Shakspeare Collection (page 10)

Coriolanus, Roslyn, NY, 1937. Creator: Unknown
Coriolanus, Roslyn, NY, 1937. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Coriolanus, Roslyn, NY, 1937. Creator: Unknown
Coriolanus, Roslyn, NY, 1937. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Coriolanus, Roslyn, NY, [1930s]. Creator: Unknown
Coriolanus, Roslyn, NY, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Corianolus, Roslyn, NY, [1930s]. Creator: Unknown
Corianolus, Roslyn, NY, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Coriolanus, Roslyn, 1937. Creator: Unknown
Coriolanus, Roslyn, 1937. Theatre of the Four Seasons - Roslyn [Long Island, New York] - New York State Federal Theatre Project Presenting A Repertory of Plays - Directed by Charles Hopkins - William

Coriolanus, Roslyn, [193-]. Creator: Unknown
Coriolanus, Roslyn, [193-]. Theatre of the Four Seasons - Roslyn [Long Island, New York] - New York State Federal Theatre Project Presents an Autumn Festival of Plays - Staged by Charles Hopkins

Le roi Lear et son fou pendant la tempête, 1836. Creator: Louis Candide Boulanger
Le roi Lear et son fou pendant la tempete, 1836. King Lear and his fool during the storm. King Lear, scene 2 of act III, the king sinks into madness. The rocky landscape echoes his torment

Twelfth Night, Jacksonville, FL, 1937. Creator: Unknown
Twelfth Night, Jacksonville, FL, 1937. Florida Federal Theatre Presents - "Twelfth Night" - Shakespeare...'. The Federal Theatre Project, created by the U.S

The Merry Wives of Windsor, Detroit, 1939. Creator: Unknown
The Merry Wives of Windsor, Detroit, 1939. Detroit Federal Theatre Presents - Shakespeare's - The Merry Wives of Windsor'. The Federal Theatre Project, created by the U.S

As You Like It, Chicago, 1939. Creator: Unknown
As You Like It, Chicago, 1939. Blackstone Theatre...Shakespeare's "As You Like It" - staged by Russell Spindler'. The Federal Theatre Project, created by the U.S

Coriolanus, Roslyn, NY, [1930s]. Creator: Unknown
Coriolanus, Roslyn, NY, [1930s]. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Macbeth, Boston, 1939. Creator: Unknown
Macbeth, Boston, 1939. Federal Theatre - Shakespeare's Macbeth Staged By Eliot Duvey - Copley Theatre...'. The Federal Theatre Project, created by the U.S

Macbeth, Boston, 1939. Creator: Unknown
Macbeth, Boston, 1939. Federal Theatre - Shakespeare's Macbeth Staged By Eliot Duvey - Copley Theatre...'. The Federal Theatre Project, created by the U.S

Poster from production of Shakespeare's Macbeth (no theater listed), [193-]. Creator: Unknown
Poster from production of Shakespeare's Macbeth (no theater listed), [193-]. The Federal Theatre Project, created by the U.S

Study, n.d. Creator: William Hamilton
Study, n.d. Scene from Shakespeare's Twelfth Night: Viola, dressed as a man, encounters Olivia, accompanied by Maria

Olivia and Viola, n.d. Creator: William Hamilton
Olivia and Viola, n.d. Scene from Shakespeare's Twelfth Night: Viola, dressed as a man, encounters Olivia, accompanied by Maria

Something to Look At, 1817. Creator: Unknown
Something to Look At, 1817....or The Return of the Embassy. "Il vaut mieux plier que rompre" [It's better to bend than to break], French proverb

Hamlet, Horatio, Marcellus and the Ghost, 1796. Creator: Robert Thew
Hamlet, Horatio, Marcellus and the Ghost, 1796. Scene from Shakespeare's Hamlet, Prince of Denmark, Act I, Scene IV, The Platform before the Palace of Elsineur: Hamlet

The Witches Appear to Macbeth and Banquo, 1798. Creator: James Caldwall
The Witches Appear to Macbeth and Banquo, 1798. Shakspeare, Macbeth, Act I, Scene III

The Fatal Bellman, 1827. Creator: George Richmond
The Fatal Bellman, 1827. It was the owl that shriek'd the fatal bell-man'; scene from Shakespeare's Macbeth. The hoot of an owl flying over one's house was an evil omen

Oberon and Titania, from A Midsummer Night's Dream, n.d. Creator: Charles Kirkpatrick Sharpe
Oberon and Titania, from A Midsummer Night's Dream, n.d

No More Peace 2, Roslyn, NY, 1937. Creator: Unknown
No More Peace 2, Roslyn, NY, 1937. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

