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Skin Collection (page 6)

"Skin: A Canvas of Diversity and Resilience" Our skin, like a ballerina's back, gracefully embraces our bodies with its delicate yet strong presence

Background imageSkin Collection: The Month of Bhadon (August-September), Folio from a Barahmasa... between c1700 and c1725

The Month of Bhadon (August-September), Folio from a Barahmasa... between c1700 and c1725. Creator: Unknown
The Month of Bhadon (August-September), Folio from a Barahmasa (The Twelve Months), between c1700 and c1725

Background imageSkin Collection: The Reversal of Roles, Episodes from the Krishna Lila (The Play of Krishna)... c1725

The Reversal of Roles, Episodes from the Krishna Lila (The Play of Krishna)... c1725. Creator: Unknown
The Reversal of Roles, Episodes from the Krishna Lila (The Play of Krishna), Folio from a Sur Sagar (The Ocean of Sur Das) (image 2 of 11), c1725

Background imageSkin Collection: Krishna and Balarama Arrive in the Forest, Folio from a Bhagavata Purana

Krishna and Balarama Arrive in the Forest, Folio from a Bhagavata Purana... between c1800 and c1825 Creator: Unknown
Krishna and Balarama Arrive in the Forest, Folio from a Bhagavata Purana (Ancient Stories of the Lord), between c1800 and c1825

Background imageSkin Collection: Vasanta Ragini, Second Wife of Dipak Raga, Folio from a Ragamala... between c1675 and c1700

Vasanta Ragini, Second Wife of Dipak Raga, Folio from a Ragamala... between c1675 and c1700. Creator: Unknown
Vasanta Ragini, Second Wife of Dipak Raga, Folio from a Ragamala (Garland of Melodies), between c1675 and c1700

Background imageSkin Collection: Episodes in the Panchavati Forest, Folio from a Ramayana (Adventures of Rama)

Episodes in the Panchavati Forest, Folio from a Ramayana (Adventures of Rama), between 1775 and 1800 Creator: Unknown
Episodes in the Panchavati Forest, Folio from a Ramayana (Adventures of Rama), between 1775 and 1800

Background imageSkin Collection: Portrait of Jane Breckenridge, 1830-1878. Creator: Alfred Jacob Miller

Portrait of Jane Breckenridge, 1830-1878. Creator: Alfred Jacob Miller
Portrait of Jane Breckenridge, 1830-1878

Background imageSkin Collection: Radha and Krishna Exchange Clothes, c1800. Creator: Unknown

Radha and Krishna Exchange Clothes, c1800. Creator: Unknown
Radha and Krishna Exchange Clothes, c1800

Background imageSkin Collection: Nimf, 1886. Creator: L Nicolas

Nimf, 1886. Creator: L Nicolas
Nimf, 1886

Background imageSkin Collection: Krishna with Radha and the Gopis of Braj, between c1825 and c1850. Creator: Unknown

Krishna with Radha and the Gopis of Braj, between c1825 and c1850. Creator: Unknown
Krishna with Radha and the Gopis of Braj, between c1825 and c1850

Background imageSkin Collection: Rama Kills Vali, Folio from the 'Impey' Ramayana (Adventures of Rama), between c1770 and c1775

Rama Kills Vali, Folio from the "Impey" Ramayana (Adventures of Rama), between c1770 and c1775

Background imageSkin Collection: Krishna and Balarama Conversing, Folio from a Bhagavata Purana (Ancient Stories of the Lord)

Krishna and Balarama Conversing, Folio from a Bhagavata Purana (Ancient Stories of the Lord), c1600. Creator: Unknown
Krishna and Balarama Conversing, Folio from a Bhagavata Purana (Ancient Stories of the Lord), c1600

Background imageSkin Collection: The Goddess Kalika, c1575. Creator: Unknown

The Goddess Kalika, c1575. Creator: Unknown
The Goddess Kalika, c1575

Background imageSkin Collection: Balarama with Consort, Late 19th century. Creator: Unknown

Balarama with Consort, Late 19th century. Creator: Unknown
Balarama with Consort, Late 19th century

Background imageSkin Collection: Nude woman taking a bath, 1870-1923. Creator: Willem Witsen

Nude woman taking a bath, 1870-1923. Creator: Willem Witsen
Nude woman taking a bath, 1870-1923

Background imageSkin Collection: Boannona or wild serikaja, 1785. Creator: Jan Brandes

Boannona or wild serikaja, 1785. Creator: Jan Brandes
Boannona or wild serikaja, 1785. Annonae reticulatae fructus - Boa nonna'. Custard apple. Part of Jan Brandes sketchbook, dl. 1 (1808), p. 55

