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Skin Collection (page 7)

"Skin: A Canvas of Diversity and Resilience" Our skin, like a ballerina's back, gracefully embraces our bodies with its delicate yet strong presence

Background imageSkin Collection: Olive

Olive
Jan Slotboom

Background imageSkin Collection: SENSUSAL BEAUTY [Petra J]

SENSUSAL BEAUTY [Petra J]
Martin Krystynek MQEP

Background imageSkin Collection: August Strindberg's hand with the inscription 'Photographie aufgenommen im Hôpital Saint... 1895

August Strindberg's hand with the inscription "Photographie aufgenommen im Hôpital Saint... 1895
August Strindberg's hand with the inscription "Photographie aufgenommen im Hopital Saint-Louis, Paris", 1895

Background imageSkin Collection: Mohave man, half-length portrait, facing left wearing 'primitive' robe of rabbit skin, 1907

Mohave man, half-length portrait, facing left wearing "primitive" robe of rabbit skin, 1907

Background imageSkin Collection: Gilyachka in a suit made of fish skin, 1865-1871. Creator: VV Lanin

Gilyachka in a suit made of fish skin, 1865-1871. Creator: VV Lanin
Gilyachka in a suit made of fish skin, 1865-1871. This album contains 154 photographs taken in the second half of the 1860s and 1870s by a local photographer from the Far East, V. V. Lanin

Background imageSkin Collection: SMOKING THOUGHTS

SMOKING THOUGHTS
Alessandra Lello

Background imageSkin Collection: Frightened; Skramda, 1912 (oil on canvas)

Frightened; Skramda, 1912 (oil on canvas)
659711 Frightened; Skramda, 1912 (oil on canvas) by Zorn, Anders Leonard (1860-1920); 101.7x66 cm; Private Collection; (add.info.: Frightened; Skramda. Anders Leonard Zorn (1860-1920). Oil on canvas

Background imageSkin Collection: Dayak couple in traditional dress and tattoos, c. 1920 (b / w photo)

Dayak couple in traditional dress and tattoos, c. 1920 (b / w photo)
DGC437476 Dayak couple in traditional dress and tattoos, c.1920 (b/w photo); Private Collection; (add.info.: the Dayak or Dyak are a people indigenous to Borneo; tattooing is a very important)

Background imageSkin Collection: Nude Young Woman Sitting, Asleep; Une Jeune Femme Denudee et Assise, Endormie, (black

Nude Young Woman Sitting, Asleep; Une Jeune Femme Denudee et Assise, Endormie, (black
827621 Nude Young Woman Sitting, Asleep; Une Jeune Femme Denudee et Assise, Endormie, (black, red and white chalk on beige paper) by Boucher

Background imageSkin Collection: Nude Boy Standing; Stehender Knabenakt, (oil on canvas)

Nude Boy Standing; Stehender Knabenakt, (oil on canvas)
652939 Nude Boy Standing; Stehender Knabenakt, (oil on canvas) by Rohlfs, Christian (1849-1938); 80x53.3 cm; Private Collection; (add.info.: Nude Boy Standing; Stehender Knabenakt)

Background imageSkin Collection: Allegories of Love - Cupid with a Torch and Arrow, 1803 (oil on canvas)

Allegories of Love - Cupid with a Torch and Arrow, 1803 (oil on canvas)
990320 Allegories of Love - Cupid with a Torch and Arrow, 1803 (oil on canvas) by Bakst, Leon (1866-1924); 50.8x63.5 cm; Private Collection; (add.info)

Background imageSkin Collection: King Archibong III of Calabar, Gambia, West Africa

King Archibong III of Calabar, Gambia, West Africa (then part of the British Empire). He was crowned in 1878 with a regalia sent by Queen Victoria. Date: circa 1878

Background imageSkin Collection: Village witch doctor, Belgian Congo, Central Africa

Village witch doctor, Belgian Congo, Central Africa
Village witch doctor with his equipment, Belgian Congo (now Democratic Republic of the Congo), Central Africa. 1922

Background imageSkin Collection: Queen Nenzima, Belgian Congo, Central Africa

Queen Nenzima, Belgian Congo, Central Africa
Queen Nenzima of the Mangbettus (Mangbetu) tribe, Belgian Congo (now Democratic Republic of the Congo), Central Africa. Date: 1922

Background imageSkin Collection: Reclining Nude in an Elegant Interior, (oil on canvas)

