Signifying Collection

Dante, 1919 (oil on canvas)
659129 Dante, 1919 (oil on canvas) by Delville, Jean (1867-1953); 142.2x177.8 cm; Private Collection; (add.info.: Dante. Jean Delville (1867-1953). Oil on canvas. Signed and dated 1919

La Porte Close
A lithograph of a girl kneeling on the floor against a closed door, possibly signifying that she has been rejected or defeated in some way. Date: circa 1921

The Childhood of Saint Genevieve, 1874 (oil on canvas)
987347 The Childhood of Saint Genevieve, 1874 (oil on canvas) by Puvis de Chavannes, Pierre (1824-98); 52x102.3 cm; Private Collection; (add.info)

L Homme de Cour dans le Parc, (oil on canvas)
985639 L Homme de Cour dans le Parc, (oil on canvas) by Guirand de Scevola, Lucien (1871-1950); 162x112.1 cm; Private Collection; (add.info.: L Homme de Cour dans le Parc)

Eisige Lenzprachte, 1915 (pencil and bodycolour)
653000 Eisige Lenzprachte, 1915 (pencil and bodycolour) by Fidus (Hugo Hoppener) (1868-1948); 40.7x40.7 cm; Private Collection; (add.info.: Eisige Lenzprachte. Fidus (Hugo Hoppener) (1868-1948)

Repose
1764672 Repose by Alexander, John White (1856-1915); Private Collection; (add.info.: Repose. John White Alexander (1856-1915). Oil on canvas

The Nightmare, 1881 (charcoal on paper)
1196595 The Nightmare, 1881 (charcoal on paper) by Redon, Odilon (1840-1916); 45.9x36.4 cm; Private Collection; Photo eChristies Images; French, out of copyright

Reclining Nudes; Aufgestutzt Liegende, links Wiederholung
1196485 Reclining Nudes; Aufgestutzt Liegende, links Wiederholung, 1913 (blue and red pencil on simili Japan paper) by Klimt

L Apparition (charcoal on paper)
1768085 L Apparition (charcoal on paper) by Redon, Odilon (1840-1916); 44.5x33 cm; Private Collection; (add.info.: L Apparition. Odilon Redon (1840-1916). Charcoal on paper

Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version)
1197711 Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version), 1898 (colour lithograph) by Klimt

Portrait of Mary in Greek Costume, 1910 (pencil and chalk on cardboard)
1197545 Portrait of Mary in Greek Costume, 1910 (pencil and chalk on cardboard) by Stuck, Franz von (1863-1928); 60x53.5 cm; Private Collection; Photo eChristies Images; German, out of copyright

Girls Reading, (oil on canvas)
989531 Girls Reading, (oil on canvas) by Carriere, Eugene (1849-1906); 64.8x91.5 cm; Private Collection; (add.info.: Girls Reading. Eugene Carriere (1849-1906). Oil on canvas

Saint George and the Dragon, 1909-1910 (oil on panel)
988905 Saint George and the Dragon, 1909-1910 (oil on panel) by Redon, Odilon (1840-1916); 48x38.8 cm; Private Collection; (add.info.: Saint George and the Dragon; Saint Georges et le Dragon)

The Sermon, (oil on panel)
988901 The Sermon, (oil on panel) by Redon, Odilon (1840-1916); 39x16.5 cm; Private Collection; (add.info.: The Sermon; La Predication. Odilon Redon (1840-1916). Oil on panel

Portrait of Genevieve de Gonet as a child, 1907 (pastel on paper)
988900 Portrait of Genevieve de Gonet as a child, 1907 (pastel on paper) by Redon, Odilon (1840-1916); 50.2x45.7 cm; Private Collection; (add.info)

Violette Heymann, c. 1910 (oil on canvas)
988843 Violette Heymann, c.1910 (oil on canvas) by Redon, Odilon (1840-1916); 30.2x22.2 cm; Private Collection; (add.info.: Violette Heymann. Odilon Redon (1840-1916). Oil on canvas

The Fisherwoman, 1900 (pastel on paper)
988816 The Fisherwoman, 1900 (pastel on paper) by Redon, Odilon (1840-1916); 61x44.5 cm; Private Collection; (add.info.: The Fisherwoman; La Pecheuse. Odilon Redon (1840-1916). Pastel on paper

Susanna and the Elders, c. 1895 (oil on canvas)
987535 Susanna and the Elders, c.1895 (oil on canvas) by Moreau, Gustave (1826-98); 81x64.8 cm; Private Collection; (add.info.: Susanna and the Elders; Suzanne et les Vieillards)

