Studio Publications Collection (page 4)

Creole Dance, 1926. Artist: Pedro Figari
Creole Dance, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Water-Colour, 1926. Artist: Takahito Iwai
Water-colour, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Copy of Rembrandts Portrait of Himself. 1926. Artist: CM Berwick
Copy of Rembrandts Portrait of Himself. 1926. After Rembrandt Harmenszoon van Rijn (1606-1669). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Tomb of Ieyasu, Founder of the Tokugawa Dynasty, at Nikko, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

John Rothenstein, Esq. 1926. Artist: William Rothenstein
John Rothenstein, Esq. 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Professor EP Cathcart, CBE. FRS. (Glasgow University), 1926. Artist: Norah Neilson Gray
Professor EP Cathcart, CBE. FRS. (Glasgow University), 1926. Edward Provan Cathcart (1877-1954), Scottish physician and physiologist. From The Studio Volume 91

Anna, 1926. Artist: Warwick Reynolds
Anna, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Lily Basin, The White Lodge, Richmond, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Chekiang, 1926. Artist: Estelle Nathan
Chekiang, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Boyard Palace of the Princes Youssoupoff in Moscow, c1900, (1926). Artists: Leonid Brailovsky
The Boyard Palace of the Princes Youssoupoff in Moscow, c1900, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Tengus, c1880, (1926). Artist: Tsukioka Yoshitoshi
The Tengus, c1880, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Illustration for Le Retour Du Marin, 1926. Artist: Rene Georges Hermann-Paul
Illustration for Le Retour Du Marin, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Capstan, 1926. Artist: Arthur Briscoe
The Capstan, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Mr. and Mrs. Robert Campbell of Kailzie, c1805, (1926). Artist: Henry Raeburn
Mr. and Mrs. Robert Campbell of Kailzie, c1805, (1926). This painting is part of the Glasgow Art Gallery collections, Glasgow. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

The Pilot, 1925, (1926). Artist: Arthur Briscoe
The Pilot, 1925, (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Design for Block Printed Silk, 1926. Artist: Margery Tomlin
Design for Block Printed Silk, 1926. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Silver Sun, c1920 (1926). Artist: Reginald Guy Kortright
Silver Sun, c1920 (1926). From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Sketch Of A Woman c1885, (1896). Artist: James Abbott McNeill Whistler
Sketch Of A Woman c1885, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Mid-day at Puebla, c1895, (1896). Artist: Mortimer Luddington Menpes
Mid-day at Puebla, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Night Scene at Puebla, c1895, (1896). Artist: Mortimer Luddington Menpes
Night Scene at Puebla, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

A Corner Fireplace, c1895, (1896). Artist: Mackay Hugh Baillie Scott
A Corner Fireplace, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Sketch of A Girl, c1885, (1896). Artist: Sir Lawrence Alma-Tadema
Sketch of A Girl, c1885, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Portrait Sketch, c1895, (1896). Artist: Alfred Hartley
Portrait Sketch, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Study of a Young Man, Seated, 1895, (1896). Artist: John Singer Sargent
Study of a Young Man, Seated, 1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Head Sketch, c1895, (1896). Artist: George Frederick Watts
Head Sketch, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

St. Martin in Heaven, (1896). Artist: Ford Madox Brown
St. Martin in Heaven, 1897. A Sketch of the St Martin Window, in the Church of St Martin on the Hill, Scarborough, designed by Ford Maddox Brown, depicting St Martin in heaven

Design by Mori-Kawa Sobun, c1890, (1896). Artist: Morikawa Sobun
Design by Mori-Kawa Sobun, c1890, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Pan of Rohallion, c1890, (1896). Artist: Frederick William MacMonnies
Pan of Rohallion, c1890, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Mother and child, c1897, (1897). Artist: Maurice Greiffenhagen
Mother and child, c1897, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

