Shakspeare Collection (page 58)

Cover From The Illustrated Library Shakspeare, Published London 1890

John Henderson, in the Character of Iago (Shakespeares Othello), 1786. 1786
John Henderson, in the Character of Iago (Shakespeares Othello), 1786

Honest Iago, my Desdemona must I leave to thee: plate 4 from Othello (Act 1, Scene 3), etched 1844, reprinted 1900

Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

Temperance. -The Man: "Here is that which is too weak to be a sinner-honest
Temperance.- The Man: " Here is that which is too weak to be a sinner, honest Water" - Shakespeare, 1843

Have you pray d tonight, Dedesmona?: plate 12 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900

She thank d me: plate 2 from Othello (Act 1, Scene 3), 1844. Creator: Theodore Chasseriau
She thank d me: plate 2 from Othello (Act 1, Scene 3), 1844

Off, off, you lendings-Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793
Off, off, you lendings - Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793

Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), first published 1795; reissued 1852

William Shakespeare (formerly known as), ca. 1770. Creator: Richard Earlom
William Shakespeare (formerly known as), ca. 1770. [Portrait of an Unknown Gentleman, possibly Thomas Overbury, based on a painting once attributed to Cornelius Johnson (or Janssen)

Prince Arthur and Hubert (Shakespeare, King John, Act 4, Scene 1), 1823-24

William Shakespeare, 1876. Creator: Charles William Sherborn
William Shakespeare, 1876

Edmund Kean as Richard III, ca. 1814. ca. 1814. Creator: George Cruikshank
Edmund Kean as Richard III, ca. 1814

I am shepherd to another man. As You Like It. SHAKSPEARE ON AN AUSTRALIAN SHEEP-RUN

Source Size = 1277 x 2340
Garricks Shakspeare Chair, Designed by Hogarth

Source Size = 3361 x 2733
Mr. Charles Kemble Reading Shakspeare before her Majesty, at Buckingham Palace

Shakspeare - Midsummer Nights Dream Act IV Scene I, William
Shakspeare sic - Midsummer Nights Dream Act IV Scene I--A wood - Titiania i.e. Titania, queen of the fairies, Bottom, fairies attending & etc. /. Date 1796 Sept. 29

Shakspeare and his friends

Shakspeare - Tempest, act 1, scene 1. Print showing the storm and shipwreck at the beginning of Shakespeares play Tempest; Prospero

Shakspeare. Merry Wives of Windsor. Act IV. scene II

Shakspeare, Antony and Cleopatra

Shakspeare. King Henry the Sixth. Act II. Scene III

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"Exploring the Timeless World of Shakespeare: A Captivating Journey through Engravings, Lithographs, and Chromolithos" Immerse yourself in the enchanting world of Shakespeare as we delve into a captivating collection of artistic masterpieces. From elephants roaming the streets of Stratford-on-Avon to the tragic demise of Mark Antony, each artwork unveils a different facet of Shakespeare's genius. In "Much Ado About Nothing, " Act IV, Scene 2, witness the lithograph that brings to life the witty banter between Beatrice and Benedick. The vibrant colors transport us to a world where love conquers all amidst delightful misunderstandings. Titania and the Clown dance across a chromolitho canvas in "A Midsummer Night's Dream, " Act 4, Scene This whimsical portrayal captures the magic and mischief that unfold under moonlit skies within Shakespeare's beloved comedy. Step into Clapham Theater with an engraving showcasing "The Taming of the Shrew. " Music intertwines with discord as Petruchio tames Katherine in this iconic scene. The intensity is palpable as their fiery personalities clash on stage. Marvel at an ink-on-paper illustration from King Lear, Act 2 Scene III (1926), where nature becomes both backdrop and character. The intricate details reveal William Shakespeare's ability to weave tragedy into every aspect of his plays. Gaze upon an oil on canvas depiction from "The Merchant of Venice" (1892) that encapsulates Shylock's complex character. With brushstrokes conveying anguish and resilience simultaneously, it reminds us why this play continues to provoke discussions about justice and prejudice. Travel back in time with Lyubov Sergeyevna Popova's costume design for "Romeo et Juliette. " This stunning piece showcases her interpretation of Verona’s star-crossed lovers' attire while paying homage to Shakespeare’s timeless tale.