Fraud Blocker Skip to main content

Solimena Collection

Francesco Solimena, a renowned artist of the 18th century, left an indelible mark on the art world with his incredible works

Background imageSolimena Collection: The Descent from the Cross, 1729. Artist: Solimena, Francesco (1657-1747)

The Descent from the Cross, 1729. Artist: Solimena, Francesco (1657-1747)
The Descent from the Cross, 1729. Found in the collection of the Art History Museum, Vienne

Background imageSolimena Collection: An Allegory of Louis XIV, um 1700. Creator: Solimena, Francesco (1657-1747)

An Allegory of Louis XIV, um 1700. Creator: Solimena, Francesco (1657-1747)
An Allegory of Louis XIV, um 1700. Found in the collection of the National Gallery, London

Background imageSolimena Collection: Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Creator: Solimena

Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Creator: Solimena, Francesco (1657-1747)
Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Found in the collection of the National Gallery, London

Background imageSolimena Collection: Aeneas and Dido, 1739-1740. Creator: Solimena, Francesco (1657-1747)

Aeneas and Dido, 1739-1740. Creator: Solimena, Francesco (1657-1747)
Aeneas and Dido, 1739-1740. Found in the collection of the Museo di Capodimonte, Naples

Background imageSolimena Collection: Self-portrait, 1727. Creator: Solimena, Francesco (1657-1747)

Self-portrait, 1727. Creator: Solimena, Francesco (1657-1747)
Self-portrait, 1727. Found in the collection of the Museo del Prado, Madrid

Background imageSolimena Collection: Portrait of Annibale Marchese (1686-1753). Creator: Solimena, Francesco (1657-1747)

Portrait of Annibale Marchese (1686-1753). Creator: Solimena, Francesco (1657-1747)
Portrait of Annibale Marchese (1686-1753). Private Collection

Background imageSolimena Collection: Slight ink scribbles, possibly a drapery study? (verso)

Slight ink scribbles, possibly a drapery study? (verso)
5938286 Slight ink scribbles, possibly a drapery study? (verso), eighteenth century (red chalk on paper) [see 5938219] by Solimena, Francesco (1657-1747); 29x20.5 cm; Fitzwilliam Museum

Background imageSolimena Collection: The Expulsion of Heliodorus from the Temple. Artist: Solimena, Francesco (1657-1747)

The Expulsion of Heliodorus from the Temple. Artist: Solimena, Francesco (1657-1747)
The Expulsion of Heliodorus from the Temple. Found in the collection of Louvre, Paris

Background imageSolimena Collection: Study sheet (recto), eighteenth century (red chalk on paper) [see 5938286]

Study sheet (recto), eighteenth century (red chalk on paper) [see 5938286]
5938219 Study sheet (recto), eighteenth century (red chalk on paper) [see 5938286] by Solimena, Francesco (1657-1747); 29x20.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageSolimena Collection: Drawing on back of the paper (verso), before 1747 (graphite on paper) [see 5938251]

Drawing on back of the paper (verso), before 1747 (graphite on paper) [see 5938251]
5938282 Drawing on back of the paper (verso), before 1747 (graphite on paper) [see 5938251] by Solimena, Francesco (1657-1747); 23.4x23.3 cm; Fitzwilliam Museum, University of Cambridge

Background imageSolimena Collection: Shepherd blowing a pipe, before 1747 (red chalk on paper)

Shepherd blowing a pipe, before 1747 (red chalk on paper)
5938247 Shepherd blowing a pipe, before 1747 (red chalk on paper) by Solimena, Francesco (1657-1747); 18.6x23.4 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian

Background imageSolimena Collection: Study for a female figure in a spandrel (recto), before 1747 (graphite on paper

Study for a female figure in a spandrel (recto), before 1747 (graphite on paper
5938251 Study for a female figure in a spandrel (recto), before 1747 (graphite on paper) [see 5938282] by Solimena, Francesco (1657-1747); 23.4x23.3 cm; Fitzwilliam Museum, University of Cambridge

Background imageSolimena Collection: Saint Louis of France, (oil on canvas)

Saint Louis of France, (oil on canvas)
990377 Saint Louis of France, (oil on canvas) by Solimena, Francesco (1657-1747); 167.7x97.2 cm; Private Collection; (add.info.: known as l Abbate Ciccio); Photo eChristies Images; Italian

Background imageSolimena Collection: Saint Jerome, ca 1693. Creator: Solimena, Francesco (1657-1747)

Saint Jerome, ca 1693. Creator: Solimena, Francesco (1657-1747)
Saint Jerome, ca 1693. Found in the collection of State A. Pushkin Museum of Fine Arts, Moscow

Background imageSolimena Collection: Noli me tangere, 1730-39. Creator: Pietro Monaco

Noli me tangere, 1730-39. Creator: Pietro Monaco
Noli me tangere, 1730-39

Background imageSolimena Collection: The Birth of the Virgin, ca. 1690. Creator: Francesco Solimena

The Birth of the Virgin, ca. 1690. Creator: Francesco Solimena
The Birth of the Virgin, ca. 1690

Background imageSolimena Collection: Emperor Charles VI and Count Gundacker von Althan, 1728. Artist: Solimena, Francesco (1657-1747)

Emperor Charles VI and Count Gundacker von Althan, 1728. Artist: Solimena, Francesco (1657-1747)
Emperor Charles VI and Count Gundacker von Althan, 1728. Found in the collection of the Art History Museum, Vienne

Background imageSolimena Collection: The Annunciation. Artist: Solimena, Francesco (1657-1747)

The Annunciation. Artist: Solimena, Francesco (1657-1747)
The Annunciation. Found in the collection of the Statens Museum for Kunst, Copenhagen

