Smock Collection (page 8)

A Vision of Spring, 1902, (1936). Creator: Thomas Millie Dow
A Vision of Spring, 1902, (1936). by Thomas Millie Dow (1848-1919). Oil on canvas. Held at Manchester Art Gallery. From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd

Rye, East Sussex, England, 14 / 3 / 10. Creator: Ethel Davies; Davies, Ethel
Rye, 14/3/10. The Windmill, a Grade II listed smock windmill and local landmark on the banks of the River Tillingham, Rye, East Sussex, England

A Normandy Lad with his wares for sale - he certainly has the look of a cad or Joker ! Date: circa 1910

Ploughing on the Mount of Olives, 1902. Creator: John Fulleylove
Ploughing on the Mount of Olives, 1902. From " The Holy Land", painted by John Fulleylove, R.I. [Adam & Charles Black, London, 1902]

Sundial in the Garden at Limnerslease, and... G. F. Watts, Esq. R.A. c1890s, (1902)
Sundial in the Garden at Limnerslease, and Portrait of G. F. Watts, Esq. R.A. c1890s, (1902). The British painter and sculptor George Frederic Watts (1817-1904)

He Pointed To A Rusty Iron Staple, 1928. Creator: Charles Edmund Brock
" He Pointed To A Rusty Iron Staple", 1928. Illustration originally published in " The Broad Highway" by Jeffery Farnol, [Sampson Low]

Self-portrait, 1896 (oil on canvas)
3087277 Self-portrait, 1896 (oil on canvas) by Zorn, Anders Leonard (1860-1920); 118 x 91 cm; Nationalmuseum, Stockholm, Sweden; Swedish, out of copyright

Smoker, possibly a self portrait, 1688 (oil on panel)
XKH149209 Smoker, possibly a self portrait, 1688 (oil on panel) by Mieris, Frans van (1635-81); 17.7x14.3 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Sheep-Washing in Sussex, c1889, (c1902). Creator: Unknown
Sheep-Washing in Sussex, c1889, (c1902). After a painting in the Tate Gallery, London. Rural scene of smock-wearing shepherds dipping sheep to protect them from infestation by parasites

Basketry workshop at Elm Lodge Residential School for Elder Blind Girls, London, 1908
Basketry workshop at Elm Lodge Residential School for Elder Blind Girls, West Norwood, Lambeth, London, 1908. Girls work at making baskets, with examples of the finished product on display

Girls knitting socks by machine at the Elm Lodge School for Blind Girls, London, 1908
Girls knitting socks by machine at the Elm Lodge Residential School for Elder Blind Girls, West Norwood, Lambeth, London, 1908

Geography lesson at Elm Lodge Residential School for Elder Blind Girls, London, 1908
Geography lesson at Elm Lodge Residential School for Elder Blind Girls, West Norwood, Lambeth, London, 1908. Girls sit at desks, possibly reading Braille, in a rather bare room

Staffordshire Ware, Cries of London, 1819. Artist: John Thomas Smith
Staffordshire Ware, 1819. A tired-looking man wearing a smock and a top hat stands beside two large baskets full of china made in the Staffordshire potteries. From Cries of London, 1819

Vignette from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

A Child of the Time of Henry I, 1907. Artist: Dion Clayton Calthrop
A Child of the Time of Henry I, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

Sir Edward Burne-Jones, 1898, (1917). Artist: Philip Edward Burne-Jones
Sir Edward Burne-Jones, 1898, (1917). A portrait of Edward Burne-Jones (1833-1898) by his son Philip Edward Burne-Jones (1861-1926). Painting held at the National Portrait Gallery, London

Home, c1900. Artist: Lionel Percy Smythe
Home, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Home Comforts, 1874. Artist: Henry Benjamin Roberts
Home Comforts, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

The Shepherd, 19th century. Artist: Jean Francois Millet
The Shepherd. From the pastel by J. F. Millet. 1902. From The Studio Volume 26, [London Offices of the Studio, London, 1902]

A Wayside Gossip, c1903. Artist: HC Wharton &Co
A Wayside Gossip, c1903. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]

La Famille Bellelli, c1867. Artist: Edgar Degas
La Famille Bellelli, c1867. Painting held at the Musee d Orsay, Paris. From The Life and Work of Edgar Degas, by J. B. Manson. [The Studio Limited, London, 1927]

The Old Garden, c1910. Artist: William Page Atkinson Wells
The Old Garden, c1910. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Honest Jack Falstaff, c20th century. Artist: William John Wainwright
Honest Jack Falstaff, c20th century. From The Studio Volume 65. [London Offices of the Studio, London, 1915]

American Gothic, 1930. Artist: Grant DeVolson Wood
American Gothic, 1930. Painting housed in the Art Institute of Chicago. From The Studio Volume 118. [The Studio Ltd, London & New York, 1939]

Antique and Life Classes at the Ontario College of Art, Toronto, c1913. From The Studio Volume 59 by Ralph Nevill. [The Offices of the Studio, London, 1913]

The Late Eugene Carriere in his Studio, c1870-1890, (1906)
The Late Eugene Carriere in his Studio, 1906. Eugene Anatole Carriere (1849-1906), French Symbolist artist. From The Studio Volume 38 [London Offices of the Studio, London, 1906.]

