Study Drawing Collection (page 15)

Source Size = 3600 x 2557
The Afghan War: a Sketch in General Sir F. Robertss Headquarters, Sherpore Cantonments, 1880

Source Size = 3563 x 4772
An Irish Obstructionist: a Sketch on the Road, Connemara, 1880

Source Size = 3567 x 5194
The State of Ireland: Sketches in Galway, 1880

Source Size = 3861 x 2432
Margate, from an Original Sketch

Source Size = 3851 x 2486
Broadstairs, from an Original Sketch

Source Size = 3913 x 2414
The War in Italy, Austrian Post Near the Railway Bridge at Valenza, from a Sketch by M. Beauce

Source Size = 3872 x 2531
The War, Austrians Crossing the Lago Maggiore, from a Sketch by Thomas

Source Size = 3917 x 2474
The War, Feriolo, on the Lago Maggiore, from a Sketch by W.L. Leitch

Source Size = 3821 x 2884
The War, Arrival of the Second Division of the 4th Corps of French Troops at Modane, Savoy, on the 3rd Inst. from a Sketch by J.A. Beauce

Source Size = 3958 x 2367
Burning of the " eastern Monarch" at Spithead, from a Sketch Taken at Haslar Hospital

Source Size = 2519 x 3911
Queen Matildas Church at Caen, Normandy, from a Sketch by G. Bouet

Source Size = 3955 x 2349
The War in Italy, a Sketch in the Place De LA Concorde, Paris, on the Proclamation Day

Source Size = 3947 x 2498
A Sketch at the Landing Place, Canton, after the Fight

Source Size = 3965 x 2873
Destruction by Fire of Birdingbury Hall, Warwickshire, from a Sketch by Mr. R.G. Sweeting, of Southam

Source Size = 3824 x 2037
The Mutiny in India: Sketch Among the Remains of the Cantonment Bazaar Delhi

Sketches in the Bank of England: Machine for Weighing Gold, 1873

Sketches in Newgate: Visiting Day, 1873

Sketches on the Way to Vienna: a Students Adieu at Stuttgart; Thirsty Louts at Augsburg; at Strasburg; at Munich; at Passau; 1873

Sketches on the Road to Vienna: on Board the Maximilian; Chalets on the Banks Of
Sketches on the Road to Vienna: on Board the Maximilian; Chalets on the Banks of the Danube; on the Danube; Peasants at Linz; at Linz; Priests of Linz; Market at Linz; 1873

Source Size = 1296 x 2236
Sketch in the Ring, " i ll Bet against Clincher"

Source Size = 3888 x 2520
Husyn-Abdal, in the Punjab, from a Sketch by G.T. Vigne, Esq

Source Size = 3831 x 2509
Epsom Spring Meeting, Sketch on the Downs, Preparing to Start for the Great Metropolitan Stakes, April 13, 1850

Source Size = 2505 x 2091
Picturesque Sketches of London, Street Sights

Source Size = 1853 x 1940
Sketch in a House at Faheys Quay, Ennis, the Widow Connor and her Dying Child

Source Size = 3037 x 2132
Barbadoes, from an Original Sketch

Source Size = 2461 x 2958
Sketch from the Grand Polish Ball, at Williss Room, King-Street, St. James s, London, Great Britain

Hennepins sketch of Niagara in 1678, USA

Sketch of James Rumseys boat, according to the drawing that accompanies his Patent Application

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"Exploring the Art of Study Drawing: From Venice's San Giorgio to Captivating Portraits" Immerse yourself in the world of study drawing, where artists capture intricate details and emotions through various mediums. Transporting us to the enchanting city of Venice, a vibrant color lithograph depicts the magnificent San Giorgio, inviting us to delve into artistic inspiration. Intriguingly, a sick woman lies in bed, possibly Saskia, wife of a renowned painter from 1640. With pen, brush, and gouache as their tools, artists skillfully bring forth delicate nuances and tender expressions. Moving forward in time to c. 1723-24, we encounter an academic nude seated with hands clasped on light brown paper using red and white chalk. The artist masterfully portrays both vulnerability and strength through this captivating figure study. Head studies painted meticulously on panel showcase the artist's dedication to capturing every detail with oil paints. These intimate glimpses into human features allow for exploration of individuality and character. A graphite sketch titled "Tuning" transports us back to 1867 when an artist used simple lines to convey movement and rhythm within a musical scene. This minimalist approach highlights the power of suggestion while leaving room for interpretation. Traveling once again to Venice in 1840 via pencil and watercolor on card medium reveals "First of the Month's Sculptures. " This artwork captures St Mark's Square adorned with sculptures that celebrate artistry itself—a tribute within a tribute. "The Triumph of the Church, " created after 1628 using oil on wood technique showcases religious symbolism intertwined with artistic prowess—an allegorical representation that captivates viewers' imagination. Delving deeper into history brings us face-to-face with Guinevere herself during her portrayal as Sir Launcelot's muse in 1857. Pencil strokes combined with watercolors breathe life into this study—offering a glimpse into the artist's creative process.