Background imageSolimena Collection: The Landing of Columbus in America, 1715-1716. Artist: Solimena, Francesco (1657-1747)

The Landing of Columbus in America, 1715-1716. Artist: Solimena, Francesco (1657-1747)
The Landing of Columbus in America, 1715-1716. Found in the collection of the Smithsonian National Museum

Background imageSolimena Collection: Perseus Holding up the Head of Medusa, 18th century. Artist: Francesco Solimena

Perseus Holding up the Head of Medusa, 18th century. Artist: Francesco Solimena
Perseus Holding up the Head of Medusa, 18th century. Perseus, legendary Greek hero who slew Medusa, chief of the Gorgons. From the Department of Drawings, Musee du Louvre, Paris

Background imageSolimena Collection: St Josephs Dream, c1677-1747. Artist: Francesco Solimena

St Josephs Dream, c1677-1747. Artist: Francesco Solimena
St Josephs Dream, c1677-1747. An Angel appearing to Joseph in a dream, telling him to take Mary as his wife because she was carrying the Son of God

Background imageSolimena Collection: Prophetess Deborah Ordering Barak Take Arms Sisera

Prophetess Deborah Ordering Barak Take Arms Sisera
Artokoloro

Background imageSolimena Collection: Study for Circe

Study for Circe. Solimena, Francesco 1657-1747

Background imageSolimena Collection: Francesco Solimena, Italian (1657-1747), Marsyas, black chalk on laid paper

Francesco Solimena, Italian (1657-1747), Marsyas, black chalk on laid paper

Background imageSolimena Collection: Francesco Solimena (Italian, 1657 - 1747), Midas, black chalk on laid paper

Francesco Solimena (Italian, 1657 - 1747), Midas, black chalk on laid paper

Background imageSolimena Collection: Venus Receiving from Vulcan the Arms of Aeneas

Venus Receiving from Vulcan the Arms of Aeneas; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; Italy, Europe; 1704; Pen and brown ink and brown wash over black chalk; 21 x 14.3 cm

Background imageSolimena Collection: Death of Messalina

Death of Messalina; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; about 1704/1712; Oil on canvas; Unframed: 165.4 x 223.8 cm (65 1/8 x 88 1/8 in.)

Background imageSolimena Collection: Venus at the Forge of Vulcan

Venus at the Forge of Vulcan; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; 1704; Oil on canvas; Unframed: 205.4 x 153.7 cm (80 7/8 x 60 1/2 in.)

Background imageSolimena Collection: Aurora Taking Leave of Tithonus

Aurora Taking Leave of Tithonus; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; 1704; Oil on canvas; Unframed: 201.9 x 151.8 cm (79 1/2 x 59 3/4 in.)

Background imageSolimena Collection: ALLEGORY OF EUROPE. Allegory of the continent of Europe. Oil on canvas by Francesco Solimena

ALLEGORY OF EUROPE. Allegory of the continent of Europe. Oil on canvas by Francesco Solimena (1657-1747)

Background imageSolimena Collection: ALLEGORY OF AFRICA. Allegory of the continent of Africa. Oil on canvas by Francesco Solimena

ALLEGORY OF AFRICA. Allegory of the continent of Africa. Oil on canvas by Francesco Solimena (1657-1747)

Background imageSolimena Collection: ALLEGORY OF ASIA. Allegory of the continent of Asia. Oil on canvas by Francesco Solimena

ALLEGORY OF ASIA. Allegory of the continent of Asia. Oil on canvas by Francesco Solimena (1657-1747)

Background imageSolimena Collection: ALLEGORY OF AMERICA. Allegory of the continent of America. Oil on canvas by Francesco Solimena

ALLEGORY OF AMERICA. Allegory of the continent of America. Oil on canvas by Francesco Solimena (1657-1747)

Background imageSolimena Collection: St Josephs Dream. Artist, Francesco Solimena (1657-1757)

St Josephs Dream. Artist, Francesco Solimena (1657-1757)

Background imageSolimena Collection: Perseus Holding the Head of Medusa sketch after eighteenth century Italian Baroque

Perseus Holding the Head of Medusa sketch after eighteenth century Italian Baroque painter Francesco Solimena. In Greek legend Perseus was son of Zeus and Danae legendary founder of Mycenae


All Professionally Made to Order for Quick Shipping

Francesco Solimena, a renowned artist of the 18th century, left an indelible mark on the art world with his incredible works. One such masterpiece is "The Descent from the Cross, " created in 1729. In this painting, Solimena skillfully captures the emotional intensity of Christ's crucifixion and subsequent descent. As we delve deeper into Solimena's artistic journey, we discover intriguing hints about his creative process. On one study sheet, slight ink scribbles catch our attention; could they be drapery studies? Perhaps these sketches were experiments to perfect the flow and movement of fabric in his compositions. Flipping over to the back of another paper, we find a drawing that predates 1747. Executed in graphite, it showcases Solimena's versatility as he explores different mediums and techniques. The verso reveals yet another surprise – a shepherd blowing a pipe captured delicately with red chalk strokes. Solimena's talent extends beyond mere studies; he also excelled at creating captivating portraits. His depiction of Saint Louis of France demonstrates his ability to capture not only physical likeness but also inner character through oil on canvas. In another notable work titled "Noli me tangere, " created between 1730-39 by Pietro Monaco under Solimena's influence, we witness an emotionally charged scene depicting Mary Magdalene encountering Jesus after his resurrection. This collaboration highlights Solimena's impact on other artists during this period. "The Birth of the Virgin" is yet another testament to Solimena's creativity and imagination. Painted around 1690, it showcases his mastery in portraying religious subjects with grace and elegance. However, not limited to religious themes alone, it also explored societal dynamics through portraiture.