Studies Collection (page 22)

In the Great North-West with the Marquis of Lorne, XIII (engraving)
1054775 In the Great North-West with the Marquis of Lorne, XIII (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info)

Studies at Suburban Races (engraving)
1058597 Studies at Suburban Races (engraving) by English School, (19th century); Private Collection; (add.info.: Studies at Suburban Races)

Study for Chagford (a Moorland Scene), 1878 (oil on board)
5889178 Study for Chagford (a Moorland Scene), 1878 (oil on board) by Brett, John (1831-1902); 19.1x36.8 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Brown Study (oil on canvas)
5889041 Brown Study (oil on canvas) by Miles, George Frank (1852-91); 50.8x61 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Giuseppe Moto, Violinist (charcoal on paper)
5889018 Giuseppe Moto, Violinist (charcoal on paper) by Sheilds, Frederick James (1833-1911); 33x24.8 cm; Private Collection; Photo eThe Ms Gallery, London; British, out of copyright

Studies of Life and Character at a Railway Station (engraving)
1038323 Studies of Life and Character at a Railway Station (engraving) by English School, (19th century); Private Collection; (add.info.: Studies of Life and Character at a Railway Station)

Study for Cimabues Celebrated Madonna, 1853
1631828 Study for Cimabues Celebrated Madonna, 1853 (pencil on tracing paper laid on card) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Study of a Male Head, 1856 (pencil on paper)
1631824 Study of a Male Head, 1856 (pencil on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

Study after a Bust by Antonio Rossellino, 1854 (pencil on paper)
1631819 Study after a Bust by Antonio Rossellino, 1854 (pencil on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English

Study for Head of a Girl, c. 1893 (black & white chalk on brown paper)
1631807 Study for Head of a Girl, c.1893 (black & white chalk on brown paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English

Study for a Humorous Composition showing a Male Figure and Male Children
1631795 Study for a Humorous Composition showing a Male Figure and Male Children, 1844-52 (pencil & grey wash on brown paper) by Leighton, Frederic (1830-96); Leighton House Museum

Study for The Arts of Industry as Applied to War, c
1631779 Study for The Arts of Industry as Applied to War, c.1871 (black & white chalk on blue paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Verso: Studies of two pairs of legs (pen and brown ink over black chalk)
1217826 Verso: Studies of two pairs of legs (pen and brown ink over black chalk) by Carracci, Ludovico (1555-1619); 35.6x56.7 cm; Ashmolean Museum, University of Oxford

William Lilly, 1646 (oil on canvas)
1217373 William Lilly, 1646 (oil on canvas) by British School, (17th century); 74x61 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Studies of Salmon Boats (bodycolour on paper)
1214178 Studies of Salmon Boats (bodycolour on paper) by Hemy, Charles Napier (1841-1917); 53.8x37.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Female Figure Carrying a Bowl, Study for The Moon
1214057 Female Figure Carrying a Bowl, Study for The Moon (charcoal & ink on brown paper) by Burne-Jones, Edward Coley (1833-98); 17.0x29.0 cm; Laing Art Gallery, Newcastle-upon-Tyne

Sketch for Portrait of Mrs Leathart and Children (w / c & bodycolour on paper)
1213594 Sketch for Portrait of Mrs Leathart and Children (w/c & bodycolour on paper) by Hughes, Arthur (1832-1915); 10.6x5.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Study for Clytemnestra, c. 1873 (black & white chalk on blue paper)
1631776 Study for Clytemnestra, c.1873 (black & white chalk on blue paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; (add.info.: Clytemnestra)

Study for Jezebel and Ahab, c. 1862 (black chalk on blue paper)
1631774 Study for Jezebel and Ahab, c.1862 (black chalk on blue paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English

Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper)
1631767 Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Composition showing Nymphs Dancing on the Sea Shore, 1855 (w / c on paper)
1631765 Composition showing Nymphs Dancing on the Sea Shore, 1855 (w/c on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English

Studies of draped figures (silverpoint heightened with white body colour on prepared
615296 Studies of draped figures (silverpoint heightened with white body colour on prepared paper) by Lippi, Filippino (c.1457-1504) (follower of); eThe Devonshire Collections

Study for the decoration of a ceiling (pen & brown ink with grey brown wash on white
615290 Study for the decoration of a ceiling (pen & brown ink with grey brown wash on white paper) by Orsi da Novellara, Lelio (1511-87); 21.3x21.3 cm; eThe Devonshire Collections

Mountainous landscape with a river, and a fortified town with a spired tower
615272 Mountainous landscape with a river, and a fortified town with a spired tower (pen & brown ink on white paper) by Campagnola, Domenico (fl.1517-62); 21.2x33 cm; eThe Devonshire Collections

A mans heavily draped left arm and shoulder (pen & brown ink with green wash
615264 A mans heavily draped left arm and shoulder (pen & brown ink with green wash heightened with white body colour on white paper) by Cosimo

Self-portrait, imposed on preliminary studies for two canephori of the Steccata
615254 Self-portrait, imposed on preliminary studies for two canephori of the Steccata (pen & brown ink on white paper) by Parmigianino (Francesco Mazzola) (1503-40)

View of the Palazzo Quirinale, 1602 (pen & brown ink with brown wash on white paper)
615244 View of the Palazzo Quirinale, 1602 (pen & brown ink with brown wash on white paper) by Vrancx, Sebastian (1573-1647); 41x27.7 cm; eThe Devonshire Collections