Reclining Nude in an Elegant Interior, (oil on canvas)
827121 Reclining Nude in an Elegant Interior, (oil on canvas) by Lemaire, Madeleine (1845-1928); 95.2x128.2 cm; Private Collection; (add.info.: Reclining Nude in an Elegant Interior)

Background imageSkin Collection: The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee

The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee
658599 The Nymphs in Homers Odyssey; Die Nymphen aus Homers Odyssee, 1856 (oil on panel) by Waldmuller, Ferdinand Georg (1793-1865); 82x66 cm; Private Collection; (add.info)

Background imageSkin Collection: Three Nude Women on a Chaise Lounge, c. 1850 (albumen print, mounted within ruled borders)

Three Nude Women on a Chaise Lounge, c. 1850 (albumen print, mounted within ruled borders)
991435 Three Nude Women on a Chaise Lounge, c.1850 (albumen print, mounted within ruled borders) by Belloc, Auguste (1801-98); 20.95x16.51 (approx) cm; Private Collection; (add.info)

Background imageSkin Collection: vulnerable

vulnerable
Desislava Ignatova

Background imageSkin Collection: Venomus Blue Viper Snake

Venomus Blue Viper Snake
Fauzan Maududdin

Background imageSkin Collection: 19-year-old Tina Harris of Erith, Kent, has her fingers tattooed

19-year-old Tina Harris of Erith, Kent, has her fingers tattooed, and because of that she was sacked, she claimed at the Ebury Bridge Road Industrial Tribunal. 15th February 1983

Background imageSkin Collection: Soccer mad Ray Morris puts his bad into supporting Liverpool FC

Soccer mad Ray Morris puts his bad into supporting Liverpool FC. He has had his back tattooed with the Liverpool ground plus pictures of Bob Paisley and Kenny Dalglish

Background imageSkin Collection: 72-year-old Wilf Hardy whos body is covered in tattoos

72-year-old Wilf Hardy whos body is covered in tattoos. He is pictured with Tattooist Tiger Sid (John Siddons). 8th December 1979

Background imageSkin Collection: Tattooist Jimmy Gould has bought the skin of his client, Brian Cowell. September 1979

Tattooist Jimmy Gould has bought the skin of his client, Brian Cowell. September 1979

Background imageSkin Collection: Normal cross section of the skin in layers

Normal cross section of the skin in layers
Detail, Anatomy, Diagram, Illustration, Layer, Medical, Vein, Skin, Biology, Fat, Veins, Epidermis, Cut Out, White Background, Hair, Vertical, Artwork, Cross Section, Color Image, Close Up

Background imageSkin Collection: Skin cross section showing a blackhead

Skin cross section showing a blackhead
Detail, Anatomy, Diagram, Illustration, Medical, Vein, Skin, Biology, Fat, Veins, Epidermis, Cut Out, White Background, Hair, Vertical, Artwork, Cross Section, Color Image, Close Up

Background imageSkin Collection: Annie Rowney, Leghe Suthers (1856-1924)

Annie Rowney, Leghe Suthers (1856-1924)
Oil on canvas, Newlyn School, late 19th / early 20th century. John Lees, or Leghe Suthers was born in Oldham, Greater Manchester

Background imageSkin Collection: The Archers, John Singer Sargent (1856-1925)

The Archers, John Singer Sargent (1856-1925)
Oil on canvas, English School, 1915. John Singer Sargent (1856-1925) was born in Italy to American parents. He studied at the Florence Academy and in 1874 began studies in Paris

Background imageSkin Collection: Madonna and Child, Rogier van der Weyden (1399-1464)

Madonna and Child, Rogier van der Weyden (1399-1464)
Oil on panel, Dutch School, 15th century. Dutch artist Rogier van der Weyden was one of the most profound and influential painters of the 15th century

Background imageSkin Collection: Diseases of the Skin - Plate 4

Diseases of the Skin - Plate 4. Crusted or Honeycomb Ringworm, Alopecia (hair-loss), Ringworm of the scalp, spotted rose rash, running scab - eczema and Nettle rash. Date: circa 1880s

Background imageSkin Collection: Diseases of the Skin - Plate 5

Diseases of the Skin - Plate 5 - Scabies or Itch, Red Gum Rash or Spotted Heat, Honey Sickness - Honey Scab or Pustular Tetter Impetigo, Shingles

Background imageSkin Collection: Mosquito (Aedes punctor) female sucking blood from human arm. Sequence 1 / 4

