Smock Collection (page 5)

Musicians seated on barrels, Brittany, Northern France
Two musicians seated on top of barrels, Brittany, Northern France. They are playing the native bagpipe or biniou (right) and a flageolet (left). 1922

Group of children wearing wild flowers, Somerset, England
Group of children wearing garlands of wild flowers round their faces, Somerset, England. Date: 1922

French merchant, 16th Century (coloured engraving)
968909 French merchant, 16th Century (coloured engraving) by French School, (19th century); Private Collection; (add.info.: French merchant, 16th Century)

Rustics of the 13th Century (coloured engraving)
972913 Rustics of the 13th Century (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Rustics of the 13th Century)

Sir Alfred Munnings (1878-1959), Painter, particularly of equine subjects, and President of the Royal Academy from 1944-49. Outspoken opponent of Modernism

Pig with bottles on a cutout Christmas card. Date: circa 1890s

Carte de visite - child in a studio photo, Croydon
Carte de visite - child in a studio photo with a model of a chicken, Croydon. late 19th century

Doris Zinkeisen preparing designs for the Queen Mary
Doris Zinkeisen at work in her studio where she was in the midst of preparing designs for the cabaret bar of the liner, the Queen Mary. Date: 1935

Curtis British Entomology Plate 418
Coleoptera: Oxyporus maxillosus = Creophilus maxillosus (Scarce Oxyporus) [Plant: Cardamine hirsuta (Hairy Ladies? Smock)] Date: 1824-39

Curtis British Entomology Plate 179
Coleoptera: Elaphrus uliginosus (Dark-legged Elaphrus) [Plant: Cardamine pratensis (Common Ladies? Smock)] Date: 1824-39

An Old Sea Salt, (watercolour aand bodycolour)
657520 An Old Sea Salt, (watercolour aand bodycolour) by Langley, Walter (1852-1922); Private Collection; (add.info.: An Old Sea Salt. Walter Langley (1852-1922). Watercolour and bodycolour

Tired Fingers, 1881 (oil on canvas)
659918 Tired Fingers, 1881 (oil on canvas) by Moore, Madena (fl.1880-87); 46x35.9 cm; Private Collection; Photo eChristies Images; British, out of copyright

The Cherry Seller, 1856 (oil on panel)
659732 The Cherry Seller, 1856 (oil on panel) by Smith, George (1829-1901); 76.2x63.5 cm; Private Collection; (add.info.: The Cherry Seller. George Smith (1829-1901). Oil on panel. Dated 1856

Portrait of a Man, Bust Length, Wearing a Black Hat (black, white & red chalk
659204 Portrait of a Man, Bust Length, Wearing a Black Hat (black, white & red chalk, on brown prepared paper) by Ostendorfer, Michael (1490-1559) (attr)

The Tea Party, (oil on canvas)
658289 The Tea Party, (oil on canvas) by Wilson, Harry Mitten (1877-1923); 35.5x44.5 cm; Private Collection; (add.info.: The Tea Party. Harry Mitton Wilson (1877-1923). Oil on canvas

Self-portrait, 1776 (oil on canvas)
3525756 Self-portrait, 1776 (oil on canvas) by Mengs, Anton Raphael (1728-79); 90x65.5 cm; Metropolitan Museum of Art, New York

Dangerous sport (colour litho)
3621629 Dangerous sport (colour litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Dangerous sport. Illustration for Chatterbox, 1888.); © Look and Learn

Polly Perkins of Paddington Green, or The Broken Hearted Milkman (colour litho)
3639091 Polly Perkins of Paddington Green, or The Broken Hearted Milkman (colour litho) by English School, (19th century); Private Collection; (add.info.: Polly Perkins of Paddington Green)

Portrait of Lydia Sherwood, 1907 (oil on board)
GRT245428 Portrait of Lydia Sherwood, 1907 (oil on board) by Gertler, Mark (1891-1939); 50.8x34.9 cm; Private Collection; English, out of copyright

Peter Pan, 1912 (bronze)
YTS375995 Peter Pan, 1912 (bronze) by Frampton, George James (1860-1928); Kensington Gardens, London, UK; (add.info.: Characters from the stories by J. M)

The Shepherd (oil on canvas)
PNH354570 The Shepherd (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 102x71 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
NCO189770 Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint) by Gillray, James (1757-1815); 34.5x24.5 cm; Courtesy of the Warden and Scholars of New College

Portrait of Patience Escalier, 1888 (oil on canvas)
LEF221903 Portrait of Patience Escalier, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 69.2x56 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; Dutch, out of copyright

The Vandergucht Children, 1785 (oil on canvas)
HEH416385 The Vandergucht Children, 1785 (oil on canvas) by Reynolds, Joshua (1723-92); 77.5x63.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

The Painter, 1864 (oil on canvas)
NUL385954 The Painter, 1864 (oil on canvas) by Induno, Domenico (1815-78); 57.5x44.5 cm; Private Collection; Italian, out of copyright

The butchers assistant (w / c on paper)
XIR391478 The butchers assistant (w/c on paper) by Persian School, (18th century); Bernisches Historisches Museum, Bern, Switzerland; (add.info.: The Butchers Aide; ); Persian, out of copyright

Postcard depicting a farmer in the Haute-Loire selling food at the market, c
REV382790 Postcard depicting a farmer in the Haute-Loire selling food at the market, c.1900 (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: carte postale)

A druid, c. 1638 (pen & ink on paper)
CTS407587 A druid, c.1638 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Woman Reading, 1769 (oil on canvas)
499582 Woman Reading, 1769 (oil on canvas) by Lepicie, Nicolas-Bernard (1735-84); 64x55 (framed) 46.3x37.8 (unframed) cm; Cleveland Museum of Art, OH

