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Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Creator: Solimena, Francesco (1657-1747)

Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Creator: Solimena, Francesco (1657-1747)


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Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Creator: Solimena, Francesco (1657-1747)

Dido receiving Aeneas and Cupid disguised as Ascanius, 1710. Found in the collection of the National Gallery, London

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Media ID 36318291

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Aeneas Aeneid Anchises Carthage Dido Elissa Francesco 1657 1747 Homer Iliad National Gallery Queen Of Carthage School Of Neaple Solimena Trojan War Troy Vergil Vergilius Virgil Greek Mythology Roman Mythology


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > S > Francesco Solimena

> Europe > Greece > Paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Historic > Ancient civilizations > Ancient Greece > Greek mythology

> Historic > Ancient civilizations > Ancient Greece > Trojan War


EDITORS COMMENTS
This exquisite Baroque masterpiece, titled "Dido receiving Aeneas and Cupid disguised as Ascanius," is a painting by the renowned Neapolitan artist Francesco Solimena, created in 1710. The painting is currently housed in the prestigious National Gallery in London. The scene depicted in the painting is taken from the epic poem "Aeneid" by the ancient Roman poet Virgil. In the narrative, Dido, the Queen of Carthage, is shown receiving Aeneas, the Trojan hero, who has arrived in her kingdom after the fall of Troy. The scene is filled with allegorical significance, as Dido represents the passion and desire that can consume and ultimately destroy, while Aeneas embodies the duty and perseverance required to fulfill one's destiny. The painting masterfully captures the moment of recognition between Dido and Aeneas. Dido is depicted with an expression of both surprise and sadness, as she realizes that her feelings for Aeneas must be set aside in favor of his greater mission. Aeneas, on the other hand, appears resolute and determined, as he prepares to leave Carthage and continue his journey to Italy. The painting also features the inclusion of Cupid, disguised as Ascanius, the son of Aeneas. This addition serves to underscore the theme of fate and destiny, as the god of love plays a role in the unfolding of the Trojan hero's story. Solimena's use of light and color, as well as his masterful handling of the oil on canvas medium, bring the figures and the emotional intensity of the scene to life. The painting is a testament to the artist's skill and the enduring power of the mythological narrative.

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