Studio Publications Collection (page 5)

L Enfance De Jeanne D Arc, c1918, (1919). Artist: Edward Reginald Frampton
L Enfance De Jeanne D Arc, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Our Lady of Promise, c1918, (1919). Artist: Edward Reginald Frampton
Our Lady of Promise, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Morning on the Shuswap, c1918, (1919). Artist: Charles John Collings
Morning on the Shuswap, c1918, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Johneen, son of Mr and Mrs. John Noble, 1911, (1919). Artist: Edward Reginald Frampton
Johneen, son of Mr and Mrs. John Noble, 1911, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Early Morning Avignon, c1910, (1919). Artist: Herbert Edwin Pelham Hughes-Stanton
Early Morning Avignon, c1910, (1919). From The Studio Volume 75. [London Offices of the Studio, London, 1919]

Knickerbockers in Venice, 1893, (1894). Artist: Dudley Hardy
Knickerbockers in Venice, 1893, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Shrewsbury Castle, from the station yard, c1893, (1894). Artist: Charles George Harper
Shrewsbury Castle, from the station yard, c1893, (1894). An engraving of Shrewsbury Castle, Shrewsbury, Shropshire. From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Portrait of an old woman, c1890, (1894). Artist: Mortimer L Menpes
Portrait of an old woman, c1890, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Stokesay Castle, c1893, (1894). Artist: Charles George Harper
Stokesay Castle, c1893, (1894). Stokesay Castle, Stokesay, Shropshire, was built in the late 13th century by Laurence of Ludlow, the leading wool merchant in England. From The Studio Volume 3

Clown Sketch, c1893, (1894). Artist: Bernard Partridge
Clown Sketch, c1893, (1894). Pile ou Face ? Heads or Tails? From The Studio Volume 3. [London Offices of the Studio, London, 1894]

A Bookplate, 1894, (1894). Artist: Robert Anning Bell
A Bookplate, 1894, (1894). A bookplate designed for Frederic Leighton (1830-1896). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

From Waterloo Bridge, 1873, (1894). Artist: Herbert Menzies Marshall
From Waterloo Bridge, 1873, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

The Embankment, Westminster, c1892, (1894). Artist: Herbert Menzies Marshall
The Embankment, Westminster, c1892, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

From Limehouse Pier, 1873, (1894). Artist: Herbert Menzies Marshall
From Limehouse Pier, 1873, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Study of a Head, c1893, (1894). Artist: Mortimer L Menpes
Study of a Head, c1893, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Etude, c1890, (1894). Artist: Paul Helleu
Etude, c1890, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Spring, c1894, (1894). Artist: Ernst Lambert
Spring, c1894, (1894). C. Angerer & Goschl founded in Vienna in 1870, is recognised as an early photographic studio, specialising in halftone image print. From The Studio Volume 3

Winter, c1894, (1894). Artist: Ernst Lambert
Winter, c1894, (1894). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

A Horse Fair at Southampton, c1820, (1918). Artist: Thomas Rowlandson
A Horse Fair at Southampton, c1820, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Pool, 1906, (1918). Artist: Robert Anning Bell
The Pool, 1906, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The River, Richmond, c1910, (1918). Artist: Horace Mann Livens
The River, Richmond, c1910, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Ambassadors, c1917, (1918). Artist: George Sheringham
The Ambassadors, c1917, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Snuff-Box, c1740, (1918). Artists: Jean-Simeon Chardin, Godefroy
Snuff-Box, c1740, (1918). A snuff box produced by Jeweller M. Godefroy, painted in 1740 by Jean-Baptiste Simeon Chardin. From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Rheims Cathedral, 1914, (1918). Artist: Allan Douglass Mainds
Rheims Cathedral, 1914, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Folding Time, c1900, (1918). Artist: Edward Stott
Folding Time, c1900, (1918). Painting held at the Ferens Art Gallery, Kingston upon Hull. From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Brighton, c1905, (1918). Artist: Charles Conder
Brighton, c1905, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Le Palais Blanc, Automne, Venise, c1906, (1918). Artist: Henri Eugene Le Sidaner
Le Palais Blanc, Automne, Venise, c1906, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Forth Bridge, 1914, (1918). Artist: Sir John Lavery
The Forth Bridge, 1914, (1918). Painting held at the Imperial War Museum, London. From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Persian Vase, c1916. Artist: George Sheringham
The Persian Vase, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Flowered Shaw, c1916. Artist: George Sheringham
The Flowered Shaw, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