Background imageSkin Collection: Durian, 1784. Creator: Jan Brandes

Durian, 1784. Creator: Jan Brandes
Durian, 1784. Stone and fruit with section removed. With inscription. Part of Jan Brandes sketchbook, dl. 1 (1808), p. 129

Background imageSkin Collection: Lovers, 1650-1660. Creator: Jacob van Loo

Lovers, 1650-1660. Creator: Jacob van Loo
Lovers, 1650-1660

Background imageSkin Collection: Allegory of the death of Voltaire, 1778-1780. Creator: Gabriel de Saint-Aubin

Allegory of the death of Voltaire, 1778-1780. Creator: Gabriel de Saint-Aubin
Allegory of the death of Voltaire, 1778-1780. A nymph on a scallop shell pours water over a swan, symbolizing poetic inspiration. In the background, the poet Voltaire is crowned by death

Background imageSkin Collection: Farmer from Laren, North Holland, 1902. Creator: Martinus van Regteren Altena

Farmer from Laren, North Holland, 1902. Creator: Martinus van Regteren Altena
Farmer from Laren, North Holland, 1902

Background imageSkin Collection: Achelous Defeated by Hercules, The Origin of the Cornucopia. (Allegory of Fruitfulness), 1649

Achelous Defeated by Hercules, The Origin of the Cornucopia. (Allegory of Fruitfulness), 1649. Creator: Jacob Jordaens
Achelous Defeated by Hercules. The Origin of the Cornucopia. (Allegory of Fruitfulness), 1649

Background imageSkin Collection: Portrait of Petronella Kettingh (1632-1707), Wife of Diederik van Hogendorp, c.1690

Portrait of Petronella Kettingh (1632-1707), Wife of Diederik van Hogendorp, c.1690. Creator: Unknown
Portrait of Petronella Kettingh (1632-1707), Wife of Diederik van Hogendorp, c.1690

Background imageSkin Collection: The Poultry Seller, 1733. Creator: Willem van Mieris

The Poultry Seller, 1733. Creator: Willem van Mieris
The Poultry Seller, 1733. The shopkeeper points to a dead rabbit as his customer places coins on the windowsill next to a rabbit fur

Background imageSkin Collection: Illingsworth, Miss, portrait photograph, between 1917 and 1919. Creator: Arnold Genthe

Illingsworth, Miss, portrait photograph, between 1917 and 1919. Creator: Arnold Genthe
Illingsworth, Miss, portrait photograph, between 1917 and 1919

Background imageSkin Collection: The First of September, Evening, published 1796. Creator: William Ward

The First of September, Evening, published 1796. Creator: William Ward
The First of September, Evening, published 1796

Background imageSkin Collection: The First of September, Evening, published 1794. Creator: William Ward

The First of September, Evening, published 1794. Creator: William Ward
The First of September, Evening, published 1794

Background imageSkin Collection: Three Gringos in Central America and Venezuela by Richard Harding Davis Illustrated... c1896

Three Gringos in Central America and Venezuela by Richard Harding Davis Illustrated... c1896. Creator: Edward Penfield
Three Gringos in Central America and Venezuela by Richard Harding Davis Illustrated Harper & Brothers. N. Y. c1896. [Publisher: Harper Publications; Place: New York]

Background imageSkin Collection: Rêverie, between 1904 and 1905. Creator: Jean Jacques Henner

Rêverie, between 1904 and 1905. Creator: Jean Jacques Henner
Reverie, between 1904 and 1905

Background imageSkin Collection: Christ au tombeau, c.1899. Creator: Jean Jacques Henner

Christ au tombeau, c.1899. Creator: Jean Jacques Henner
Christ au tombeau, c.1899

Background imageSkin Collection: Christ en croix, between 1889 and 1892. Creator: Jean Jacques Henner

Christ en croix, between 1889 and 1892. Creator: Jean Jacques Henner
Christ en croix, between 1889 and 1892

Background imageSkin Collection: Sara la baigneuse, 1903. Creator: Jean Jacques Henner

Sara la baigneuse, 1903. Creator: Jean Jacques Henner
Sara la baigneuse, 1903

Background imageSkin Collection: Ceremonial Apron, 1935/1942. Creator: Mary Berner

Ceremonial Apron, 1935/1942. Creator: Mary Berner
Ceremonial Apron, 1935/1942

Background imageSkin Collection: Hide Robes, 1935. Creator: Mary Berner

Hide Robes, 1935. Creator: Mary Berner
Hide Robes, 1935

Background imageSkin Collection: Putto holding parchment. Decorative painting, between 1801 and 1900. Creator: Unknown

Putto holding parchment. Decorative painting, between 1801 and 1900. Creator: Unknown
Putto holding parchment. Decorative painting, between 1801 and 1900