A Swell, c1896, (1897). Artist: Philip William May
A Swell, c1896, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Female Study, c1897, (1897). Artist: Frederic Leighton
Female Study, c1897, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Chimneypiece, c1895, (1897). Artist: George Washington Jack
Chimneypiece, c1895, (1897). A chimneypiece designed by George Washington Henry Jack (1855-1931). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Fireplace, c1895, (1897). Artist: Charles Francis Annesley Voysey
Fireplace, c1895, (1897). A fireplace designed by Charles Francis Annesley Voysey (1857-1941). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Illustration for The Altar Book, 1892, (1897). Artist: Robert Anning Bell
Illustration for The Altar Book, 1892, (1897). Daniel Berkeley Updike (1860-1941) oversaw the design of The Altar Book, a large format liturgical book for the Episcopal Church in New England

Study for Rizpah, c1870, (1897). Artist: Frederic Leighton
Study for Rizpah, c1870, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Studies for Wedded, 1882, (1897). Artist: Frederic Leighton
Studies for Wedded, 1882, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Female Study, c1895, (1897). Artist: Robert Fowler
Female Study, c1895, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Study for The Arts of Industry as Applied to War, c1870, (1897). Artist: Frederic Leighton
Study for The Arts of Industry as Applied to War, c1870, (1897). A study for the fresco, The Arts of Industry as Applied to War. From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Illustration for the Faerie Queene, c1890, (1897). Artist: Walter Crane
Illustration for the Faerie Queene, c1890, (1897). A teme of dolphins raunged in aray, Drew the smooth charett of sad Cymoent; They were all taught by Triton, to obey, To the long raynes

Lectern with Books, c1895, (1897). Artist: William Bainbridge Reynolds
Lectern with Books, c1895, (1897). A lectern designed by William Bainbridge Reynolds (1855-1935) in a quasi- Art Nouveau / Arts and crafts style for the church of St Cuthbert and St Matthias

Flower Market Paris, 1890, (1897. ) Artist: Charles John Watson
Flower Market Paris, 1890, (1897.) From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Coutances, 1896, (1897). Artist: Charles John Watson
Coutances, 1896, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Lionel Smythe, c1917, (1919). Lionel Percy Smythe (1839-1918), artist and etcher. From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Girl Knitting, c1917, (1919). Artist: Lionel Percy Smythe
Girl Knitting, c1917, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Portrait of Miss Vivian St. George, 1917, (1919). Artist: Edmund Dulac
Portrait of Miss Vivian St. George, 1917, (1919). Vivian St George, goddaughter of Princess Alice of Monaco (1858-1925). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

L Enfance De Jeanne D Arc, c1918, (1919). Artist: Edward Reginald Frampton
L Enfance De Jeanne D Arc, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Our Lady of Promise, c1918, (1919). Artist: Edward Reginald Frampton
Our Lady of Promise, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Morning on the Shuswap, c1918, (1919). Artist: Charles John Collings
Morning on the Shuswap, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

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"Exploring the Timeless Beauty: Studio Publications Unveil Artistic Gems" Step into a world of artistic marvels as Studio Publications takes you on a captivating journey through time. Delve into the enchanting Vale of Aylesbury, brought to life in 1933 by the talented brushstrokes of Rex Whistler. Lose yourself in the mesmerizing strokes of JMW Turner's A First Rate Taking in Stores, an exquisite masterpiece from 1818. Immerse yourself in Joseph Edward Southall's The Old Fisherman, a poignant portrayal from 1903 that captures both the serenity and hardships of a noble profession. Surrender to Harry Clarke's spellbinding creation, The Song of the Mad Prince, crafted around 1917 with intricate details that transport you to another realm. Witness Edmund Hort New's breathtaking depiction of Christchurch, Oxford, painted with love and precision back in 1916. Marvel at Charles Rennie Mackintosh's Port Vendres, La Ville - a stunning composition dating back to approximately 1925 that showcases his unparalleled talent. Journey alongside JMW Turner once more as he immortalizes Shoeburyness Fisherman Hailing a Whitstable Hoy - an evocative piece capturing maritime life circa 1809. Allow Harry Clarke's Morella (c1920) to captivate your imagination with its ethereal beauty and haunting allure. Indulge your senses with John William Waterhouse's The Charmer (1911), where every brushstroke tells a tale woven within layers of mystery and fascination. Step further back in time as Hans Holbein the Younger presents us with his timeless Portrait of Jane Seymour from 1536 (1936), offering an intimate glimpse into history. Feel George Clausen’s Reading by Lamplight (Twilight: Interior) embrace you warmly; let it transport you to moments filled with tranquility and introspection.