (oil on canvas) by O Neill, George Bernard (1828-1917); 61 x 50 cm; Wolverhampton Art Gallery, West Midlands

Flowers of the Sea (colour litho)
5227866 Flowers of the Sea (colour litho) by Hill, James John (1811-82); Private Collection; (add.info.: Flowers of the Sea. Illustration for Peoples Magazine, 4 May 1867.); © Look and Learn

Children in an Orchard (oil on canvas)
474176 Children in an Orchard (oil on canvas) by MacGeorge, William Stewart (1861-1931); 64.2x54.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

What Are The Wild Waves Saying? (oil on canvas)
621350 What Are The Wild Waves Saying? (oil on canvas) by Nicholls, Charles Wynne (1831-1903); 55.8x78.7 cm; Private Collection; (add.info.: Florence and Paul Dombey)

The Sound of the Sea, 1879 (oil on panel)
700733 The Sound of the Sea, 1879 (oil on panel) by Gussow, Karl (1843-1907); Private Collection; Photo eChristies Images; German, out of copyright

Repairing the Doll, 1867 (oil on canvas)
6198150 Repairing the Doll, 1867 (oil on canvas) by Burr, Alexander Hohenlohe (1837-99); 197x146 cm; The McManus, Dundee, UK; (add.info)

The Sisters (oil on canvas)
CH137816 The Sisters (oil on canvas) by Stone, Frank (1800-59); 50.8x40.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

To the Fields I Carried Her Milking Pails, 1872 (oil on canvas)
6200879 To the Fields I Carried Her Milking Pails, 1872 (oil on canvas) by Pettie, John (1839-93); 112x147 cm; The McManus, Dundee

A Looking Out O Window (Sunshine) (oil on canvas)
5983989 A Looking Out O Window (Sunshine) (oil on canvas) by Alma-Tadema, Laura Theresa (nee Epps) (1852-1909); 61.5 x 39.5 cm; Private Collection; English, out of copyright

Sing A Song O Sixpence - mother with harp singing to her daughter (b / w photo)
6030167 Sing A Song O Sixpence - mother with harp singing to her daughter (b/w photo) by English Photographer, (20th century); Private Collection; (add.info)

A Boy with a Cat, Morning, 1787 (oil on canvas)
5667219 A Boy with a Cat, Morning, 1787 (oil on canvas) by Gainsborough, Thomas (1727-88); 150.5 x 120.7 cm; Metropolitan Museum of Art, New York

Farewell, 1855 (oil on canvas)
AKV406780 Farewell, 1855 (oil on canvas) by Spitzweg, Carl (1808-85); Schack Galerie, Munich, Germany; (add.info.: Der Abschied; ); eAckermann Kunstverlag; German, out of copyright

Boy watching ducks in the snow
LLM461869 Boy watching ducks in the snow by English School, (19th century); Private Collection; (add.info.: Boy watching ducks in the snow)

Three little dears
LLM461868 Three little dears by English School, (19th century); Private Collection; (add.info.: Three little dears. Illustration for Nisters Holiday Annual 1894.); © Look and Learn

Edwardian postcard
LLM460168 Edwardian postcard by English Photographer; Private Collection; (add.info.: Edwardian postcard featuring children.); © Look and Learn

A Story of Olden Times
LLM459825 A Story of Olden Times by Moran, Edward Percy (1862-1935); Private Collection; (add.info.: A Story of Olden Times)

Dreaming before the Old Fireplace
LLM459823 Dreaming before the Old Fireplace by Moran, Edward Percy (1862-1935); Private Collection; (add.info.: Dreaming before the Old Fireplace)

The Patriarch of the Orchard, 1861 (w / c and gouache on paper)
PNH367421 The Patriarch of the Orchard, 1861 (w/c and gouache on paper) by Palmer, Samuel (1805-81); 19.8x44.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

The New Puppies, 1861 (w / c on paper)
MIG170038 The New Puppies, 1861 (w/c on paper) by Hardy, David (1837-70); 25.4x24.1 cm; Private Collection; Manya Igel Fine Arts Ltd.; English, out of copyright

The Orange Seller (oil on canvas)
GG97632 The Orange Seller (oil on canvas) by Morgan, Frederick (1856-1927); 91.4x58.4 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

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"Sentimental: A Journey Through Time and Emotion" Step into the past with "The Great Sacrifice by James Clark, WW1, " a poignant reminder of the sacrifices made for freedom. The image of brave soldiers boarding a USA B-17 Bomber Aircraft in Salinas, California's cockpit fills our hearts with gratitude. In "Sharing Rations - The Troopers Christmas-Box, " we witness the power of compassion amidst war as soldiers find solace in simple gestures. Singing Auld Lang Syne brings back memories of cherished moments shared with loved ones, reminding us that even in times of turmoil, unity prevails. Travel to Galway Gossips c1887 (c1930) by Sir Ernest Albert Waterlow and immerse yourself in a world where whispers carry secrets and connections are forged through heartfelt conversations. In "Twixt Love and Duty, 1914, " love is tested against duty's call—a timeless struggle that resonates deeply within our souls. Experience the bittersweetness of "Christmas Day in the Workhouse" as those less fortunate find solace amidst hardship. The Evening Prayer captures a moment of quiet reflection when faith becomes an anchor during trying times. An ad for "Goodbye, Old Man by Matania, WW1" reminds us of the heart-wrenching farewells endured during wartime—each goodbye etched forever on our collective memory. Childhoods Treasures c1886 (c1930) by Marianne Stokes transports us to innocent days filled with wonder and joy—an escape from life's complexities. A Sentimental German wartime postcard evokes mixed emotions—nostalgia mingled with longing for peace amid conflict-ridden times. Finally, My Second Sermon invites introspection as we contemplate life's purpose beyond mere words spoken from pulpits. Through these sentimental glimpses into history and human experience, we are reminded that emotions transcend time and place.