A Landscape Time Sketch, c1916. Artist: George Sheringham
A Landscape Time Sketch, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Study of Line by Herbert Draper, c1903. Artist: Herbert James Draper
Study of Line by Herbert Draper, c1903. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Study for a Decoration, The Evening Hours, c1916. Artist: Herbert James Draper
Study for a Decoration, The Evening Hours, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Gleaning Oats, France, c1900. Artist: Lionel Percy Smythe
Gleaning Oats, France, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

A Lofoden Seascape, c1910. Artist: Anna Katarina Boberg
A Lofoden Seascape, c1910. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

An Etching of the Dowagger Queen of Sweden, c1909. Artist: Anders Leonard Zorn
An Etching of the Dowagger Queen of Sweden, c1909. An etching of Sophia Wilhelmine Marianne Henriette (1836-1913) The Dowager of Sweden. From The Studio Volume 49

Boatbuilders Yard, Rye, 1910. Artist: Albert Goodwin
Boatbuilders Yard, Rye, 1910. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Bristol, 1903. Artist: Albert Goodwin
Bristol, 1903. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

The Banks of the Loir, c1900. Artist: William Alfred Gibson
The Banks of the Loir, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

A Picardy Farmyard, c1900. Artist: Henry Silkstone Hopwood
A Picardy Farmyard, c1900. From The Studio Volume 49. [London Offices of the Studio, London, 1910]

Water Lilies, c1870. Artist: James Aumonier
Water Lilies, c1870. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Le Boulevard Des Italiens, Paris, c1908. Artist: Jean Francois Raffaelli
Le Boulevard Des Italiens, Paris, c1908. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Shaftesbury Memorial Fountain, c1909. Artist: Frederick Hollyer
Shaftesbury Memorial Fountain, c1909. The Shaftesbury Memorial Fountain in Piccadilly Circus, London, was erected in 1892-1893 to commemorate the philanthropic works of Lord Shaftesbury (1801-1885)

Interior of Grand Trunk Railways new London offices with tempera frieze by Frank Brangwyn, c1909. The Grand Trunk Railway London headquarters were at Cockspur Street

The Vicar, 1909. Artist: Charles Edmund Brock
The Vicar, 1909. The illustration was featured in Punch magazine, 1909. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Portrait of Washington Irving, c1820. Artist: William Foy
Portrait of Washington Irving, c1820. Washington Irving (1783-1859), American author, essayist, biographer, historian, and diplomat of the early 19th century. From The Studio Volume 68

The Crown Princess Margaret of Sweden, 1914. Artist: Anders Leonard Zorn
The Crown Princess Margaret of Sweden, 1914. Crown Princess Margaret of Sweden (1882-1920). From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Promenade, Tokyo, c1894. Artist: George Henry
The Promenade, Tokyo, c1894. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

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"Exploring the Timeless Beauty: Studio Publications Unveil Artistic Gems" Step into a world of artistic marvels as Studio Publications takes you on a captivating journey through time. Delve into the enchanting Vale of Aylesbury, brought to life in 1933 by the talented brushstrokes of Rex Whistler. Lose yourself in the mesmerizing strokes of JMW Turner's A First Rate Taking in Stores, an exquisite masterpiece from 1818. Immerse yourself in Joseph Edward Southall's The Old Fisherman, a poignant portrayal from 1903 that captures both the serenity and hardships of a noble profession. Surrender to Harry Clarke's spellbinding creation, The Song of the Mad Prince, crafted around 1917 with intricate details that transport you to another realm. Witness Edmund Hort New's breathtaking depiction of Christchurch, Oxford, painted with love and precision back in 1916. Marvel at Charles Rennie Mackintosh's Port Vendres, La Ville - a stunning composition dating back to approximately 1925 that showcases his unparalleled talent. Journey alongside JMW Turner once more as he immortalizes Shoeburyness Fisherman Hailing a Whitstable Hoy - an evocative piece capturing maritime life circa 1809. Allow Harry Clarke's Morella (c1920) to captivate your imagination with its ethereal beauty and haunting allure. Indulge your senses with John William Waterhouse's The Charmer (1911), where every brushstroke tells a tale woven within layers of mystery and fascination. Step further back in time as Hans Holbein the Younger presents us with his timeless Portrait of Jane Seymour from 1536 (1936), offering an intimate glimpse into history. Feel George Clausen’s Reading by Lamplight (Twilight: Interior) embrace you warmly; let it transport you to moments filled with tranquility and introspection.