The Death of Ophelia; La Mort d Ophelie, (oil on canvas)
826387 The Death of Ophelia; La Mort d Ophelie, (oil on canvas) by Redon, Odilon (1840-1916); 30x40 cm; Private Collection; (add.info.: The Death of Ophelia; La Mort d Ophelie)

An Edelzinn eight piece pewter liquor set, 1865 (pewter)
985588 An Edelzinn eight piece pewter liquor set, 1865 (pewter) by Olbrich, Joseph Maria (1867-1908); Private Collection; (add.info.: An Edelzinn eight piece pewter liquor set)

Lifes Guardian (Mural Project), (coloured crayons on paper)
985529 Lifes Guardian (Mural Project), (coloured crayons on paper) by Toorop, Jan Theodore (1858-1928); 140x216 cm; Private Collection; (add.info)

A large Emile Diffloth glazed earthenware charger, depicting a Golden Pheasant
985523 A large Emile Diffloth glazed earthenware charger, depicting a Golden Pheasant, (painted and glazed earthenware) by Carriere

Venus Rising from the Sea; Venus Sortant de l Onde, 1866 (oil on panel)
658607 Venus Rising from the Sea; Venus Sortant de l Onde, 1866 (oil on panel) by Moreau, Gustave (1826-98); 56x46 cm; Private Collection; (add.info)

Mother and Child, (oil on canvas)
659061 Mother and Child, (oil on canvas) by List, Wilhelm (1864-1918); 90.5x55 cm; Private Collection; (add.info.: Mother and Child. Wilhelm List (1864-1918). Oil on canvas

Portrait of a Lady wearing a Feather Hat, 1910 (pastel on board)
658544 Portrait of a Lady wearing a Feather Hat, 1910 (pastel on board) by Stuck, Franz von (1863-1928); 90.2x52 cm; Private Collection; (add.info.: Portrait of a Lady wearing a Feather Hat)

Three Women in the Vineyard; Drei Frauen im Weinberg, 1912 (oil on canvas)
824433 Three Women in the Vineyard; Drei Frauen im Weinberg, 1912 (oil on canvas) by Klinger, Max (1857-1920); 187x167 cm; Private Collection; (add.info)

Landscape; Paysage, 1917 (gouache on board)
653497 Landscape; Paysage, 1917 (gouache on board) by Montald, Constant (1862-1944); 72.4x90.5 cm; Private Collection; (add.info.: Landscape; Paysage. Constant Montald (1862-1944). Gouache on board

The Sweepers; Les Balayeuses, (thinned oil, pen and ink on board)
652955 The Sweepers; Les Balayeuses, (thinned oil, pen and ink on board) by Mellery, Xavier (1845-1921); 54.3x80.7 cm; Private Collection; (add.info.: The Sweepers; Les Balayeuses)

Saint Georges, c. 1905 (pastel on paper mounted on board)
652729 Saint Georges, c. 1905 (pastel on paper mounted on board) by Redon, Odilon (1840-1916); 53.6x37.5 cm; Private Collection; (add.info.: Saint Georges. Odilon Redon (1840-1916)

Nun with Two Cats, (pen and ink and charcoal on paper)
651501 Nun with Two Cats, (pen and ink and charcoal on paper) by Mellery, Xavier (1845-1921); 29.5x22.5 cm; Private Collection; (add.info.: Nun with Two Cats. Xavier Mellery (1845-1921)

Oedipus and the Sphinx; Oedipe et le Sphinx, (black chalk, pen and ink)
827625 Oedipus and the Sphinx; Oedipe et le Sphinx, (black chalk, pen and ink) by Moreau, Gustave (1826-98); 25.2x16.5 cm; Private Collection; (add.info.: Oedipus and the Sphinx; Oedipe et le Sphinx)

The Centaur; Le Centaure, c. 1910 (oil on panel)
825300 The Centaur; Le Centaure, c.1910 (oil on panel) by Redon, Odilon (1840-1916); 30.2x27 cm; Private Collection; (add.info.: The Centaur; Le Centaure. Odilon Redon (1840-1916). Oil on panel

A mantel clock, 1899 (mahogany, fruitwood, brass)
985594 A mantel clock, 1899 (mahogany, fruitwood, brass) by Olbrich, Joseph Maria (1867-1908); 50.7 (height) cm; Private Collection; (add.info)

An advertising poster for Delft Salad Oil, 1894 (colour lithograph)
1197706 An advertising poster for Delft Salad Oil, 1894 (colour lithograph) by Toorop, Jan Theodore (1858-1928); 94x64 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Spring Love; Liebesfrshling, 1917 (oil on canvas)
1197544 Spring Love; Liebesfrshling, 1917 (oil on canvas) by Stuck, Franz von (1863-1928); 106.3x116.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Des Caresses, (coloured crayons heightened with white on grey paper)
653540 Des Caresses, (coloured crayons heightened with white on grey paper) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: Des Caresses. Fernand Khnopff (1858-1921)

Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c
825457 Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c.1894 (black chalk, pen and black ink on paper) by Klimt

Vase of Poppies; Vase de Coquelicots, 1905-09 (oil on canvas)
825259 Vase of Poppies; Vase de Coquelicots, 1905-09 (oil on canvas) by Redon, Odilon (1840-1916); 54.5x65.5 cm; Private Collection; (add.info.: Vase of Poppies; Vase de Coquelicots)

Motherhood, (oil on canvas)
989463 Motherhood, (oil on canvas) by Carriere, Eugene (1849-1906); 62.2x50.5 cm; Private Collection; (add.info.: Motherhood. Eugene Carriere (1849-1906). Oil on canvas

Geranium, (pastel on paper mounted at the edges on board)
988699 Geranium, (pastel on paper mounted at the edges on board) by Redon, Odilon (1840-1916); 48.2x41.2 cm; Private Collection; (add.info.: Geranium. Odilon Redon (1840-1916)

Study of a Female Nude, c. 1908-1909 (pencil on buff paper)
1769065 Study of a Female Nude, c.1908-1909 (pencil on buff paper) by Klimt, Gustav (1862-1918); 55.2x36.8 cm; Private Collection; (add.info.: Study of a Female Nude. Gustav Klimt (1862-1918)

Seated to the Left, the Upper Body Leaning Forward; Sitzend nach links
1768302 Seated to the Left, the Upper Body Leaning Forward; Sitzend nach links, den Oberkorper nach vorne, die Linke aufgestutzt, 1904-1905 (pencil on buff paper) by Klimt

Anemones (pastel on paper)
1767977 Anemones (pastel on paper) by Redon, Odilon (1840-1916); 61x77 cm; Private Collection; (add.info.: Anemones. Odilon Redon (1840-1916). Pastel on paper

A Self-portrait, 1923 (oil on board)
1197561 A Self-portrait, 1923 (oil on board) by Stuck, Franz von (1863-1928); 38.1x24.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Helen Glorified, 1896 (w / c, gouache and shell gold on paper)
1197560 Helen Glorified, 1896 (w/c, gouache and shell gold on paper) by Moreau, Gustave (1826-98); 30.5x23.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Amazon on Horseback, (bronze with brown patina, grey granite plinth)
1197547 Amazon on Horseback, (bronze with brown patina, grey granite plinth) by Stuck, Franz von (1863-1928); Private Collection; Photo eChristies Images; German, out of copyright

Romerin, (oil on board)
658948 Romerin, (oil on board) by Stuck, Franz von (1863-1928); 35.5x34.4 cm; Private Collection; (add.info.: Romerin. Franz von Stuck (1863-1928). Oil on board

Portrait of the Artists Daughter, Mary, (pastel)
658775 Portrait of the Artists Daughter, Mary, (pastel) by Stuck, Franz von (1863-1928); 52x43.5 cm; Private Collection; (add.info.: Portrait of the Artists Daughter, Mary)

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"Signifying: Unveiling the Symbolic Language of Art" In the vast realm of art, a powerful tool that transcends time and space. Just like Alexander the Great, King of Macedon, who left an indelible mark on history through his conquests, artists have used their creations to signify ideas and emotions. Take for instance La Porte Close, a painting that invites us to ponder what lies beyond closed doors. It symbolizes curiosity and the human desire to explore the unknown. Similarly, in The Childhood of Saint Genevieve, we witness how art can signify spirituality and devotion. Moving from canvas to paper, Nude Man; Nackter Man Nach Links captures vulnerability with its delicate pencil strokes. L'Homme de Cour dans le Parc signifies elegance and refinement through its oil-on-canvas portrayal of courtly life. Artists often employ signifying techniques to evoke specific moods or atmospheres. Eisige Lenzprachte combines pencil and bodycolor to depict icy winter splendor while Repose exudes tranquility through its serene composition. However, not all signs are pleasant or comforting. The Nightmare delves into our subconscious fears with charcoal on paper as its medium. Meanwhile Reclining Nudes; Aufgestutzt Liegende challenges societal norms by presenting reclining figures in unconventional poses. Sometimes signs manifest as apparitions that haunt our thoughts. L'Apparition's charcoal on paper technique creates an ethereal presence that lingers long after viewing it. Finally, Poppies in Green Vase; Coquelicots dans un vase vert showcases how colors can be significant symbols themselves - vibrant red poppies against a green backdrop representing vitality amidst nature's beauty. Through these diverse artworks spanning different mediums and styles emerges a common thread - signification allows artists to communicate complex ideas without uttering a single word.