Mosquito (Aedes punctor) female sucking blood from human arm. Sequence 1 / 4
Mosquito (Aedes punctor) female sucking blood from human arm. Sequence 1/4

Background imageSkin Collection: Panther Chameleon {Furcifer pardalis} close-up of skin, green colouration

Panther Chameleon {Furcifer pardalis} close-up of skin, green colouration. Masoala Peninsula National Park, north east Madagascar

Background imageSkin Collection: Panther Chameleon {Furcifer pardalis} close-up of skin, green colouration

Panther Chameleon {Furcifer pardalis} close-up of skin, green colouration. Masoala Peninsula National Park, north east Madagascar

Background imageSkin Collection: African elephant {Loxodonta africana} close-up of eye, Chobe national park, Botswana

African elephant {Loxodonta africana} close-up of eye, Chobe national park, Botswana

Background imageSkin Collection: RF- Young male Bengal tiger, head portrait in profile (Panthera tigris tigris)

RF- Young male Bengal tiger, head portrait in profile (Panthera tigris tigris). Bandhavgarh National Park, India

Background imageSkin Collection: Apollo and Marsyas, 17th century. Artist: Peter Paul Rubens

Apollo and Marsyas, 17th century. Artist: Peter Paul Rubens
Apollo and Marsyas, 17th century. Rubens, Pieter Paul (1577-1640). Found in the collection of the Far Eastern Art Museum, Khabarovsk

Background imageSkin Collection: Tanned animal skins hanging to dry in the old tannery of Fez, Morocco

Tanned animal skins hanging to dry in the old tannery of Fez, Morocco

Background imageSkin Collection: High angle view of man working at the vats of colours in the tannery of Fes, Morocco

High angle view of man working at the vats of colours in the tannery of Fes, Morocco

Background imageSkin Collection: Men working with skins in traditional Moroccan leather tanneries, Fes, Morocco

Men working with skins in traditional Moroccan leather tanneries, Fes, Morocco

Background imageSkin Collection: Fez. Morocco. Typical leather tanneries from above

Fez. Morocco. Typical leather tanneries from above

Background imageSkin Collection: Persian man

Persian man
Moein Hasheminasab

Background imageSkin Collection: Before the storm

Before the storm
Oren Hayman

Background imageSkin Collection: Woman portrait with Christmas wreath on her head

Woman portrait with Christmas wreath on her head
Alla Simacheva

Background imageSkin Collection: Gargoyle gecko

Gargoyle gecko
Kurit Afsheen

Background imageSkin Collection: Dalila

Dalila
Toni Fidanza

Background imageSkin Collection: Anaïs

Anaïs
Clovis DURAND-MOLDAWAN

Background imageSkin Collection: Ritratto di Elisa

Ritratto di Elisa
Toni Fidanza

Background imageSkin Collection: Lord Shiva Shanker Miniature Painting on Paper

Lord Shiva Shanker Miniature Painting on Paper
3609889 Lord Shiva Shanker Miniature Painting on Paper by Indian School; Private Collection; Dinodia



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"Skin: A Canvas of Diversity and Resilience" Our skin, like a ballerina's back, gracefully embraces our bodies with its delicate yet strong presence. It tells the story of our journey through life, bearing witness to every scar and mark that shapes us. Just as a nude man stands vulnerable and exposed, our skin acts as a shield against the outside world. It protects us from harsh elements while allowing us to feel the gentle touch of love and warmth. Even animals possess fascinating skin adaptations. Take the Shar Pei puppy on an ironing board; its wrinkled folds symbolize uniqueness and remind us that beauty comes in all forms. From a man's body to naked mole rats surviving in dry areas of North East Africa, our skin adapts to different environments, and is both resilient and adaptable, reflecting nature's ability to thrive even in challenging circumstances. The ostrich legs & feet showcase how diverse species have evolved their own unique coverings. Just like Native American Indian buffalo hunters under the White Wolf Ski, we too rely on our skin for survival - protecting ourselves from harm while embracing traditions passed down through generations. Witnessing creatures such as tarantulas leaving their moulting or observing Sphynx cats at pet shows reminds us that beneath the surface lies vulnerability waiting to shed old layers for growth and renewal. Whether it be a dog's brush coat or microscopic details captured by SEM imaging of Culex mosquitoes, each glimpse into different skins reveals intricate patterns designed by nature itself. In this vast tapestry of life, let us celebrate "skin" not just as an outer covering but also as a testament to resilience, diversity, adaptation - reminding us that we are all beautifully connected through this common thread called humanity.