Background imageSkin Collection: Roben Falls at Oyama in Sagami Province (Soshu Oyama Roben no taki), from the series... c. 1833

Roben Falls at Oyama in Sagami Province (Soshu Oyama Roben no taki), from the series... c. 1833. Creator: Hokusai
Roben Falls at Oyama in Sagami Province (Soshu Oyama Roben no taki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)", Japan, c. 1833

Background imageSkin Collection: The Actors Nakajima Mihoemon II as Aramaki Mimishiro (right), Matsumoto Koshiro II as... c. 1772

The Actors Nakajima Mihoemon II as Aramaki Mimishiro (right), Matsumoto Koshiro II as... c. 1772. Creator: Shunsho
The Actors Nakajima Mihoemon II as Aramaki Mimishiro (right), Matsumoto Koshiro II as Otomo no Yamanushi (center), and Ichikawa Danzo III as Hannya no Goro (left)

Background imageSkin Collection: Wrathful Form of the Goddess Saraswati (Magzor Gyalmo) or Palden Llamo, 20th century

Wrathful Form of the Goddess Saraswati (Magzor Gyalmo) or Palden Llamo, 20th century. Creator: Unknown
Wrathful Form of the Goddess Saraswati (Magzor Gyalmo) or Palden Llamo, 20th century. Detail from a larger artwork

Background imageSkin Collection: Shimada, from the series 'Fifty-three Stations [of the Tokaido] (Gojusan tsugi), ' also... 1852

Shimada, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also... 1852
Shimada, from the series "Fifty-three Stations [of the Tokaido] (Gojusan tsugi), " also known as the Figure Tokaido (Jinbutsu Tokaido), 1852

Background imageSkin Collection: Deer Skin Coat, c. 1938. Creator: Adele Brooks

Deer Skin Coat, c. 1938. Creator: Adele Brooks
Deer Skin Coat, c. 1938

Background imageSkin Collection: Neutralia, 1915. Creator: Edvard Munch

Neutralia, 1915. Creator: Edvard Munch
Neutralia, 1915

Background imageSkin Collection: Study N°7 | Epidermis

Study N°7 | Epidermis
Thoth Adan

Background imageSkin Collection: a creature of fire and smoke

a creature of fire and smoke
Christine von Diepenbroek

Background imageSkin Collection: Meagan on Black

Meagan on Black
AndyD10

Background imageSkin Collection: Close up photo of albino iguana

Close up photo of albino iguana
Dikky Oesin

Background imageSkin Collection: Golden Girl

Golden Girl
Jan Slotboom

Background imageSkin Collection: Pale Redhead

Pale Redhead
Jan Slotboom

Background imageSkin Collection: Olive

Olive
Jan Slotboom

Background imageSkin Collection: SENSUSAL BEAUTY [Petra J]

SENSUSAL BEAUTY [Petra J]
Martin Krystynek MQEP

Background imageSkin Collection: August Strindberg's hand with the inscription 'Photographie aufgenommen im Hôpital Saint... 1895

August Strindberg's hand with the inscription "Photographie aufgenommen im Hôpital Saint... 1895
August Strindberg's hand with the inscription "Photographie aufgenommen im Hopital Saint-Louis, Paris", 1895



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"Skin: A Canvas of Diversity and Resilience" Our skin, like a ballerina's back, gracefully embraces our bodies with its delicate yet strong presence. It tells the story of our journey through life, bearing witness to every scar and mark that shapes us. Just as a nude man stands vulnerable and exposed, our skin acts as a shield against the outside world. It protects us from harsh elements while allowing us to feel the gentle touch of love and warmth. Even animals possess fascinating skin adaptations. Take the Shar Pei puppy on an ironing board; its wrinkled folds symbolize uniqueness and remind us that beauty comes in all forms. From a man's body to naked mole rats surviving in dry areas of North East Africa, our skin adapts to different environments, and is both resilient and adaptable, reflecting nature's ability to thrive even in challenging circumstances. The ostrich legs & feet showcase how diverse species have evolved their own unique coverings. Just like Native American Indian buffalo hunters under the White Wolf Ski, we too rely on our skin for survival - protecting ourselves from harm while embracing traditions passed down through generations. Witnessing creatures such as tarantulas leaving their moulting or observing Sphynx cats at pet shows reminds us that beneath the surface lies vulnerability waiting to shed old layers for growth and renewal. Whether it be a dog's brush coat or microscopic details captured by SEM imaging of Culex mosquitoes, each glimpse into different skins reveals intricate patterns designed by nature itself. In this vast tapestry of life, let us celebrate "skin" not just as an outer covering but also as a testament to resilience, diversity, adaptation - reminding us that we are all beautifully connected through this common thread called humanity.