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Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900


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Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

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Media ID 20380155

© Heritage Art/Heritage Images

Betrayal Betrayer Betraying Chasseriau Chasseriau Theodore Dagger Dramatic Fight Hose Iago Moor Of Venice Othello Second Edition Gazette Des Beaux Arts Shakespeare Shakespeare William Shakspeare Stabbing Swordfight Swordfighting Swordsman The Moor Of Venice Theodore Théodore Chassériau Tights Traitor Treason William Shakespeare Aquatint Blade Cassio Roderigo


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EDITORS COMMENTS
Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched in 1844 and reprinted in 1900, captures the intense climax of Shakespeare's tragic play. Created by French artist Theodore Chasseriau, this print showcases his mastery of engraving and aquatint techniques on chine colle. In this gripping scene, we witness the ultimate betrayal as Iago plunges a dagger into Roderigo's chest. The drama unfolds against a backdrop of war-torn Venice, with its iconic architecture faintly visible. Chasseriau skillfully portrays the tension between light and shadow to heighten the sense of impending doom. The characters' clothing reflects their roles and status - Roderigo dons elaborate attire while Iago appears more rugged in his battle-worn garments. Their fierce swordfighting poses reveal their determination to settle their differences through violence. Chasseriau's attention to detail is evident in every stroke; from the intricate folds of fabric to the expressions etched onto each face. This second edition print was featured in Gazette des Beaux Arts, showcasing its significance within artistic circles during that time. Now housed at The Metropolitan Museum of Art, this artwork continues to captivate viewers with its portrayal of treachery and tragedy. It serves as a powerful reminder of Shakespeare's enduring influence on literature and art across centuries.

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