Stefano Collection (page 5)

Plate 3: a gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Cartouche Crowned by Helmet and Leopards, 1647. Creator: Stefano della Bella
Cartouche Crowned by Helmet and Leopards, 1647

Cartouche with Skeletons, 1647. Creator: Stefano della Bella
Cartouche with Skeletons, 1647

Cartouche with Duck and Nymphs, 1647. Creator: Stefano della Bella
Cartouche with Duck and Nymphs, 1647

Frontispiece for Epigrammi de Guelfi, ca. 1636. Creator: Stefano della Bella
Frontispiece for Epigrammi de Guelfi, ca. 1636

Arms of the Medici with Della Rovere, 1637. Creator: Stefano della Bella
Arms of the Medici with Della Rovere, 1637

Cartouche Formed by a Tiger Skin Flanked by Two Centaurs, 1647

Cartouche Framed by Apollo and Pan, 1647. Creator: Stefano della Bella
Cartouche Framed by Apollo and Pan, 1647

Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion and a Child, 1646

Villa of Pratolino: The Appenino, ca. 1653. Creator: Stefano della Bella
Villa of Pratolino: The Appenino, ca. 1653

Frontispiece for Le Veritable Plan et Pourtrait de la Maison de la Ste. Vierge, 1649

Frontispiece for Les Oeuvres de Scarron, 1649. Creator: Stefano della Bella
Frontispiece for Les Oeuvres de Scarron, 1649

Frontispiece: Ornamenti o Grottesche, ca. 1653. Creator: Stefano della Bella
Frontispiece: Ornamenti o Grottesche, ca. 1653

Bust of a Pole, after 1641. Creator: Peregrine Lovell
Bust of a Pole, after 1641

Head of a Woman in Profile, 1650. Creator: Stefano della Bella
Head of a Woman in Profile, 1650

Head of a young man in profile, from Various portraits (Recueil de Diverses Pié
Head of a young man in profile, from Various portraits (Recueil de Diverses Pieces Servant a l Art de Portraiture), ca. 1647

Head of a Bald and Bearded Old Man in Profile, from Various heads and figures (Diverses tetes et figures), 1650

Head of Minerva, from Various heads and figures (Diverses tetes et figures), 1650

Head of a Woman in Three Quarter View, from Various heads and figures (Diverses té
Head of a Woman in Three Quarter View, from Various heads and figures (Diverses tetes et figures), 1650

Two Women Crossing a Stream, ca. 1646. Creator: Stefano della Bella
Two Women Crossing a Stream, ca. 1646

A peasant woman with a cow at a fountain decorated with the Medici arms, from Six animal subjects (Six sujets d animaux), ca. 1646

Herdsman on Horseback Drives Animals, ca. 1646. Creator: Stefano della Bella
Herdsman on Horseback Drives Animals, ca. 1646

Heads of Three Lions, ca. 1641. Creator: Stefano della Bella
Heads of Three Lions, ca. 1641

Herdsman on horseback drives animals, from Six animal subjects (Six sujets d animaux), ca. 1646

Plate 1: seaport with ships, from Seascapes (Paysages maritimes), ca. 1644

Title Page: Paisages maritimes, ca. 1644. Creator: Stefano della Bella
Title Page: Paisages maritimes, ca. 1644

Two Heads of Old Soldiers, after 1641. Creator: Peregrine Lovell
Two Heads of Old Soldiers, after 1641

Plate 10: head of a soldier, from Drawing Basics (I principii del disegno), after 1641

Plate 4: Head of a Woman in Profile, from Second collection of various doodles and etching proofs (Second recueil de divers griffonnements et preuves d eauforte), ca. 1646

Plate 19: Landscape with a Cavalier Watering His Horse at a Fountain, from Various figures and doodles (Diverses figures et griffonnemens), ca. 1646

Plate 18: camel viewed from behind with pyramid at right, from Various animals (Diversi animali), after 1641

Plate 9: leopard, from Various animals (Diversi animali), ca. 1641

Plate 14: shepherdess herding goats, ca. 1641. Creator: Stefano della Bella
Plate 14: shepherdess herding goats, ca. 1641

Plate 13: buffalo lying down, from Various animals (Diversi animali), ca. 1641

Plate 3: seated monkey, from Various animals (Diversi animali), ca. 1641

Plate 7: cow, from Various animals (Diversi animali), ca. 1641

Plate 8: ox, from Various animals (Diversi animali), ca. 1641

Plate 19: wild boar, from Various animals (Diversi animali), ca. 1641

Plate 5: four ears, from The Book for Learning to Draw (Livre pour apprendre à
Plate 5: four ears, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 15: mid-bust of a young woman in profile wearing a hat topped with feathers, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca

Plate 12: head of a child, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Landscape with Two Peasants, One Riding a Horse, from Landscapes and seaports (Paysages et ports de mer, dans des ronds), 1656

Young Satyr About to Bathe in a River, from Landscapes and seaports (Paysages et ports de mer, dans des ronds), 1656

Hounds Chasing a Stag and a Doe, ca. 1654. Creator: Stefano della Bella
Hounds Chasing a Stag and a Doe, ca. 1654

Le Florentin ala chasse, ca. 1654. Creator: Stefano della Bella
Le Florentin a la chasse, ca. 1654

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from Various landscapes (Divers paysages), ca. 1641

Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background

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Stefano, a name that echoes through the vibrant streets of Italy. From the enchanting city of Siena with its majestic Cathedral to the historic Chiese di Santo Stefano in Bologna, his presence is felt. But Stefano's influence extends beyond architecture and churches. He is an artist, a master of capturing mythical tales and playful scenes. In his work "The Three Graces, " he transports us to a world where gods and goddesses reign supreme, reminding us of our fascination with ancient mythology. In another masterpiece by Stefano della Bella, we witness the innocence of childhood as a child and satyr child playfully engage with a goat. The artist's attention to detail brings this scene to life, showcasing his talent for storytelling through art. Yet Stefano's creativity knows no bounds. As seen on the cover of Galileo Galilei's Dialogo, he merges science and art seamlessly. His intricate illustrations invite us into Galileo's world of discovery and intellectual curiosity. Moving from canvas to stage, Stefano lends his artistic touch to theater productions like "The Buffoons. " With its elaborate frontispiece resembling a set on stage, it captures the essence of comedic performances that have entertained audiences for centuries. Santo Stefano dei Cavalieri stands tall in Pisa as yet another testament to Stefano's legacy. This church holds stories untold within its walls; whispers from history echoing through time. Stefano Torelli takes up the brush next as he paints Selene and Endymion in their eternal embrace under moonlit skies. Their love story unfolds before our eyes as Torelli skillfully portrays their passion and longing. Not limited to paintings alone, Stefan della Bella also showcases his talent in other forms such as screen designs like "Rebus of Fortune. " Through intricate details woven together flawlessly, he invites us into a riddle-filled world where luck plays its part.