Inside the ruins of the Colosseum (pen & brown ink with brown wash on white paper)
615240 Inside the ruins of the Colosseum (pen & brown ink with brown wash on white paper) by Vrancx, Sebastian (1573-1647); 27.7x42.4 cm; eThe Devonshire Collections

The Torre Fiscale and the ruins of the Aqueduct of Claudio
615233 The Torre Fiscale and the ruins of the Aqueduct of Claudio, 1601 (pen & brown ink with brown wash on white paper) by Vrancx, Sebastian (1573-1647); 27.6x42 cm; eThe Devonshire Collections

Studies at Cyprus (engraving)
1045361 Studies at Cyprus (engraving) by English School, (19th century); Private Collection; (add.info.: Studies at Cyprus)

Study of Two Trees, Bolton, Lake George, New York, 1863 (graphite on beige Bristol paper)
1079316 Study of Two Trees, Bolton, Lake George, New York, 1863 (graphite on beige Bristol paper) by Durand, Asher Brown (1796-1886); 31.1x47 cm; Collection of the New-York Historical Society

The Four Evangelists, c. 1625-26 (oil on panel)
937116 The Four Evangelists, c. 1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x16.5 cm; Fitzwilliam Museum, University of Cambridge

The Meeting of Abraham and Melchisedek, c. 1625-26 (oil on panel)
936986 The Meeting of Abraham and Melchisedek, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 15.6x15.6 cm; Fitzwilliam Museum, University of Cambridge

Fishing Boats at Anchor, 1884 (pastel & gouache on dark grey paper)
1152067 Fishing Boats at Anchor, 1884 (pastel & gouache on dark grey paper) by Blum, Robert Frederick (1857-1903); 29.9x24.4 cm; Sterling and Francine Clark Art Institute, Williamstown

The Acting Manager, Mrs D Oyly Carte, 1884 (etching)
1067484 The Acting Manager, Mrs D Oyly Carte, 1884 (etching) by Sickert, Walter Richard (1860-1942); 22.9x22.5 cm; Dallas Museum of Art, Texas

Male figure study with re-studies of head, arms, shoulder
1072177 Male figure study with re-studies of head, arms, shoulder, and leg (sketches for centre panel of " Autumn" ), April 8, 1918 (pencil & chalk on paper) by Shannon

Male nude (chalk on paper)
1072176 Male nude (chalk on paper) by Shannon, Charles Haslewood (1863-1937); 40.3x15.6 cm; Dallas Museum of Art, Texas, USA; gift of Henry H. Hawley; English, out of copyright

Figural scene (pencil & gouache on brown paper)
1072172 Figural scene (pencil & gouache on brown paper) by Shannon, Charles Haslewood (1863-1937); 51.4x30.5 cm; Dallas Museum of Art, Texas, USA; gift of Henry H. Hawley; English, out of copyright

Study for the dress of Adele Bloch-Bauer, c. 1903 (pencil on paper)
1072252 Study for the dress of Adele Bloch-Bauer, c.1903 (pencil on paper) by Klimt, Gustav (1862-1918); 55.2x34.9 cm; Dallas Museum of Art, Texas, USA; (add.info.: Adele Bloch-Bauer)

Studies for Mother and Child, c. 1885 (red & white chalk on buff laid paper)
996183 Studies for Mother and Child, c.1885 (red & white chalk on buff laid paper) by Renoir, Pierre Auguste (1841-1919); 55.2x66.3 cm; Art Gallery of Ontario, Toronto

Some Studies of Animal Life by Instantaneous Photography (b / w photo)
1062834 Some Studies of Animal Life by Instantaneous Photography (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info)

Studies in Flirts and Flirting (engraving)
1063058 Studies in Flirts and Flirting (engraving) by English School, (19th century); Private Collection; (add.info.: Studies in Flirts and Flirting)

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"Exploring the World of Studies: From Suntop English Setters to Timbuktu" Step into the captivating world of studies, where knowledge and creativity intertwine. In this diverse collection, we delve into various subjects that have fascinated scholars throughout history. Let's begin with Olimpio Fusco's enchanting painting "Suntop English Setters. " With masterful strokes, John Singer Sargent captures the grace and elegance of these majestic dogs, inviting us to ponder their beauty. Moving on to Georges-Pierre Seurat's "Study for A Sunday on La Grande Jatte, " we witness his meticulous technique known as pointillism. Each dot meticulously placed creates a vibrant scene filled with leisurely Parisian life. Leonardo da Vinci's notes take us back in time as we glimpse into the mind of a true Renaissance genius. His sketches and writings reveal his insatiable curiosity about anatomy, inventions, and artistry – a testament to his boundless intellect. A Madame Yevonde portrait introduces us to Baba Beaton, an enigmatic figure captured by the lens. The photograph exudes mystery while showcasing both Madame Yevonde's skill behind the camera and Baba Beaton's intriguing persona. The youthful face staring back at us from WA1846 is shrouded in anonymity but holds an air of self-reflection. Is it a self-portrait? We can only wonder about its origins while admiring its timeless appeal. Next up is an X symbolizing countless untold stories waiting to be discovered through diligent study. It represents all those who seek knowledge beyond boundaries – forever curious souls yearning for enlightenment. Flipping through pages of ancient Greek-Latin dictionaries takes our imagination on a linguistic journey across centuries. These invaluable resources offer glimpses into civilizations long gone but still echoing through words preserved within their pages. Sherlock Holmes' iconic silhouette emerges amidst swirling thoughts – Sherlock Holmes Thinking.