Expulsion of Christophe Thivrier from the Chamber of Deputies (colour litho)
2818478 Expulsion of Christophe Thivrier from the Chamber of Deputies (colour litho) by Belon, Jose (d.1927); Private Collection; (add.info)

Unstead Farm, Godalming (watercolour with scratching out)
1766743 Unstead Farm, Godalming (watercolour with scratching out) by Allingham, Helen (1848-1926); 45x36.3 cm; Private Collection; (add.info.: Unstead Farm, Godalming. Helen Allingham (1848-1926)

Near Haslemere (watercolour with scratching out)
1766738 Near Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 31x27.3 cm; Private Collection; (add.info.: Near Haslemere. Helen Allingham (1848-1926)

Old Cottage, Witley (watercolour with scratching out)
1766729 Old Cottage, Witley (watercolour with scratching out) by Allingham, Helen (1848-1926); 22.7x16.8 cm; Private Collection; (add.info.: Old Cottage, Witley. Helen Allingham (1848-1926)

A Cottage at Farringford, Isle of Wight (watercolour with scratching out)
1766721 A Cottage at Farringford, Isle of Wight (watercolour with scratching out) by Allingham, Helen (1848-1926); 31x48.5 cm; Private Collection; (add.info.: A Cottage at Farringford, Isle of Wight)

A Cottage near Haslemere (watercolour with scratching out)
1766718 A Cottage near Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 35x27 cm; Private Collection; (add.info.: A Cottage near Haslemere. Helen Allingham (1848-1926)

Afternoon in the Luxembourg Gardens, (oil on panel)
1197581 Afternoon in the Luxembourg Gardens, (oil on panel) by Marec, Victor (1862-1920); 61x43.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Children with a birds nest (chromolitho)
6001816 Children with a birds nest (chromolitho) by English School, (19th century); Private Collection; (add.info.: Children with a birds nest)

The Popular Candidate
CH21019 The Popular Candidate by Sadler, Walter Dendy (1854-1923); Private Collection; Photo eChristies Images; English, out of copyright

Firing Pottery (oil on panel)
LIV47861 Firing Pottery (oil on panel) by Bigg, William Redmore (1755-1828); 24x28 cm; University of Liverpool Art Gallery & Collections, UK; eVictoria Gallery & Museum

Happy Is The Bride The Sun Shines On
ATK42927 Happy Is The Bride The Sun Shines On by Hayllar, James (1829-1920); Atkinson Art Gallery, Southport, Lancashire, UK; eThe Atkinson; English, out of copyright

English gentleman with his fallen horse during a fox hunt, 19th century
6337286 English gentleman with his fallen horse during a fox hunt, 19th century by Leech, John (1817-64) (after); (add.info.: English gentleman with his fallen horse during a fox hunt, 19th century)

Children freeing a mouse from a trap (litho)
5217621 Children freeing a mouse from a trap (litho) by English School, (19th century); Private Collection; (add.info.: Children freeing a mouse from a trap)

Girl riding her tricycle in the garden (chromolitho)
5217602 Girl riding her tricycle in the garden (chromolitho) by English School, (19th century); Private Collection; (add.info.: Girl riding her tricycle in the garden)

The Invalid (oil on canvas)
3744399 The Invalid (oil on canvas) by Hayllar, James (1829-1920); 91.4x63.5 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English

Practising, (oil on canvas)
827105 Practising, (oil on canvas) by Jonghe, Gustave Leonard de (1829-93); 53.3x64.8 cm; Private Collection; (add.info.: Practising. Gustave Leonard de Jonghe (1829-1893). Oil on canvas

The Artists Studio, (oil on canvas)
827101 The Artists Studio, (oil on canvas) by Massani, Pompeo (1850-1920); 74.4x9.7 cm; Private Collection; (add.info.: The Artists Studio. Pompeo Massani (1850-1920). Oil on canvas

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"Captivating Smock: A Timeless Symbol of Innocence and Joy" In the enchanting world of art, there are certain images that evoke a sense of nostalgia and purity. One such image is John Singer Sargent's masterpiece, "Carnation, Lily, Lily, Rose, " painted in 1885-86. This ethereal painting portrays two young girls amidst a garden illuminated by delicate lanterns. Their smocks flutter in the breeze as they bask in the magical glow. Muriel Dawson's "Dandelion Clock" and "Little girl playing in a garden" capture the essence of childhood innocence. The vibrant colors and playful scenes depict little ones donning their smocks while exploring nature's wonders. The Lambeth Schools' "Infants playground" showcases children from West Norwood, London joyfully engaged in playtime activities. Their colorful smocks add an extra layer of cheerfulness to this delightful scene. A different kind of adventure unfolds in Muriel Dawson's painting titled "Girl Reading in Tree. " Here we see a young girl lost between pages while perched on a tree branch wearing her trusty smock – an emblematic garment for youthful escapades. Meanwhile, Old Shep takes us back to January 1925 with his pipe-lighting ritual captured through his lens. His weathered face contrasts with his pristine white smock as he indulges himself amid simpler times. Moving away from rural settings but still embracing tradition is the depiction of Newquay's pilchard cellar around 1900 - known as "The Active Pilchard Cellar. " Workers clad in practical yet stylish smocks diligently carry out their tasks preserving Cornwall’s rich fishing heritage. The charm continues with portraits like the one entitled "West Country Yokel, " which encapsulates rustic simplicity through its subject adorned with a humble smock – an embodiment of timeless agricultural traditions.