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Studies Collection (page 23)

"Exploring the World of Studies: From Suntop English Setters to Timbuktu" Step into the captivating world of studies, where knowledge and creativity intertwine

Background imageStudies Collection: Studies in Flirts and Flirting (engraving)

Studies in Flirts and Flirting (engraving)
1063058 Studies in Flirts and Flirting (engraving) by English School, (19th century); Private Collection; (add.info.: Studies in Flirts and Flirting)

Background imageStudies Collection: Nude Study, Girl Sitting on a Flowered Cushion, 1923-24 (litho)

Nude Study, Girl Sitting on a Flowered Cushion, 1923-24 (litho)
874707 Nude Study, Girl Sitting on a Flowered Cushion, 1923-24 (litho) by Bellows, George Wesley (1882-1925); 20 x24.13 cm; San Diego Museum of Art

Background imageStudies Collection: Preparatory sketches for 'the Chofu Jewel river in Musashi;The Ide Jewel River

Preparatory sketches for "the Chofu Jewel river in Musashi;The Ide Jewel River
873521 Preparatory sketches for " the Chofu Jewel river in Musashi; The Ide Jewel River, 1838-43 (ink on paper) by Hiroshige

Background imageStudies Collection: Decoration of a Casket, c. 1535 (pen & ink on paper)

Decoration of a Casket, c. 1535 (pen & ink on paper)
930360 Decoration of a Casket, c.1535 (pen & ink on paper) by Bandinelli, Baccio (1488-1560); Ashmolean Museum, University of Oxford

Background imageStudies Collection: Four Studies of Male Nudes (pen & brown ink & wash over red chalk)

Four Studies of Male Nudes (pen & brown ink & wash over red chalk)
880361 Four Studies of Male Nudes (pen & brown ink & wash over red chalk) by French School; Minneapolis Institute of Arts, MN, USA; (add.info.: 10 1/2 x 7 3/8 in)

Background imageStudies Collection: Four studies of a fencer, 1766-69 (pen & ink on paper)

Four studies of a fencer, 1766-69 (pen & ink on paper)
898895 Four studies of a fencer, 1766-69 (pen & ink on paper) by Callot, Jacques (1592-1635); Louvre, Paris, France; (add.info.: Four studies of a fencer.); French, out of copyright

Background imageStudies Collection: Sketches of Animals and Landscapes, 1521 (pen & black ink with blue

Sketches of Animals and Landscapes, 1521 (pen & black ink with blue
877072 Sketches of Animals and Landscapes, 1521 (pen & black ink with blue, grey & rose wash on paper) by DAorer or Duerer

Background imageStudies Collection: Two studies of the Virgin and Child (pen & ink on paper)

Two studies of the Virgin and Child (pen & ink on paper)
885938 Two studies of the Virgin and Child (pen & ink on paper) by Desiderio da Settignano (1428-64); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Deux etudes de Vierge a l Enfant)

Background imageStudies Collection: A Italian Farmyard (pen & brown ink on paper)

A Italian Farmyard (pen & brown ink on paper)
449389 A Italian Farmyard (pen & brown ink on paper) by Callot, Jacques (1592-1635); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; French

Background imageStudies Collection: Don Emanuel Frockas (black chalk on paper)

Don Emanuel Frockas (black chalk on paper)
449382 Don Emanuel Frockas (black chalk on paper) by Dyck, Anthony van (1599-1641); 21.7x17.3 cm; eThe Devonshire Collections

Background imageStudies Collection: Paulus Halmalius, vulgo van Halmale, c. 1632-35 (black chalk on white paper)

Paulus Halmalius, vulgo van Halmale, c. 1632-35 (black chalk on white paper)
449378 Paulus Halmalius, vulgo van Halmale, c.1632-35 (black chalk on white paper) by Dyck, Anthony van (1599-1641); 25x19.7 cm; eThe Devonshire Collections

Background imageStudies Collection: Jan Snellincx (black chalk on white paper)

Jan Snellincx (black chalk on white paper)
449377 Jan Snellincx (black chalk on white paper) by Dyck, Anthony van (1599-1641); 29.5x19.6 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Jan Snellinck (c)