'Isabella" one of Shakespeare's Heroines; after FWW Topham, R.I. 1890. Creator: Unknown
'Isabella" one of Shakespeare's Heroines; after FWW Topham, R.I. 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890

The Infant Shakespeare Nursed by Comedy and Tragedy, 1783. Creator: George Romney
The Infant Shakespeare Nursed by Comedy and Tragedy, 1783

A Study of Miranda for "The Tempest", c. 1786. Creator: George Romney
A Study of Miranda for "The Tempest", c. 1786

A Performance of "Hamlet" by Deaf and Dumb Actors, 1886. Creator: Unknown
A Performance of "Hamlet" by Deaf and Dumb Actors, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

Streamline Shakespeare, [193-]. Creator: Unknown
Streamline Shakespeare, [193-]. "Streamline Shakespeare"...Roosevelt High School Auditorium'. The Federal Theatre Project, created by the U.S

Ophelia, between 1894 and 1895. Creator: Paul Albert Steck
Ophelia, between 1894 and 1895

"Shylock and Jessica" - drawn by John Gilbert, 1854. Creator: Unknown
"Shylock and Jessica" - drawn by John Gilbert, 1854. Mr. Gilbert has selected for Illustration a scene from Shakspeare's charming; play of "The Merchant of Venice." It

David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1), 1761. Creator: James McArdell
David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1), 1761

Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1), 1761. Creator: James McArdell
Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1), 1761

Figure holding a sword with their back hunched (after one of Boydell's Shakespear... ca. 1800-1899. Creator: Anon)
Figure holding a sword with their back hunched (after one of Boydell's Shakespeare), ca. 1800-1899

Scene from A Winter's Tale, n.d. Creator: Charles Robert Leslie
Scene from A Winter's Tale, n.d

Scene from "The Merry Wives of Windsor; or, Harlequin and Sir John Falstaff, 1850. Creator: Unknown
Scene from "The Merry Wives of Windsor; or, Harlequin and Sir John Falstaff, [Surrey Theatre, London], 1850....the never-to-be forgotten incident of the buck-basket

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau
Therefore be merry, Cassio, plate six from Othello, 1844

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau
Away!, plate seven from Othello, 1844

Therefore be Merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau
Therefore be Merry, Cassio, plate six from Othello, 1844

O My Fair Warrior!, plate five from Othello, 1844. Creator: Theodore Chasseriau
O My Fair Warrior!, plate five from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Away!, plate seven from Othello, 1844. Creator: Theodore Chasseriau
Away!, plate seven from Othello, 1844

The Willow Song, plate nine from Othello, 1844. Creator: Theodore Chasseriau
The Willow Song, plate nine from Othello, 1844

She Thank'd Me, plate two from Othello, 1844. Creator: Theodore Chasseriau
She Thank'd Me, plate two from Othello, 1844

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"Exploring the Timeless World of Shakespeare: A Captivating Journey through Engravings, Lithographs, and Chromolithos" Immerse yourself in the enchanting world of Shakespeare as we delve into a captivating collection of artistic masterpieces. From elephants roaming the streets of Stratford-on-Avon to the tragic demise of Mark Antony, each artwork unveils a different facet of Shakespeare's genius. In "Much Ado About Nothing, " Act IV, Scene 2, witness the lithograph that brings to life the witty banter between Beatrice and Benedick. The vibrant colors transport us to a world where love conquers all amidst delightful misunderstandings. Titania and the Clown dance across a chromolitho canvas in "A Midsummer Night's Dream, " Act 4, Scene This whimsical portrayal captures the magic and mischief that unfold under moonlit skies within Shakespeare's beloved comedy. Step into Clapham Theater with an engraving showcasing "The Taming of the Shrew. " Music intertwines with discord as Petruchio tames Katherine in this iconic scene. The intensity is palpable as their fiery personalities clash on stage. Marvel at an ink-on-paper illustration from King Lear, Act 2 Scene III (1926), where nature becomes both backdrop and character. The intricate details reveal William Shakespeare's ability to weave tragedy into every aspect of his plays. Gaze upon an oil on canvas depiction from "The Merchant of Venice" (1892) that encapsulates Shylock's complex character. With brushstrokes conveying anguish and resilience simultaneously, it reminds us why this play continues to provoke discussions about justice and prejudice. Travel back in time with Lyubov Sergeyevna Popova's costume design for "Romeo et Juliette. " This stunning piece showcases her interpretation of Verona’s star-crossed lovers' attire while paying homage to Shakespeare’s timeless tale.