Stefano Collection (page 4)

Barbarie, 1644. Creator: Stefano della Bella
Barbarie, 1644

Afrique, 1644. Creator: Stefano della Bella
Afrique, 1644

Hongrie, 1644. Creator: Stefano della Bella
Hongrie, 1644

Arabie, 1644. Creator: Stefano della Bella
Arabie, 1644

Sicile, 1644. Creator: Stefano della Bella
Sicile, 1644

Europe, 1644. Creator: Stefano della Bella
Europe, 1644

The Procession of the Holy Sacrament, ca. 1648. Creator: Stefano della Bella
The Procession of the Holy Sacrament, ca. 1648

Game of the Bridge, Pisa, 1634. Creator: Stefano della Bella
Game of the Bridge, Pisa, 1634

Carousel in Florence for the Marriage of The Grand Duke Ferdinand II, 1637

A fan with a rebus on Love on one side Fortune on the other, ca. 1639

Persee et Andromede, 1644. Creator: Stefano della Bella
Persee et Andromede, 1644

Persee et Meduse, 1644. Creator: Stefano della Bella
Persee et Meduse, 1644

Les neuf Muses, 1644. Creator: Stefano della Bella
Les neuf Muses, 1644

Apollon et Marsyas, 1644. Creator: Stefano della Bella
Apollon et Marsyas, 1644

Pan et Syrinx, 1644. Creator: Stefano della Bella
Pan et Syrinx, 1644

Torchlight Procession at the Modena Carrousel, 1652. Creator: Stefano della Bella
Torchlight Procession at the Modena Carrousel, 1652

Il Mondo Festeggiante: Entrance of Cosimo III de Medici, 1661

The Tree House at Pratolino, ca. 1653. Creator: Stefano della Bella
The Tree House at Pratolino, ca. 1653

Siege of Saint-Omer, 1638. Creator: Stefano della Bella
Siege of Saint-Omer, 1638

Capture of Two Galleys at Byserta, 1628. Creator: Stefano della Bella
Capture of Two Galleys at Byserta, 1628

Frontispiece for Dialogo di Galileo Galilei, 1632. Creator: Stefano della Bella
Frontispiece for Dialogo di Galileo Galilei, 1632

Castel Sant Angelo, ca. 1634. Creator: Stefano della Bella
Castel Sant Angelo, ca. 1634

A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right

The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace

Arch of Constantine and Colosseum with sheep grazing in foreground, from Six large views, four of Rome, and two of the Roman countryside (Six grandes vues)

Departure of a galley at the Port of Livorno, from from Views of the port of Livorno (Vues du port de Livourne), 1654-55

Sixth scene, the heavens, from The marriage of the gods (Le nozze degli Dei), 1637

The Wedding of the Gods: Second Scene, Diana, 1637. Creator: Stefano della Bella
The Wedding of the Gods: Second Scene, Diana, 1637

Frontispiece for Il Cosmo, 1650. Creator: Stefano della Bella
Frontispiece for Il Cosmo, 1650

Galileo and personifications of Astronomy, Perspective and Mathematics, frontispiece for Opere di Galileo Galilei, 1656

Frontispiece for the Instruzione a Cancellieri, 1635. Creator: Stefano della Bella
Frontispiece for the Instruzione a Cancellieri, 1635

Frontispiece for Il Mercurio, III: Hercules Planting His Club, 1652

Frontispiece for Il Nino Figlio, 1655. Creator: Stefano della Bella
Frontispiece for Il Nino Figlio, 1655

Fame, 1649-50. Creator: Stefano della Bella
Fame, 1649-50

Plate 6: three ships in a storm, from Various Embarkations (Divers embarquements), ca. 1646-47

Frontispiece: cartouche at center, putti on either side riding on dolphins, from Various Embarkations (Divers embarquements), ca. 1646-47

Plate 13: ruins of a temple in a Roman landscape, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Plate 10: a horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background

Two Different Halves of Cartouches Each Showing an Eagle Fighting a Serpent, 1646

Plate 9: the Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, from Roman landscapes and ruins (Paysages et ruines de Rome), ca

Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Plate 6: cows crossing a valley at left, a horseman and other cows in the background, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Plate 1: fragments from ancient monuments, from Roman Landscapes and Ruins (Paysages et ruines de Rome), ca. 1646

Plate 12: a shepherd sleeping on the ground at right, three horses at left, other horses and various figures to right, the Baths of Diocletian in the background

Plate 4: a Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right

Plate 5: a woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right

Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background

Plate 3: a gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

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Stefano, a name that echoes through the vibrant streets of Italy. From the enchanting city of Siena with its majestic Cathedral to the historic Chiese di Santo Stefano in Bologna, his presence is felt. But Stefano's influence extends beyond architecture and churches. He is an artist, a master of capturing mythical tales and playful scenes. In his work "The Three Graces, " he transports us to a world where gods and goddesses reign supreme, reminding us of our fascination with ancient mythology. In another masterpiece by Stefano della Bella, we witness the innocence of childhood as a child and satyr child playfully engage with a goat. The artist's attention to detail brings this scene to life, showcasing his talent for storytelling through art. Yet Stefano's creativity knows no bounds. As seen on the cover of Galileo Galilei's Dialogo, he merges science and art seamlessly. His intricate illustrations invite us into Galileo's world of discovery and intellectual curiosity. Moving from canvas to stage, Stefano lends his artistic touch to theater productions like "The Buffoons. " With its elaborate frontispiece resembling a set on stage, it captures the essence of comedic performances that have entertained audiences for centuries. Santo Stefano dei Cavalieri stands tall in Pisa as yet another testament to Stefano's legacy. This church holds stories untold within its walls; whispers from history echoing through time. Stefano Torelli takes up the brush next as he paints Selene and Endymion in their eternal embrace under moonlit skies. Their love story unfolds before our eyes as Torelli skillfully portrays their passion and longing. Not limited to paintings alone, Stefan della Bella also showcases his talent in other forms such as screen designs like "Rebus of Fortune. " Through intricate details woven together flawlessly, he invites us into a riddle-filled world where luck plays its part.