Background imageStudies Collection: A Wolf and Fox Hunt (The European Hunt) (chalks with wash on paper)

A Wolf and Fox Hunt (The European Hunt) (chalks with wash on paper)
449371 A Wolf and Fox Hunt (The European Hunt) (chalks with wash on paper) by Dyck, Anthony van (1599-1641); 24.7x36 cm; eThe Devonshire Collections

Background imageStudies Collection: Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)

Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)
449368 Study for the Entombment, c.1617-18 (pen & ink over chalks with wash & gouache on paper) by Dyck, Anthony van (1599-1641); 25.2x21.7 cm; eThe Devonshire Collections

Background imageStudies Collection: The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w / c on paper)

The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w / c on paper)
449361 The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w/c on paper) by Bonnet, Sylvain (fl.1672-92); 49.2x37.8 cm; eThe Devonshire Collections

Background imageStudies Collection: A Mausoleum (pen & brown ink on paper)

A Mausoleum (pen & brown ink on paper)
449360 A Mausoleum (pen & brown ink on paper) by Vrancx, Sebastian (1573-1647); 26.8x31.3 cm; eThe Devonshire Collections

Background imageStudies Collection: Columniated ruins of the Temple of Minerva, Forum of Nerva

Columniated ruins of the Temple of Minerva, Forum of Nerva
449356 Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper) by Vrancx, Sebastian (1573-1647); 27.8x39 cm; eThe Devonshire Collections

Background imageStudies Collection: Seven studies of the head of an elderly bearded man, with two others of different men

Seven studies of the head of an elderly bearded man, with two others of different men
449298 Seven studies of the head of an elderly bearded man, with two others of different mens heads and two of a woman, one with a cap, c.1616 (pen & ink with chalk on paper) by Rubens

Background imageStudies Collection: The Arch of Septimus Severus, Rome (pen & ink on paper)

The Arch of Septimus Severus, Rome (pen & ink on paper)
449246 The Arch of Septimus Severus, Rome (pen & ink on paper) by Brueghel, Jan the Elder (1568-1625); 19.4x27.5 cm; eThe Devonshire Collections

Background imageStudies Collection: Study for an Angel in The Sorrowful Mysteries

Study for an Angel in The Sorrowful Mysteries
496897 Study for an Angel in The Sorrowful Mysteries, 1890-1916 (charcoal & stump on paper) by Sargent, John Singer (1856-1925); 62.5x47.9 cm; Corcoran Collection, National Gallery of Art

Background imageStudies Collection: Figure Study: two women seated on a river bank (graphite & w / c on paper)

Figure Study: two women seated on a river bank (graphite & w / c on paper)
423944 Figure Study: two women seated on a river bank (graphite & w/c on paper) by Steer, Philip Wilson (1860-1942); 17.8x25.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageStudies Collection: La belle alliance, (pen & ink with graphite on paper)

La belle alliance, (pen & ink with graphite on paper)
423908 La belle alliance, (pen & ink with graphite on paper) by Sickert, Walter Richard (1860-1942); 36.6x25.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageStudies Collection: Plate IV, study for Actinologia Britannica: A History of the British Sea Anemones

Plate IV, study for Actinologia Britannica: A History of the British Sea Anemones
HSC403352 Plate IV, study for Actinologia Britannica: A History of the British Sea Anemones and Corals, c.1858-60 (graphite, w/c & gouache on paper) by Gosse, Philip Henry (1810-88); Horniman Museum

Background imageStudies Collection: Plate I, study for Actinologia Britannica: A History of the British Sea Anemones

Plate I, study for Actinologia Britannica: A History of the British Sea Anemones
HSC403351 Plate I, study for Actinologia Britannica: A History of the British Sea Anemones and Corals, c.1858-60 (graphite, w/c & gouache on paper) by Gosse, Philip Henry (1810-88); Horniman Museum

Background imageStudies Collection: Plate II, study for Actinologia Britannica: A History of the British Sea Anemones

Plate II, study for Actinologia Britannica: A History of the British Sea Anemones
HSC403350 Plate II, study for Actinologia Britannica: A History of the British Sea Anemones and Corals, c.1858-60 (graphite, w/c & gouache on paper) by Gosse, Philip Henry (1810-88); Horniman Museum