The Daughters Departure, 18th century, (1921). After an original work by Francis Wheatley (1747-1801). From The Connoisseur Volume LX [Otto Limited, London, 1921]

Drawing by Leonid Pasternak, 1904, (1906). Artist: Leonid Osipovich Pasternak
Drawing by Leonid Pasternak, 1904. After an original drawing by Leonid Osipovich Pasternak (1862-1945). From The Studio Volume 37 [London Offices of the Studio, London, 1906]

A man reading The Daily Mail, Shropshire, c1922. Artist: AW Cutler
A man reading The Daily Mail, Shropshire, c1922. A print from Peoples of all Nations, Volume III, edited by JA Hammerton, The Fleetway House, London, c1922

Fernand Forest, French inventor, 1888. Forest (1851-1914) played an important role in the development of the internal combustion engine and the motor car

Edgar Degas, French Impressionist painter, 1894. Degas (1834-1917) is regarded as one of the founders of Impressionism, although he preferred to describe his work as Realist

French artist Louis-Robert Carrier-Belleuse painting Doctor Boyen, 1906. A photograph from Album de Photographies dans L Intimite de Personnages Illustres, 1855-1915, 7th album, Editions MD, Paris

He Thinks in Marble, Jehu Junior, 1904. Artist: jmp
He Thinks in Marble, Jehu Junior, 1904. Auguste Rodin, French sculptor. Jehu Junior was the nickname of Thomas Gibson Bowles, founder of the magazines The Lady and the English Vanity Fair

Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler
Axenfeld, 1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

A craftswoman at work, 1911-1912. Artist: ET Holding
A craftswoman at work, 1911-1912. From Penroses Pictorial Annual 1911-1912, The Process Year Book, volume 17, edited by William Gamble and published by AW Penrose (London, 1911-1912)

A country cricket match, Sussex, 1878. Artist: John Robertson Reid
A country cricket match, Sussex, 1878. Hand-coloured later

Meeting of agricultural Labourers at Wootton Bassett, Wiltshire, c19th century, (1900). Illustration from the book, The life and times of Queen Victoria, by Robert Wilson, (1900.)

Portrait of the author Leo N Tolstoy, 1912. Artist: Il ya Repin
Portrait of the author Leo N Tolstoy, 1912. Tolstoy (1828-1910), pictured here in peasant dress, is widely regarded as one of the greatest of all novelists

Russian Composition, c1880-c1882. Artist: Andrei Osipovich Karelin
Russian Composition, c1880-c1882. Found in the collection of the State Museum of History, Moscow

A peasant, 1890s. Found in the collection of The Russian State Library, Moscow

Mutiny at the Russian pavillion for the Exposition Universelle, 1900, (1899). Artist: Oswaldo Tofani
Mutiny at the Russian pavillion for the Exposition Universelle, 1900, (1899). An illustration from Le Petit Journal, 6th August 1899

Mikula Selianovich, 1918. Artist: Kuz ma Petrov-Vodkin
Mikula Selianovich, 1918. According to a traditional oral Russian poem Mikula Selianovich was a mythical Russian ploughman who was able to plough at miraculous speed

Workshop of the Shoe Maker, 1881. Artist: Max Lieberman
Workshop of the Shoe Maker, 1881

Carters, c early 19th century. Two carters, one wearing a smock, the other coat and gaiters, both carrying their whips. In the background are a covered carters wagon and a trio of milkmaids

Rosa Bonheur in Her Studio, 1893. A print from the Le Petit Journal, 3rd June 1893

The Engagement of the Maidservant, c1864-1900. Artist: Mihaly Munkacsy
The Engagement of the Maidservant, c1864-1900

Native Costume of Pont Audemer, Normandy, 1902

Native Costume of Sarthe, c1900

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"Captivating Smock: A Timeless Symbol of Innocence and Joy" In the enchanting world of art, there are certain images that evoke a sense of nostalgia and purity. One such image is John Singer Sargent's masterpiece, "Carnation, Lily, Lily, Rose, " painted in 1885-86. This ethereal painting portrays two young girls amidst a garden illuminated by delicate lanterns. Their smocks flutter in the breeze as they bask in the magical glow. Muriel Dawson's "Dandelion Clock" and "Little girl playing in a garden" capture the essence of childhood innocence. The vibrant colors and playful scenes depict little ones donning their smocks while exploring nature's wonders. The Lambeth Schools' "Infants playground" showcases children from West Norwood, London joyfully engaged in playtime activities. Their colorful smocks add an extra layer of cheerfulness to this delightful scene. A different kind of adventure unfolds in Muriel Dawson's painting titled "Girl Reading in Tree. " Here we see a young girl lost between pages while perched on a tree branch wearing her trusty smock – an emblematic garment for youthful escapades. Meanwhile, Old Shep takes us back to January 1925 with his pipe-lighting ritual captured through his lens. His weathered face contrasts with his pristine white smock as he indulges himself amid simpler times. Moving away from rural settings but still embracing tradition is the depiction of Newquay's pilchard cellar around 1900 - known as "The Active Pilchard Cellar. " Workers clad in practical yet stylish smocks diligently carry out their tasks preserving Cornwall’s rich fishing heritage. The charm continues with portraits like the one entitled "West Country Yokel, " which encapsulates rustic simplicity through its subject adorned with a humble smock – an embodiment of timeless agricultural traditions.