Background imageStudies Collection: A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing

A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing
449355 A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing (pen & brown ink with brown wash on paper) by Vrancx

Background imageStudies Collection: Fragments of stone carving from the Abbey of St Saviour in Bermondsey (engraving)

Fragments of stone carving from the Abbey of St Saviour in Bermondsey (engraving)
781260 Fragments of stone carving from the Abbey of St Saviour in Bermondsey (engraving) by Basire, James (1730-1802); length: 19 cm; London Metropolitan Archives

Background imageStudies Collection: Cafe Vernet (pen & brown ink on paper)

Cafe Vernet (pen & brown ink on paper)
423994 CafeVernet (pen & brown ink on paper) by Sickert, Walter Richard (1860-1942); 27.5x21.1 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: pen and brown ink on paper)

Background imageStudies Collection: Le Chateau d Hibourville (pen, Indian ink, black chalk & w / c on paper)

Le Chateau d Hibourville (pen, Indian ink, black chalk & w / c on paper)
423953 Le ChAteau d Hibourville (pen, Indian ink, black chalk & w/c on paper) by Sickert, Walter Richard (1860-1942); 25x36.1 cm; Fitzwilliam Museum, University of Cambridge

Background imageStudies Collection: Two studies of a horses head (black, white & brown chalks on blue paper)

Two studies of a horses head (black, white & brown chalks on blue paper)
CTS441466 Two studies of a horses head (black, white & brown chalks on blue paper) by Boeckhorst, Jan (1605-68); 26.4x39.1 cm; eThe Devonshire Collections

Background imageStudies Collection: Thames at Barnes, 1886 (pencil & charcoal on paper)

Thames at Barnes, 1886 (pencil & charcoal on paper)
LMG394624 Thames at Barnes, 1886 (pencil & charcoal on paper) by Grimshaw, John Atkinson (1836-93); 11.3x17.9 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

Background imageStudies Collection: Study for a Portrait of Frederica, c. 1878 (w / c on paper)

Study for a Portrait of Frederica, c. 1878 (w / c on paper)
2601916 Study for a Portrait of Frederica, c.1878 (w/c on paper) by Goodall, Frederick (1822-1904); Private Collection; (add.info.: The artists daughter.); Bourne Gallery, Reigate, Surrey; English

Background imageStudies Collection: Bosses from St Thomass Church (pencil & w / c on paper)

Bosses from St Thomass Church (pencil & w / c on paper)
2831566 Bosses from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageStudies Collection: Two stone heads in wall of Prebendal House (pencil & w / c on paper)

Two stone heads in wall of Prebendal House (pencil & w / c on paper)
2831384 Two stone heads in wall of Prebendal House (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageStudies Collection: Leaves from life: two types of music from either end of the social spectrum

Leaves from life: two types of music from either end of the social spectrum, a new series of studies by Edmund Blampied. A charity concert and In the backwoods of Kennington - the lodger. Date: 1933

Background imageStudies Collection: Leaves from life: a new series of studies by Edmund Blampied

Leaves from life: a new series of studies by Edmund Blampied. The workers hard-won weekly leisure in A cobblers Sunday morning

Background imageStudies Collection: Young Woman Reading a Fashion Magazine, 1914 (screen print)

Young Woman Reading a Fashion Magazine, 1914 (screen print)
2622356 Young Woman Reading a Fashion Magazine, 1914 (screen print) by American School, (20th century); Private Collection; (add.info)

Background imageStudies Collection: Unfinished Letter with Studies for the Ugolino Group, 1858 (pen & ink on paper)

Unfinished Letter with Studies for the Ugolino Group, 1858 (pen & ink on paper)
2971941 Unfinished Letter with Studies for the Ugolino Group, 1858 (pen & ink on paper) by Carpeaux, Jean-Baptiste (1827-75); 26.8x20.5 cm; The Art Institute of Chicago, IL

Background imageStudies Collection: Young Bull, c. 1493 (pen & black ink on ivory laid paper)

Young Bull, c. 1493 (pen & black ink on ivory laid paper)
2971566 Young Bull, c.1493 (pen & black ink on ivory laid paper) by DAorer or Duerer, Albrecht (1471-1528); 17.5x14 cm; The Art Institute of Chicago, IL, USA; Clarence Buckingham Collection; German

Background imageStudies Collection: Sketches of snails, flowering plant, c. 1880 (w / c, over touches of graphite

Sketches of snails, flowering plant, c. 1880 (w / c, over touches of graphite
2971504 Sketches of snails, flowering plant, c.1880 (w/c, over touches of graphite, on ivory laid paper, laid down on ivory wove paper) by Manet

Background imageStudies Collection: Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape

Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape
2968328 Fragments of bodies, a decorative design and two crouching Tahitian women in a landscape related to Nafea Faaipoipo (When Will You Marry)

Background imageStudies Collection: Committee Room, Lloyds of London (colour photo)

Committee Room, Lloyds of London (colour photo)
3095073 Committee Room, Lloyds of London (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Committee Room, Lloyds of London)

Background imageStudies Collection: Study for the Frontispiece for Varie Vedute del Gentile, c

Study for the Frontispiece for Varie Vedute del Gentile, c
2972498 Study for the Frontispiece for Varie Vedute del Gentile, c.1755 (pen & brown ink, with brush & brown wash, over black chalk, on ivory laid paper, tipped onto ivory wove paper) by Le Prince

Background imageStudies Collection: Allotment studies by G. E. Studdy

Allotment studies by G. E. Studdy
No. I. - Back to the land and what it fills like! To tackle food shortages, people were given plots to grow their own vegetables, in this cartoon a man is in agonising back pain

Background imageStudies Collection: Tea caddy, c. 1860 (carved and incised wooden caddy with zinc

Tea caddy, c. 1860 (carved and incised wooden caddy with zinc
3084508 Tea caddy, c.1860 (carved and incised wooden caddy with zinc and velvet lined compartments and containing a cut glass bowl) by English School

Background imageStudies Collection: Three photo studies of Hollywood film stars: Buster

Three photo studies of Hollywood film stars: Buster Keaton, Natalie Talmadge, Constance Talmadge and Buster Collier (all United Artists)

Background imageStudies Collection: The Temple of Love, Indamoras Headdess and Sketches of Heads, 1635 (ink on paper)

The Temple of Love, Indamoras Headdess and Sketches of Heads, 1635 (ink on paper)
3090158 The Temple of Love, Indamoras Headdess and Sketches of Heads, 1635 (ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections



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"Exploring the World of Studies: From Suntop English Setters to Timbuktu" Step into the captivating world of studies, where knowledge and creativity intertwine. In this diverse collection, we delve into various subjects that have fascinated scholars throughout history. Let's begin with Olimpio Fusco's enchanting painting "Suntop English Setters. " With masterful strokes, John Singer Sargent captures the grace and elegance of these majestic dogs, inviting us to ponder their beauty. Moving on to Georges-Pierre Seurat's "Study for A Sunday on La Grande Jatte, " we witness his meticulous technique known as pointillism. Each dot meticulously placed creates a vibrant scene filled with leisurely Parisian life. Leonardo da Vinci's notes take us back in time as we glimpse into the mind of a true Renaissance genius. His sketches and writings reveal his insatiable curiosity about anatomy, inventions, and artistry – a testament to his boundless intellect. A Madame Yevonde portrait introduces us to Baba Beaton, an enigmatic figure captured by the lens. The photograph exudes mystery while showcasing both Madame Yevonde's skill behind the camera and Baba Beaton's intriguing persona. The youthful face staring back at us from WA1846 is shrouded in anonymity but holds an air of self-reflection. Is it a self-portrait? We can only wonder about its origins while admiring its timeless appeal. Next up is an X symbolizing countless untold stories waiting to be discovered through diligent study. It represents all those who seek knowledge beyond boundaries – forever curious souls yearning for enlightenment. Flipping through pages of ancient Greek-Latin dictionaries takes our imagination on a linguistic journey across centuries. These invaluable resources offer glimpses into civilizations long gone but still echoing through words preserved within their pages. Sherlock Holmes' iconic silhouette emerges amidst swirling thoughts – Sherlock Holmes Thinking.